That is so uncanny. The drums look like two thirds of Simon Philips' setup and the drummer also resembles him from afar. Which is weird since Simon did play on a few Satch tracks.
@KK-CH3M2P25H4 күн бұрын
Oh its offered in 144p. Thank you.
@CharlesBobell-dn6ph5 күн бұрын
Plays the Chinese hustle on the muscle WTF?
@LiveOlsen-r9i5 күн бұрын
Hall Jennifer Rodriguez Anthony Anderson Brenda
@jlead28505 күн бұрын
i like the music
@alexsemyonov99926 күн бұрын
❤❤
@alexsemyonov99926 күн бұрын
🎉🎉 love it
@galuhsarongge98116 күн бұрын
Wow.... 👏
@ultrainfinitymusic7 күн бұрын
Joe’s tone was ABSURDLY GOOD in this period
@9one9Music7 күн бұрын
Love the behind the scenes footage
@9one9Music7 күн бұрын
Lennie Tristano, a pioneering jazz pianist, was known for his innovative approach to improvisation, harmony, and rhythm. He pushed the boundaries of bebop and explored complex, often dissonant chord structures, polyphony, and unconventional time signatures. Tristano's influence on Joe Satriani is significant, especially in terms of how Satriani approaches improvisation and musical theory. Here’s how that influence manifests in Satriani’s playing: 1. Improvisational Techniques: Tristano was a master of improvisation, often layering complex, flowing lines over shifting harmonic backdrops. He taught his students to think beyond traditional scales and chords, encouraging a more fluid and expressive form of playing. Satriani adopted this approach, applying it to his guitar work. His solos often break free from standard rock patterns, incorporating chromatic runs, modal shifts, and phrasing that feel more akin to jazz than typical rock structures. 2. Technical Precision: Tristano’s playing was precise and disciplined, and he demanded the same from his students. Satriani’s technical prowess on the guitar-the fluidity of his picking, his lightning-fast runs, and his ability to execute complex techniques effortlessly-shows a similar dedication to precision. Satriani’s clean articulation and phrasing are hallmarks of a player who has studied the discipline of jazz musicians like Tristano. 3. Harmonic Exploration: Tristano was known for using advanced harmonic concepts, moving away from conventional jazz progressions to explore more complex chord voicings and substitutions. Satriani similarly pushes the boundaries of rock music by experimenting with unusual harmonies and chord structures. In his compositions, Satriani often blends different modes (such as the Lydian and Phrygian modes), giving his music an otherworldly, almost jazz-like feel. 4. Rhythmic Complexity: Tristano was a pioneer in exploring complex time signatures and rhythmic structures, something that is reflected in Satriani's compositions. While much of rock adheres to straightforward 4/4 time, Satriani often uses odd meters or syncopated rhythms in his guitar work, adding a level of complexity that is reminiscent of jazz. 5. Emotional Depth and Expression: Both musicians excel at conveying deep emotion through their playing, despite being highly technical. Tristano’s playing, while intellectual and complex, never lost its emotional core. Similarly, Satriani's instrumental compositions, despite their technicality, convey a wide range of emotions. His ability to communicate feeling without words mirrors the expressive power of jazz. Satriani’s jazz-influenced approach can especially be heard on tracks like "Always With Me, Always With You" and "Flying in a Blue Dream," where his use of phrasing, space, and dynamics demonstrates a deep understanding of musicality that goes beyond rock guitar. In essence, Lennie Tristano’s influence gave Satriani a framework to expand his musical vocabulary beyond the boundaries of rock, leading to the unique, genre-defying style that he’s famous for.
@Urihell807 күн бұрын
True Master!
@JefErickson8 күн бұрын
Some people still blame Joe for singing and yes, it wasn't his strong suit, but I gotta say, this song wouldn't have been the same without those lyrics and it just matched and clicked. And Big Bad Moon is just one of Joe's most bad-ass songs he's ever made, period. The second that main riff kicks in, the tone is set. And the solos matched amazingly as well - they're increasingly wild to the point of ecstatic energy of an overconfident young man who feels so bad-ass he just wants to scream it off the rooftops, even though he's probably the only one that thinks that way about him. Hell, we've all been there.
@TenThumbsProductions8 күн бұрын
Thanks… I like to play
@catcrazefordaze49268 күн бұрын
Who still vibing in 2024
@eliju4209 күн бұрын
I love that Joe looks like he got kicked out of Pearl Jam for shredding too hard.
@jamescoleman66779 күн бұрын
Hi joe i have a 7 string challege tune your 7 string abcdefg and make a song
@JAYSONGS9 күн бұрын
Holy Molé! Always spellbounding… 🙏
@sk3ffingtonai9 күн бұрын
🎶
@arildthordal81010 күн бұрын
The music scene in New York in the 70s must have been fantastic.
@disneytuan274410 күн бұрын
He was having fever during this performance..Still he gave his 100%
@alaric82511 күн бұрын
I used to have a G3 concert CD. Would just stare in amazement as I saw these two's hands moved over the fretboard. I had the concert with malmsteen. Eric Johnson was good too. Owned another cd with him as a part of G3. Cliffs of Dover is one hell of an instrumental. Saved up my allowance to buy them. Good times.
@ralfgibony17811 күн бұрын
Killer
@soney7411 күн бұрын
Satriani es Dios!!!!
@juanaureliomunozalvarez685912 күн бұрын
Joe. ❤Eres. Otro. Mago. De. La. Guitarra. ❤. Impresionante.
@psychofunksoldier0212 күн бұрын
I think this album is fantastic! Chad Smith brings his energy and I didn’t realize how good Glenn sounded on bass in this type of context! Great tunes! Great album.
@davethiboutot12 күн бұрын
You guys are just the best
@Outfoxed1612 күн бұрын
Guitar at its best. Thank you! Maybe if the youth took this in they will know how to kill a E-string
@jamiscannondale183412 күн бұрын
I hope people can appreciate just how awesome that ending solo is... It's so odd but flows so nicely and hovers just above everything. I want to know what he sees when he's playing. Awesome job Joe 👍
@jbjb177613 күн бұрын
I love just music Joe is like flying in blue dreams
@renegonzalez486513 күн бұрын
I love the eclectic quick guitar 🎸.
@jgonsalk13 күн бұрын
I like that he plays it straight but wish he'd play with more groove and rhythm.
@czeslawpi13 күн бұрын
They’re just taking the piss with all the eyewear. Kenny with the Sci-FI goggles is over the top! Love this song though.
@czeslawpi13 күн бұрын
The spiritual successor to Summer Song!
@Александр-т3ь5ц13 күн бұрын
Это вам никакая не Song. Ochen Kruto
@Александр-т3ь5ц13 күн бұрын
Наконец-то
@jairalfonsobalancan841414 күн бұрын
El teclado con la guitarra ufffffffff 😍😍😍😍😍😍😍😍😍😍😍😍
@locatelligerard194214 күн бұрын
quand t'as ça dans les oreilles t'es un homme comblé
@MunnaBaral14 күн бұрын
Love from Darjeeling india legend ❤
@mstrshredder14 күн бұрын
On point, zero fluff (well, till the end), amazing tone and feel
@temkatt370914 күн бұрын
Joe, how about something new after two years? Your music is divine. But don't get lost in words.
@awesomebeard197315 күн бұрын
Beautiful beautiful song and in my opinion I've always thought it was his best. But it does display something that I tend not to like in Joe Satriani's music is kind of how he makes the guitar sound. The playing is really good but I find the fact he chose to make every note he plays on the leads have a squeak sound entering it and squeak sound leaving it. I prefer rhythm guitar parts.