You've been watching Alex on Superdanger Studio.

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Basically what you’re saying when you say “comping”… You produced the record.

Thanks for sharing. I learned. I dig the guitar. I figured it out. I’m playing it now. It’s in drop D. Sounds like you tuned G string done a half step. Keep it up!

I’ve had an 8. It’s really not usable for stage stuff at all. I am intrigued by the 10.

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After acquiring a Neve 88m, having worked with apollos, and watching these shootouts, I have no idea how anyone could claim the apollo is competitive, sound quality wise. Definitely more quality of life features with Apollo, but the Neve frickin sings.

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LUNA 🤝

Listening to these great examples, I agree 100% with the observations here. And the price difference is really small. But as with SPP, I wouldn't use the RE20 on an acoustic guitar. The 320 heads that way and offers an extended use profile that the RE20 does not.

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Btw, if talking about the UAD bass boost, it cannot handle bumps in the infra range (like in original 909 kicks or d16 Drumazon 2). Or if the input signal has a DC Offset. It will have a huge audible aliasing noise, if you put a compressor afterwards (and push it very hard). UAD has confirmed it, but not going to fix it. Just said that I need to put an EQ before their Pultec. So UAD is not that good at all.

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Try the Resotron! You can plug a CV sequencer into the expression jack, and sequence it. I use my Resotron on synths, with a Korg SQ-1 sequencing the expression, while clock synced to a another sequencer, sequencing the synths notes. Watch the great demo of Resotron by Pigtronix's pedal creator on their channel here on YT. brilliant analog pedal with some really great features, and an amazing sound, thanks to the tools he packed into it. If you like filtery funk sounds from a guitar, or bass, Resotron will give them to ya, and a bunch more.

Hey, great video! I was wondering how you are auditioning these in realtime? I usually upload the cabs into my iridium then play for a bit before trying the next cab… it is very time consuming. This workflow is much better

This jst reminded me of Chris Rock. Thanks for clearing things up for me.

Thanks for your take on these two. I just grabbed the Delta King 12 in a half-price Cyber Weekend sale. From what you've shown it should be just about perfect for the small gigs I play with a trio, so I'm really looking forward to trying it! 😎

good presentation, I have both, thanks buds...

So what happened Brad, you said you were going to make a series of your experience with Musiversal. It's been over a year, where are the other videos in the series? I've been considering their service for a couple of years and I finally signed up and now my waitlist is up. Please share your outcome with us? Thank you.

I got one on sale from Thomann, at first I thought it was broken, thanks for reassuring me this thing is just the strangest fuzz-y pedal on the planet 🤣

Interesting. I want to pass a Korg Volca Modular through it and love that gritty sound.

I got the fender twin 212 D120 for my Fender Rhodes... can't wait to try it out!

Only the real ones are here from catch and release. What a game, man.

I have both of these mics, and I love them both! I tend to use the 320 more because it’s brighter and has more gain. But the re20 has that sound, plus in black it looks way better than the OG color lol.

Looks like a pair of adidas trainers

Does pro tools have a feature like arrangement markers in Logic, so you can grab the entire verse and rearrange the form of the song? I really like that in Logic, but can not find it in Pro Tools

very helpful. The Hairball stuck out very obviously. Because it had noise. It also seemed more aggressive and flattened. Here's how I scored them, from best to worst: 1. Logic Pro 2. Slate 3. Waves 4. UAD 5. Hairball

Very helpful; thanks for sharing!

What an excellent video! Well explained and demonstrated. Thank you!

There is nothing simpler ? I use Live, and all you have to do is mute the reference track.. So when you solo it, you only hear the reference track !

A used DK12 and a decent tremolo pedal would make a fine combination for my hillybilly style of playing. I don't do distortion.....hate it unless it's the overdrive sound that Robben Edsel Ford gets out of his Dumble.

How the hell you persuade your wife that you need 2 Supro's!? Reveal us that magic!

Is this review a joke, please tell me that it is, please tell me that this amp doesn't really sound like it does at 12:00.

really wanted to hear what other drive pedals sounded like through the 12.. sigh

Tip for anyone buying these, the eq section is subtractive and each one is a separate gain stage so "noon" or a flat eq would be with all the eq controls cranked. You take away frequencies to taste. Try cranking those eq controls and it'll make these sound huge even at low volumes. Edit: I actually just got mine (the dk 12) today not long before stumbling across this video and I absolutely love it

Thanks 4 the review . I appreciate the in the room sound ! Gives me a better idea of what I'm going to hear . I do have a question and was wonder if you could help . I have a fender gtx 100 . If i run from the line out on DK 10 into the front of the fender , would i be able to use the fenders looper ? Thanks !

It seems to me that the Neve AMS 88M sounds a bit more musical than the Apollo Twin X but It could be that I am showing partiality.

nice! thanks very much!

does it work for both release and attack time?

Ridiculous cocaine-addled captions that serve no purpose; fake zooms; "let's jump into it".... all in all, you get an F-minus! Congrats!

Nice video man! 0 Comments is a bit sad so here I am to save the day! Have you tried the Pico Canyon? I'm torn between this pedal and that one (one being Analogue, the other Digital) - both around the same price point and size. I'm after a mini delay so if you have any other recommendations let me know thanks!

Great Demo, Thanks...Nice Supro BTW.

Thanks, Brad! Very helpful video. I’ve got a Vox AC-15 and Supro Delta 12 in my studio trying to see which to get. I found the Vox has got tons of sound variety but you have to keep the volume and Master high to hear the beauty but unfortunately lots of extra amp noise. I found this Delta 12 not very noisy at all and generally a beautiful tube sound, tighter, warmer. Vox is more jangly but unique in its own right. Then I put the Universal Audio Dream pedal in front of both and realize the Dream with the Delta 12 can help the Delta sound more jangly if needed. Next off to try the Laney Supercub against these.

Preamps never make a big difference until you start stacking them. Try 24 tracks of Neve vs UAD then you'll hear a difference.

Nice job! Many thanks!

Are you... Sean Penn?

Ive always get the jist that this amp may be , or may not be the sounds your looking for if you're after a 5f1 champ tone ! But they never elaborate on it. Guess ill have to plug into one n' find out

The best demonstration would be to put a signal with lots of peaks in it through the LA2A in compress mode and bounce to another audio track, and do the same in limit mode and then compare the 2.