Wrong. Paul is not on the song.

Charlie Watts keeping time like only a human metronome can

Solid as FUCK!

Thanks very much for posting this.

Thanks very much for posting this. Interesting that Ray sings "Girls", rather than "Girl" (at least at the beginning of the song).

So nice, groove af. Can you please tell me how you get this separated stems? I´m asking because when I was young, in the 90s, I had a computer that had a dos software installed. In this software, I could mix separated stems as I wish, and it was the seed of how I became a music producer. And among it´s tracks, it had Jumpin Jack Flash, and I remember spending hours playing with it. But I´ve never found this software and don´t remember it´s name. Anyway, I bit random, but... thanks!

I heard that mick j plays rhythm on this

Great 👍

Charlie, Charlie, Charlie... It's great....but I need more cowbell.

I made sure I subscribed I'm going to check out your stuff

Thank you I'm remaking this into a hip hop track and you just gave me the solo drums thank you so much

awesome...thanks HJ

2:16 - 2:22 Impressive

Keith is the most dynamic bass player in the band.

If Nicky didn't play the piano, chances are Keith or Mick played the piano or even Bill Wyman!!

Sheila E is playing bottles

The lads found the primordial groove and never looked back.

Amazing. The grit in Lennons vocals was crazy. And the energy in the music.

The photograph in the guitar section depicts Robert White playiing a Gibson hollow body ES 335, or Gibson L-5, not an accoustic guitar. Joe Messina is playing a Gibson Thunderbird (notice the frets). Joe also played a Fender Telecaster, and Eddie "Chank" Willis (not pictured) played a Gibson Thunderbird III during motown recording sessions.

Cook is amazing

Bill Wyman should have had a writing credit. The riff comes from his bassline

Is it me or is the E string on the bass out of tune?? It sounds a quarter step or more flat. Did they do their own tuning or did they have someone inhouse do it??

You're a legend

You got the joker HAHAHAHA!

I always felt Paul's part contributed greatly to the feel it is a song for children and all untouched, pure souls

had the song in my head, humming it to myself. Then I realized the song Sledgehammer by Peter Gabriel was eerily similar and while comparing the 2, this algorithm'd up...glad I found it...and discovered Peter's secret! lol

I’m watching those videos to get inspiration, because tomorrow I’ll play a D&D character (a tiefling sorcerer guy) which main bases are Lupin III, V (V for Vendetta), Lorenz Hellman Gloucester and Shadow The Hedgehog. Oh my poor party, they’re doomed 🤣

This is mj s best song ever technically insane well done rod temperton who is a genius along the process making it and all the amazing musicians and Bruce and David and Greg and all the synth programming and of course Vincent price

Ringo liked the snare drum

This is amazing. One of the greatest songs of ALLTIME broken down. That drumming is insane....And David Ruffins voice omg...

There are no words to explain the genius of Stevie Wonder. Always blown away by his music.

Michael Jackson was a rhythm genius. He felt it and lived it. Love these breakdowns of his masterpieces....

I believe greg used the fender rhodes mk 1

Go to 25:27 and listen in the right ear - there's some ghost fills on bass

It seems Ringo was not present during the recording of this song so Paul played the drums........

There are two tracks combined, which makes it difficult to replacate.

charlie's like a machine -- perfect steadiness. And that may be my new fave Bill bass line.

I need to buy this game a lot of morons back in the old days were complaining that this game wasn't that good

The bass mix is always way too low in these old stones songs , a pity coz they are usually good !

Fantástico...!!!

Rick Danko's bass!!! 😀

Thankyou for this

3:45: Happens to me all the time. I get so mad.

Awesome channel separation, thanks!

Sounds like a Danelectro sitar guitar playing those guitar single note lines

Been trying for 30 years and tons of gear to get Keith's tone on this, I think this might be a case where he just plugged right into the mixing board and that makes sense because he said Andy Johns worked for about 48 hours on it because Keith was so insistent on getting a certain sound. I think Keith was hoping for a spot a little higher on the charts but it only reached #5.

The photos of the musicians are rare. Never seen most of ‘em before.

Rocky Dijon: inventor of Dijon mustard. His percussion spices up this track. It’s a good thing Grey Poupon wasn’t available. It would have sounded pooped on. Bill really perks things up on bass. (Get it? His birth name is Perks)

How many of you first heard the live ‘69 MSG version of this because all you could afford was “Hot Rocks ‘64-‘71” and then eventually bought their albums?

always amazed how fast the beatles - esp John- could grow their hair! cod liver oil or what? haha - yes i know off topic comment!