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@barrydavis987 14 сағат бұрын
As ever, this is a perfect upload with no bumps or 'blips'. The sound, considering the source, is very good but there is a slight fading towards the end of Act 1. The balance between the pit and stage is well caught. Once again, many thanks for uploading this important sound document. Dave and Barry - if you remember us.
@lublondon 20 сағат бұрын
Karl Böhm hatte einen sehr schwierigen, um nicht zu sagen widerwärtigen Charakter. Heute würde man sich nicht von solchen Tyrannen mobben lassen. Seine künstlerische Leistung bleibt unangetastet und großartig.
@lublondon 21 сағат бұрын
Drei Göttinnen im Opernhimmel …- unvergessen. Sie würden sehr erstaunt sein, wenn sie wüssten, was heutzutage einem in Bayreuth aufgetischt wird … es wäre interessant zu wissen, ob sie den Schmarren mitmachen würden
@knappertsbusch Күн бұрын
I was not even aware that Krips recorded any Wagner... wonderful conductor with way too few recordings
@knappertsbusch 5 сағат бұрын
I am beginning to get very fond of this recording - I am used to Krips pointing out inner voices in Beethoven symphonies (for example), but here it seems that he has put a lot of focus on articulation - especially with the choir. Phrasing, accents, build ups... everything.
@edmundgreen8041 Күн бұрын
Very interesting. This performance is not noted in John Hunt's discography of Die Frau ohne Schatten published in 2012.
@bradcarltonsisk9782 Күн бұрын
Thanks for this post! Do you have the performance of Tannhäuser from Sydney with Connell conducted by Downes? And if so, could you please post that one as well?
@hcleskov-fischer6033 Күн бұрын
@bradcarltonsisk9782 yes, I do! Let me look for it....
@andreasbettau5951 2 күн бұрын
Grandios !
@erstenorn 3 күн бұрын
I like Windgassen but he could have sung all the written notes...
@hcleskov-fischer6033 3 күн бұрын
@@erstenorn speaking of: I look forward to Michael Spyres's Stolzing, also because I will be one of the very few tenors, properly singing the top c in act 2 😅
@erstenorn 3 күн бұрын
@@hcleskov-fischer6033 yes, but I thought about the ornaments in the Prize Songs..
@erstenorn 3 күн бұрын
@@hcleskov-fischer6033 Did't notice that "Ha"-shout should be a high C :) would be glad if any tenor reaches high A in the final song ....
@erstenorn 3 күн бұрын
1:07:11: Was euch zum Liede Richt und Schnur :)
@erstenorn 3 күн бұрын
A good version of the Cluytens performance with Hans Hotter (Sachs) would be nice ...
@hcleskov-fischer6033 3 күн бұрын
@@erstenorn i know. Doesn't exist though
@erstenorn 3 күн бұрын
@@hcleskov-fischer6033 You mean the recording doesn't exist or that there is no good version ? I think there is a CD-recording... very bad quality...
@hcleskov-fischer6033 3 күн бұрын
@erstenorn the master tapes were destroyed and there's no really satisfactory version. However, I have improved on the terrible CD release: kzbin.info/www/bejne/o4KbXoCbmreEg9ksi=63S_fIHF9Pjaaz-z
@erstenorn 3 күн бұрын
@@hcleskov-fischer6033 found it. You published iut. Thank you.
@erstenorn 3 күн бұрын
Wow, how did they manage to perform first with Knappertsbusch, then with Krips (later: Schippers)? This performance is much better than Knappertsbusch's "Free Style" / Laissez-faire !!!
@karlheinzschoberl780 3 күн бұрын
Thanks to Helmut C.Fischer What a great performance with two of the ideal interpretations of the past Elisabeth Grümmer and Josef Greindl and KRIPS
@jennetal.984 3 күн бұрын
Nucci ❤❤❤
@davidhansel4198 3 күн бұрын
Thank you for posting this! Prelude: 0:02 Act 1: 09:43 "Die Frist ist um": 19:29 Act 2: 49:28 Senta's Ballad: 57:13 "Wie aus der Ferne": 1:25:26 Act 3: 1:40:12
@davidhansel4198 3 күн бұрын
Thank you for posting this! Prelude: 0:02 Act 1: 09:30 Act 2: 1:25:24 Act 3, s.1: 2:29:42 Act 3, s.2: 3:51:59
@vincenzomerli6174 3 күн бұрын
Vielen Dank!
@petterw5318 3 күн бұрын
I never expected to hear the complete Krips Meistersinger, and here it is!
@ColonelFredPuntridge 3 күн бұрын
2:56:32. And who is a “Mastersinger”?
@ColonelFredPuntridge 3 күн бұрын
2:52:43. The essence of the piece. What is art? Nothing but ……
@gaulandisteinverbrecherisc6259 3 күн бұрын
1:48:25: Zum Heil den Sündigen zu führen, die Gottgesandte nahte mir... there are completely different versions of this... part (Erbarm dich mein). This one is less exposed, coverd by the ensemble...
