Thank you, a great course.

Wow! You master the art of painting🎉I enjoy your videos a lot teacher👏👏👏

Wow, Thank You! It's the first time I see somebody explain Zorn palete so well 😄. I'm so thankfull❤

Reminds me of paintings from the 70s and 80s

I forgot you existed! I miss your podcast!

where am I? i dont know how I ended up here but this is crazy!

Fabulous demo, good instructions and great painting technique. I love the colour combination. Thank you!

Very impressive indeed. Thank you.

Beautiful

The very best I have seen on Zorn Palette very well done thank you !!!!

The angle on the nose is wrong

White is being employed in almost every mixture. Isn’t that affecting color quality in the means of vibrancy? How do you address this?

i like dynamic of explanation int right time in right place .

Please how can I get the photo reference ?

What a great teacher you are, thank u

Awesome 👍

Really useful and practical - thanks

There is absolutely nothing bad about using a blue oil paint.

Fascinating thankyou

What a fabulous lesson, thank you Peter

Portrait Artist of the Year? Have to done this?

Exxxxxcelent

Your work is extremly underrated - a really profound and thoughtful demonstration of painting the portrait. Nicely done Sir.

Perfect Painting!

Your tutorials are very helpful, thank you! I'm now getting serious about doing quality drawing and painting.

Wonderful workshop. Would it possible to download the photo to work from?

I'm very new to painting. Should I try the Zorn Pallete or is it more advanced?

What is the device that displays your photo and how is it attached to your drawing board?

Fabulous! On the beginning drawing is that done in charcoal and secured with a fixative?

Wonderful descriptive video, full of really helpful instruction. Could the nose be at a better angle? Maybe it would help the 3D of the portrait.

No blue?

groovy cool, I block in my portraits the same way on a toned canvas.

I worked with the Zorn ( adjusted) pallet for a year. It proved one thing to me. Artists don’t need the six shades of every color on their pallet. When I see an artist do this it tells me they were never trained in color mixing. Or are too lazy to mix colors. One can work with a” limited “ pallet and achieve many ( harmonious) shades and values. AND saves a fortune purchasing every color manufacturers want you to buy. The old adage - you can make most every color and shade from the basic primaries plus black and white is true. Bottom line, for me, is it is not the color hue but the value of the color. (Note: lead white is dangerous and shortened the lives of many an artist throughout history.) For fifty years of painting I have used what this called a “ bias” pallet which consists of : cool and warm of the primaries. ( titanium) White and Raw Umber. My red is Cad. Red light, Cad Yellow light, Ocher, Ultra Marine Blue, Viridian, ( sap green for outdoor landscapes) That is it. I have no trouble painting still life’s, portraits or landscapes. If you are interested- Rickrotantefineart.com

Thank you for your so generously share your knowledge, clear explanation and this serie step for step tutorials on oil portraits with Zorn Palette.

Love your work, but i think you are using to much gray color. The orginal pic has almost no gray at all.

Ótimo vídeo 😊

Hi Peter!!!

Thank you for this. I have learned a lot. Thank you, Paris

What brand are the white and the black charcoal you used, if I may ask please?

Very, very good! Thanks for your sharing (and sorry my English) your explanation is excellent: short and precise!

Wow, that's beautiful.

Thanks for a nice Time. 🙏🏼🙏🏼👌👌🧡🧡

WoW, WoW, Excellent and perfect Portrait Drawing, More Thanks. 🙏🏼🙏🏼👏👏👌👌😍😍♥♥

STUNNING

Simply Superb!

Thanks for the video. A bit strange though that you take your time for plotting out the height of the features of the face but then going straight to angles of the outsides of the face. Getting this somewhat accurate, especially with regards to the centre line is quite difficult for many (me included). It seems like your doing 2 thngs at once: determining the width of the face AND doing angles.

Glad to see you back on KZbin 👍

I must confess: I do have trouble taking the 'paint what you see not what you think' when the head in the painting is turned in a different angle than the reference. That said, I enjoy painting what I think …

Fantastic