And was then replaced by this lesser green symboiote to help save Mulligan from death

bro chill

It's ok it's ok. Just know that I, myself had watched and listened to the movie and noted down specific details that are either a rating on the movie's plot being good or not and if it's opposing the comics or is similar to the comics.

It would have been more successful than bolt. No one i know is was crazy about bolt

@@nataliemoraes2033i can see your point but i liked bolt i hope that you understand

Thanks for watching! Roger Allers is credited as a story supervisor on Lilo & Stitch. I can't speak to how much he did, but he did work on it after leaving Kingdom of the Sun.

Marvel Can Do Mature Storylines and For Every Age Demographics Alike. The prestige comics of the 1980s were not only of a higher quality when it came to presentation. They also were made for mature readers, with language, violence, nudity, and other situations that were considered mature. Marvel had the Epic line back then, which served this part of the industry, but that unfortunately did not last. DC's Vertigo line became the home of mature comics from the Big Two, and DC's Black Label has since taken its place. Marvel has had mature readers lines twice in the 21st century (Marvel Max and Icon), but neither of those lines are still being published. Max consisted of bloodier, more profane comics with little to no soul, and Icon seemed like it was made to give Bendis and Millar a place to do creator owned work. Marvel doesn't currently have any options for mature readers, while DC has plenty. I disagree here about Marvel Max and Icon imprints. I care. I know Marvel Max isn't for everybody. Yet, the news, religious organizations, and the media criticized Marvel for making comics like this. I defend Marvel on this one. They wanted to be experimental and give more creative freedom to it's staff. Just like Image has been doing around 32 years. I'm on Marvel's side here. They do have context, build up, and emotion underneath the blood, gore, language, and sensitive themes. Marvel wanted to be following the footsteps of Dark Horse, BOOM, IDW, Dynamite Entertainment, many indie comic books. And especially Valiant and Image Comics. Those two companies were founded by Marvel employees. Marvel knows how to do mature, deconstruction, and standalone stories after all. It takes time to make these stories. They don't rush them up very fast, like DC sometimes has been doing.

There's also The Rampaging Hulk miniseries from the 1970's. But it's hard to find. Worse?! It wasn't available on the Marvel Masterworks or Marvel Epic Collection omnibus collections. And hasn't been reprinted in years. Marvel doesn't even notice or cares about a lot of comic books like New Universe, it's spiritual sequel New Universal, the entire Peter Parker run, The Spectacular Spider-Man, the entire 2000's Marvel Ultimate Universe run, Marvel Adventures and it's predecessors that were an influence, Marvel Knights imprint, even the whole entire Marvel Max imprint run, and so many, many more comics that were done by Marvel throughout the years. It's like Marvel doesn't even try or care at all. I wish all of these lost Marvel comics would see the light again by a fan petition. Much like how Rick Veitch's Swamp Thing comics were given fan support through a petition online. I wish Marvel got all of the lost comics be available and accessible everywhere someday.

Thanks so much for checking it out!

@MonitorLizardTV you are more than welcome sir 🙏

I’m just reading the subtitles when watching it I don’t understand Japanese

It’s an sad

Thank you for watching!

Sorry I’m late to this, I agree 100 percent with you I think Ash Williams would have been cool I’ve been wanting the character since I was 12 years old! I thought it was going to happen in mk11 and I was disappointed it didn’t. So I moved on with my life and at this point I don’t think it will happen cause it was a pain to try to get him in mk11 and Bruce Campbell said no