@TheStockwell 4 күн бұрын
I was at this October 2000 performance. I had gotten married the day before - in a small stone chapel in the Wienerwald/Vienna Woods. We attended this performance with the friend who served as Best Man. Also, with us: a member of the Furtwängler family. Since then, Maestro Bychov has held a special place in our hearts. And, when we are asked what our Special Song is, we say it is four hours long - and we listened to it at the Staatsoper the day after our marriage. Thank you for providing this very special link! Best wishes from Vermont 🍁
@vincenzomerli6174 5 күн бұрын
Vielen Dank!
@vincenzomerli6174 5 күн бұрын
Vielen Dank!
@meisterwue 5 күн бұрын
Mein ewiger Gurnemanz : Ludwig Weber❤. 1951 Bayreuth , eine meiner ersten Wagner-Schallplatten , ist jetzt ziemlich 50 Jahre her. Das ist etwa wie Scarpia , du hast immer Tito Gobbi im Ohr und vergleichst jeden andern Sänger der Rolle mit Gobbi. Oder Otello mit MDM/ Vinay : egal wer sonst singt, immer MDM / Vinay im Ohr( das Esultate nur mit MDM , das konnte nur er angemessen). Und so auch Ludwig Weber : ewiger Gurnemanz. Hier 1961 und mit Jess Thomas als Parsifal. Thomas hörte ich noch in Wien 1981 als Lohengrin und Parsifal.
@jorgeluisseguelvaldez 5 күн бұрын
Estupenda versión de la ópera!!! He podido disfrutar del clima de la obra aunque no entienda el idioma alemán!!!😊😊😊
@quequitoAR 5 күн бұрын
This was my very first Parsifal.
@davidhansel897 5 күн бұрын
Thank you for posting this! Opening Announcements: 0:03 Prelude: 05:30 Act 1, s.1: 17:29 Act 1, s.2: 1:16:56 Act 2, s.1: 1:54:18 Act 2, s.2: 2:12:11 Act 3, s.1: 3:04:58 Act 3, s.2: 3:56:40
@davidhansel897 5 күн бұрын
Thank you for posting this! Opening Fanfates and Announcements: 0:00 Prelude: 02:41 Act 1: 12:07 "Die Frist ist um": 21:46 Act 2: 51:48 Senta's Ballad: 59:22 "Wie aus der Ferne": 1:27:12 Act 3: 1:42:12
@barrydavis987 5 күн бұрын
Another perfect upload with no jumps or blips. The sound, for its time, is very good though the balance slightly favours the singers. Many thanks for uploading this treasure.
@fjmlambour9640 6 күн бұрын
Franz Crass war vielleicht dabei, im Chor!?
@fjmlambour9640 6 күн бұрын
Vielen Dank! Ich kenne nur (wie jeder interessierte) aus diesem Jahr nur die Aufführung mit Franz Crass. Eine Novität!!
@luisgeraldes5937 8 күн бұрын
✅✅✅✅⬆⬆⬆⬆ Thanks thanks for this most absolute Parsifal 💖💖 I do(!) wonder, for God`s sake, why one of the Majors labels (Decca, Sony, Orfeo, Pristine XR...) doesn`t release this absolute Parsifal! So much better, in almost all levels, than the one official of `62 on Philips/Decca.
@user-kn9mt5tx9w 8 күн бұрын
Феноменальная певица!!! ❤
@vincenzomerli6174 8 күн бұрын
Vielen Dank!
@karlheinzschoberl780 8 күн бұрын
Very interesting to hear the difference to Phillips 1962 Excellent sound quality and with the more or less same cast! Thomas and Dalis sound even better here. It's great to hear the young voices of Gundula Janowitz, Anja Silja and Ruth Hesse as flower maids.
@luisgeraldes5937 8 күн бұрын
Bingo! Congrats! I Wouldn´t have said it better 😎🥰🖖👍🙏
@jameslamendola7843 8 күн бұрын
Thank you !
