He literaly says it here " i m not Paul, you don t want a fake"...in your face

Thanks for your comments, but in UK law, they ate incorrect on two counts. Firstly, for the Beatles management contract with Brian, as Brian didn't sign it, he could not enforce the contract on the Beatles. However, as it was signed in good faith by the Beatles, they could enforce the contract on Brian. Therefore, Brian was still obligated to find work for Pete. It also means that as Brian did not employ Pete, he couldn't fire him. I have this from Brian's lawyer. There is another important consideration, and that is that the Beatles themselves were in a legal partnership under English Law with each other. I have also interviewed that lawyer. Under English Law, no partner can be fired or dismissed by his fellow partners. The partnership should be dissolved to affect this change. They didn't do that, and so tricked Pete to think he was being fired. George Martin was surprised when they arrived at EMI STUDIOS with Ringo and not Pete, as he didn't see a reason to get rid of Pete, just replace him on their first record with a session drummer, which was common practice. Ringo was subsequently replaced by Andy White. Hope that clarifies it for you - the Law content can be confusing to get your head around. Thankfully I studied contract law and was able to verify the facts with lawyers too. David

exactly right. Martin expected to see Pete Best on 4th September 1962. Ringo did nothing to change Martin's mind and so Andy White was brought in to replace Ringo on 11th September.

@@BrightmoonLiverpool David I like your theory that the Fab 3 sacked Pete because they wanted to split most of the proceeds three ways, not four. Greed. Retaining Pete would mean splitting four ways as he was an equal partner. Ringo was on a fixed £25 per week for nearly a year, nothing else, while the other three were on a basic of £50 and a share of huge profits, raking it in. They regarded Ringo as a necessary hired hand out in the halls, as initially they viewed that a real professional metronome dedicated studio drummer would be hired for the essential records, as was the case with Andy White being called in for the first three songs. Andy White says the version of Please Please Me single that was released was him playing not Ringo, as the distinctive Ludwig sound and his personal technique was obvious. Andy White commented on the bad cymbal Ringo used, which is easily heard on the recordings. Ringo could not afford a new set of drums on £25 a week, when the band had had a two chart singles, with one being No.1 and a hit No. 1 LP. Only after around a year when he was made equal earning far more could he afford the Ludwig set he admired that Andy White used. Ringo was not even equal, as he got less than the others on concert hall fees.

It was given to a journalist from NME who then reproduced it in a book many years ago. That is where I found it. I have excerpts in my books "The Fab One Hundred and Four" and " Finding the Fourth Beatle".

@@BrightmoonLiverpool Thanks David. Great work.

That's about it.

What Billy was hearing was a style, as opposed to a specific song. Paul had written "When I'm 64" when he was quite young, thinking of his dad, so wrote it in that old style. Billy just assumed it was an old song.

@@BrightmoonLiverpool you missed it entirely

It is incredible isn't it? There will never be another group who can do this.

We've been wanting to do something like this for years.

My pleasure

Thanks BB, she has done a fantastic job! Lots more to come too.

She's done a superb job!

​@@BrightmoonLiverpoolIs it possible to showcase the Catholic parrish that George belonged to & used to visit Christ living in the Holy Tabernacle. Merçi de Canada .

No, they never signed it. Brian signed the contract on their behalf. But they had to wait for EMI to sign it on 18th June before it was a signed contract.

@@BrightmoonLiverpool so this is interesting now. Was there a previous contract that said Brian could do that (I'm thinking there must have been).

In this lineup is Rod Davis, the original banjo player, Colin Hanton the original drummer, and Len Garry who played tea-chest bass with the original Quarrymen. They are very well known people and have been interviewed countless times. I have personally known them for over 20 years too. The other on the far left is Chas Newby, who played bass with The Beatles at the end of 1960. I have also known him for 15 years, though he sadly died last year. I now have the pleasure of replacing Chas and playing bass with the Quarrymen. David Bedford.

Yes it was

William is just masterfully speaking.

William is not himself in that documentary. He is just playing the role of "Paul McCartney". The real JPM was not bossy or a controlfreak.

@@OlskZeri-tc5ni oh yeah I forgot you met "the real" Paul Mccartney

William cannot answer that honestly anyways.

Thanks Phil, so glad you enjoyed it. Your diorama sounds fabulous. Never say never - you should come and experience the real thing!

Exactly, and Brian acted on behalf of John, Paul, and George.

No normie. Ringo is NOT "Billy Shears". It all comes down to the song "I'm the greatest". In the song Ringo sings: "Now I'm 32 and all i want to do is bogaloo." That is connected with the song "Back off boogaloo". Ringo would not attack himself in a song. Ringo is telling "Billy Shears" (William) to back off. And the Frankensteins monster in that video represents the dead man who is made of body parts. Like William who represents the "living corpse" in his role as "Paul McCartney".

No one is claiming that "Sir Paul" (William) is dead. PID is also about the replacement of Paul McCartney late 1966.

No normie. If you actually do the research you will reach the conclusion that JPM were replaced late 1966.

@@OlskZeri-tc5ni Oh, but I have done research. I was 14 at the time and a big fan. Forget about the clues. Do you know the odds of them finding a guy that looks EXACTLY like Paul, a guy with the same speaking and singing voice AND a guy who turns out to be an extraordinary talent, too boot??? About a billion trillion to 1. But you go ahead and think what you want.

I've seen that interview, and his memory of it going from narrow screen to wide screen in full colour. Twenty Flight Rock was indeed his audition piece for John.