Very Good thank you for this! I also did a fillet on the inside base edge. Now off to print one.

Hi Linkage, Great videos man, can anyone please answer, if the blender settings are configured for accuracy, why can't a model (like the koenigsegg be used to a mock up or a prototype. What does alias have that would allow it to excel over blender. I ask because I have a school project and I'm thinking of learning alias just for this project, or can I just make due with using blender to create a prototype ??

You guys are great. Nice cast.

Mozt underrated channel ive ever zeen in my life

Thank you very much

wow that is a shit haircut

If you export as .fbx it maintains the creases.

Is there a discord server set up?

Following along! I don't see the logo file here, but maybe im just missing it. I'll download or use a different image (like my logo for now) I'm also listening at half speed. I'm super slow! Learning a lot so far, thank you :)

Thanks for the awesome tutorial!

do more car related tutorials please, workflow for game asset car etc

Nice presentation. Gravity Sketch always looks interesting. My mental block is the absence of friction and resistance. 'Gravity' in the sense of consequence of movement. The counter, 'weightless' has both a benefit to freedom of movement and the drawback of nothing to push against. The friction of drawing on paper vs the slick smooth surface of a digital tablet changes the character of the lines. In the digital design evolution, that is the first level of reduction of friction. Modern designers have accepted that loss, however I'd argue there has been a slight cost in the end result. Drawing in space with zero friction as with Gravity Sketch seems like the next step in reduction. Nothing to steady the hand, nothing to dampen, nothing to build upon or to subtract from. Each movement is new and abstracted to entirely visual feedback. No pins to the real world other than visual. The absolute joy of working with Chavant clay is the physical resistance and the compression and scraping. The subtleties of temperature and tools all come into play. At the same time it is very expensive in terms of time and energy. Slow to iterate, difficult to build long slow perfectly fair surfaces that are simple in CAD. Shaping on a clay CNC platform and being able to work back for forth between the two methods is the ideal. Digital aspects are obviously the way to form find, in my mind, there is a physical aspect that will be integrated in the next evolutions.

Great Tutorial! Thanks : )

Thank you so much for clear explanation

Very good tutorial ! Thank you

Finally animated options! In Alias?!?

Looks great! When are you releasing this update?!?

Hello sir. How to convert the alias A- Class surface to unreal engine

Are Sub D surfaces used in production or just for quick iterations/conceptualizing?

hi great work where didi you download the background beach scene or did you model it?

Ive watched 2 vase tutorials and on both of them I cannot get past the "project" part. Made it successfully to revolve but for the life of me I have no Idea why I cannot select the curve to project to I can move on to the next step :(

Nice work

Hey guys can I please use Maya navigation in Alias? I really hate holding Shift + Alt, muscle memory is a thing. Edit. Oh wait, Clutch Key editor allows me to change this now , wow.

Loved the video thank you so much. Everyone was great especially Barry! Wish I knew about this user group. Maybe send out an email to all Alias users that Autodesk has. Just a thought. Thanks

What command did you use to get to the smooth surface at 1:33? Thanks!

I'm getting "No fillet edge found" when making the circular pattern of the fillet. Can you help?

It was a good tutorial, but not sure if it had to be slowed down or perhaps highlight what you were selecting. It was a bit hard to follow along without having to rewind 50 times. I got lost at the circles. lol...I'll try again another day.

Is there still an opportunity to edit the subD main surfaces after we constructed the details with NURBS? I would assume that it may or may not work, heavily dependent on the complexity of histories? But anyway it is still a much faster workflow compared to NURBS only.

This is the tutorial I have been searching for. I have been trying to do it the hard way. Thank you.

Odi, the real blender guru

this is a really good presentation, might come back later when i'm about to go on the finals

Great chat! Is there a way to get the material configurator shown at minute 39:12 ?

What a great explanation style! A hidden gem here. Thank you and thumbs up!

😬 P r o m o S M

Many Thanks! No Chit-Chat - straight to the point!

I am happy to see more designers use Blender for conceptual modeling - when I started teaching it 2018 I was kinda laughed at ;) With Fusion360 or Alias it is such a super application.

Michael nice to see your including Blender in your arsenal of 3D workflows. This is incredible software I'm enjoying using!

Happy to see you again after a long time 🥶

Nice to see content here again

Thank you for this tutorial. I used your creation method but printed out using spiral/vase mode. Worked out very well. Thanks again.

How do you quickly switch between sub D and NURBS marking menus?

In the preference - workflow tab there is no Subd showing only Default Paint Modelling and Visualise is showing.. I'm using Alias Design 2021 .. can u help ?

👌👌👌👌👌

Thanks a lot for your tutorial!! Is there any chance you can teach us how to make multi-face vase? I saw some3d printed on Etsy but it looks quite impossible to make..

👍👍👍👍👍👍👍

where can i find the .wire file for this? in the onedrive folder there are only images for me

3:13 wheres the scale tool?

Why not using shell to hollow?

This is not for beginners jumping around like this, mutch to fast.

thanks it seems my teacher always find the oldest fusion tutorials from years ago so i had to figure this out on my own, but thanks to you it was so much easier