@BernardSAUSSAIE 8 күн бұрын
Act 1 00:00:00 01. Prelude 00:12:40 02. He Ho! Waldhuter ihr, Schlafhuter mitsammen, so wacht doch mindest am Morgen! 00:18:06 03. Seht dort die wilde Reiterin! 00:21:26 04. Recht so! - Habt Dank! - Ein wenig Rast. 00:29:23 05. He! Du da! Was liegst du dort wie ein wildes Tier? 00:40:48 06. Titurel, der fromme Held, der kannt' ihn wohl. 00:52:27 07. Weh'! - Weh'! Hoho! Auf! Wer ist der Frevler? 01:00:16 08. Ich hab' eine Mutter; Herzeleide sie heisst. 01:07:20 09. Vom Bade kehrt der Konig heim; hoch steht die Sonne; 01:09:33 10. Transformation Music 01:14:06 11. Nun achte wohl, und lass mich sehn: bist du ein Tor und rein, welch Wissen dir auch mag beschieden sein. 01:14:56 12. Zum letzten Liebesmahle gerustet Tag fur Tag 01:20:37 13. Mein Sohn Amfortas, bist du am Amt? 01:21:39 14. Wehe! Wehe mir der Qual! 01:34:08 15. Nehmet hin meinen Leib, nehmet hin mein Blut, um unser Liebe willen! 01:38:44 16. Wein und Brot des letzten Mahles wandelt' einst der Herr des Grales durch des Mitleids Liebesmacht in das Blut, das er vergoss 01:47:35 17. Was stehst du noch da? Weisst du, was du sahst? Act 2 01:49:52 18. Prelude 01:52:08 19. Die Zeit ist da. - Schon lockt mein Zauberschloss den Toren 01:55:38 20. Ach! - Ach! Tiefe Nacht... 02:08:16 21. Hier war das Tosen, Waffen, wilde Rufe 02:12:26 22. Komm! Komm! Holder Knabe! 02:24:36 23. Ich sah das Kind an seiner Mutter Brust, sein erstes Lallen lacht mir noch im Ohr; 02:35:33 24. Amfortas! - - Die Wunde - Die Wunde - 02:43:32 25. Grausamer! - Fuhlst du im Herzen nur andrer Schmerzen, so fuhle jetzt auch die meinen! 02:57:12 26. Halt da! Dich bann' ich mit der rechten Wehr! Act 3 02:59:41 27. Prelude 03:04:31 28. Von dorther kam das Stohnen. - So jammervoll klagt kein Wild, und gewiss gar nicht am heiligsten Morgen heut. 03:13:05 29. Heil dir, mein Gast! Bist du verirrt, und soll ich dich weisen? 03:20:34 30. Zu ihm, des' tiefe Klagen ich torig staunend einst vernahm, dem nun ich Heil zu bringen mich auserlesen wahnen darf. 03:30:34 31. Nicht so! - Die heil'ge Quelle selbst erquicke unsres Pilgers Bad. 03:36:28 32. So ward es uns verhiessen, so segne ich dein Haupt, als Konig dich zu grussen. 03:48:53 33. Mittag: - Die Stund' ist da: - gestatte Herr, dass dich dein Knecht geleite. - 03:53:25 34. Geleiten wir im bergenden Schrein den Gral zum heiligen Amte 03:57:43 35. Ja - Wehe Wehe Weh' uber mich! So ruf ich willig mit euch. 04:05:01 36. Nur eine Waffe taugt: - die Wunde schliesst der Speer nur, der sie schlug.
@ritapapiri 8 күн бұрын
The best Parsifal ever.
@jaykauffman4775 8 күн бұрын
The only recording that actually sounds the way that opera sounds in the Festspielhaus and the performance is inspired by everyone involved. Other recordings have various strengths of course but as a totality this is the one to have
@jaykauffman4775 8 күн бұрын
Poops. So sorry. I though this was the 62 to which I was referring
@davidhansel4198 8 күн бұрын
Thank you for posting this! Prelude: 0:00 Act 1, s.1: 12:28 Act 1, s.2: 1:13:59 Act 2, s.1: 1:49:51 Act 2, s.2: 2:07:39 Act 3, s.1: 2:59:40 Act 3, s.2: 3:53:25
@barrydavis987 8 күн бұрын
As ever - a perfect upload. There is a strange bit of interloping from another source in Act 1 as we suddenly hear a speaking voice. For an 'in house', this recording is quite good. There is little audience sound and the balance between stage and pit is perfectly acceptable. Towards the end of the opera, there is slight deterioration of sound but nothing too much. Many thanks for uploading this.
@operaanimelover369 10 күн бұрын
Ah, Violeta Urmana. She is one of my favorite glorified dramatic sopranos to hit the high C in Perigliarti Ancor Languente. Yes, I know she began as a mezzo continued as a soprano, and returned to mezzo. However, the timbre of her voice was borderline soprano.
@GoranVONKarkin 10 күн бұрын
dANKE SEHR, tHANK YOU !
@barrydavis987 10 күн бұрын
A perfect and faultless upload. The sound and balance between pit and stage could hardly be better. Highly recommended. Many thanks for this astonishing post.
@carlosstieffel1620 10 күн бұрын
Alguien que no esté drogado, me puede explicar la puesta en escena???
@fidelioflorestan9304 11 күн бұрын
Many thanks for this upload!
@davidhansel897 11 күн бұрын
Thank you for posting this! Act 1: 0:24 Act 2: 45:51 Act 3: 1:33:16
@jameslamendola7843 11 күн бұрын
Thanks for this !
@barrydavis987 11 күн бұрын
The actual upload is perfect but, as a warning, there is a huge sound dip in Act 1 Scene 1. I can only assume that the microphone managed to get covered with something. Having said that, stick with it for the sound is better thereafter. This is a performance well worth the listening. Many thanks for the posting.
@barrydavis987 12 күн бұрын
Another fine upload. For an 'in house' recording this is perfectly acceptable sound. The audience noise is at a minimum and the balance between the stage and pit is surprisingly good. The are a few minor 'blips' in the sound but nothing to disturb your enjoyment. Many thanks for posting this.