2:05:08, arpeggio ascendente 2:05:30, arpeggio discendente

What I like about this third act piece is it's has a touch of horror, a fair amount of tension, and slips into something peaceful and beautiful. Great contrast.

Elroy Mountain

Una superba opera omnia. Wagner e' contemporaneo e la tecnica e' supelativa.Una vita per comporla....umilmente,ascoltiamo.❤

An odd piece that it is really two disparate pieces. The fanfare and the ballet don't seem related. Yet when I hear only the ballet portion, it seems incomplete. It must have something to do with the original commissioning of the work. The ballet music is a unique and exquisite masterpiece. Forget any dancing broomsticks, "La Peri" alone puts Dukas squarely among the immortals.

The notation of these transcriptions is god awful

Oops! I'm certain that I heard a wrong note in the trumpet melody line at 9:01

🎹 A welcome reduction to a massive tour de force of a score by Scriabin. What a pity it isn't programmed in more live concerts. Audiences love it. And so do I 🎹

Barbara Nissman from the US played the complete 3 pieces, as well as Juan Perez Florestan from Spain did. He learned the complete set as a child.🎹🙏

Could only be Martha Argerich! Bravo!!❤🎹🙏

The music is like from cartoon movie's chase but this is very relaxing to listen❤

The absolute greatest sections of this piece are at 3:35 and 5:42 where there is triumphant downward modulation in the horns and low brass to the dominant. Wonderful and most appropriate music composition.

Нот не видно

15:02 ここらへん最高❢

26:21

Gaylord Mountain

I'm pleased to say I saw Ansermet in person. Stanford University, summer of 1966. I can't remember what he conducted. He was accompanied there by his very young wife. I believe it was the last year of his life.

This is the epic world premiere recording made by British Decca in.the late 50s with George London delivering a powerful and passionate Wotan, legendary Wagner soprano Kirsten Flagstad as Fricka(her final operatic role), iconic mezzo-soprano Jean Madeira as Erda, and many others, plus Sir George Solti condu ting the Vienna Philharmonic.

The section starting at 16:31 might be one of the most beautiful sections of music ever conceived.

Stockhausen is thinking “did I write this?”

Lois Trafficway

Masterpiece

Yost Valley

Just here the original version of Hungarian rhapsody no 15 by liszt (Magyar rapszodiak no 13a s242)

I love these pieces so much!

For personal use: 0:10 2:49 3:36 14:32 23:36 24:15 25:58 26:35

Waiting for the day when two people will somehow be able to play this (I don't think this is humanly possible)

Excellent, as usual!❤😊

And somebody even dared to say he wasn't a great orchestrator... He was a genius, that's what he was.

What is this madness ?

8:14

Much of the recording is very fine, but the tempo for the opening is dreadfully slow. It is slower than Wagner's instructions. Compare it with the real excitement at the opening of Leinsdorf's Walkure also recorded by Decca in London but a few years earlier in late 1961. We really hear and feel the storm! In fact, I prefer Leinsdorf to Solti in this particular opera.

Genius orchestration ❤😮😮😮

1:46:03

1:23 Cziffra accentuating the octave in melodies is something I never knew I needed

It's Tannhäuser, not Tannhauser. I wish people would care enough to spend those five extra seconds to copy paste the correct title.

1:14:56 57:19 1:16:22 51:29 2:19

115 Ramiro Shoals

Even though I have the full orchestral score in front of me, it is very difficult to discern the 12 tone aspects, but thanks to this score reduction analysis of this masterpiece is much easier.

An hour and a half of pure madness. Opera doesn't get better than this.

Would you be willing to send the midi files of your cover? I’d love to see what you’ve done in each part in detail!

What kind of army marches with cymbals on their feet? You could have heard them coming from 20 miles away. No wonder they lost that battle!

With this kind of thing, Cziffra was always improvising so "right" notes are relative - like Horowitz with his own works. Cziffra's technique is almost beyond biological explanation. You expect muscle responses like this from things like humming birds and Cheetahs, not humans.

Yeah, he's OK.

Not like it isn’t completely normal but damn Argerich killed this

3:39:50 🤤

7:39 - 7:42 ???