Wow, that third movement opening!!

mano sinistra is the left hand

Toll vorgetragen! Aber ich muss doch sagen, für mich trifft diese Vertonung von Schubert nicht ganz den Geist des Gedichts von Goethe. Prometheus ist schon immer mein Lieblingsgedicht gewesen und ich stelle mir dies viel zorniger, kraftstrotzender und bestimmter vor. Bis zum Ende, wo es dann eben doch kurz ruhig wird, um dann mit einem selbstsicheren "wie ich" plötzlich zu enden.

I must once again thank Emerson, Lake & Palmer for leading me to something extraordinary.

Thank you so much for sharing this. Fantastic playing

12:20 Adagio

This is music in a sense far from general. I am fully drawn by this in. Just plays on my soul - every corner of it is touched and I feel my whole "me" inside is dancing with it. Had no idea that something like this may even exist.

The best recording I've heard of this difficult work. Most people pound it to bits but he makes it sound like music.

12:38 I listen to this while slowly drunk-driving through crowded areas

Brilliant performance of a beautiful composition,

Splendid!

Can you share the sheet music please? Thank you

5:00 onwards was chaotic but in a good way. Have you heard Rautavaara's Études? He also liked to exploit to entire range of the piano. But I bet he didn't look as handsome in a suit.

6:30 ひどいオカリナが現代音楽

4:05 バルトークみたいな民謡の旋律

20世紀後半に作られたヴァイオリン協奏曲の傑作 クラシック音楽の聴衆が理解できるまで30年から50年かかる

Why 2 staves? Isn't 1 stave enough for this piece?

based Lutosławski

based Lutosławski

based Lutosławski

Los 2 ultimos movimientos de esta obra son de influencia andina, yo soy de calama al norte de chile y en esa ciudad y en san pedro de atacama llega mucho la influenxia andina, el 2 movimiento es un Harawi que es un canto lirico cantado por mujeres" cholitas" y en 3ro el rito de el registro grave es el ritmo del "carnavalito" que es un tipo de danza andina bastante festiva, si usted se anima, puede buscar en youtube ejemplos de harawi y "carnavalito " para obsrrvar como los deformó y estolizó ginastera

Most of this piece is pretty manageable once you learn the patterns. Then there are a few sections that are just crushingly hard. 0:40 - repeated blind jumps into irregular shaped chords. Like hitting two bullseyes on two different dart boards at the same time, 3 times in a row. And forget about sight-reading this thing. 2:45 - These four bars are practically impossible to play cleanly and accurately because of the large handspans and jumps, made worse by the fact that all four repetitions need to sound exactly the same. 6:05 - This whole middle section of the slow movement. Ugh. Hands trip all over one another, it's difficult to read in the 7/8 time signature, it's ridiculously fast and it all has to be molto pianissimo. 9:52 - the interlocking tritones are uncomfortable, and extremely tricky to play accurately in both hands. Easy to end up with bloody fingers. Slow, methodical practice and muscle memory are the only way to get this part down, and even then, every attempt to play this thing is terrifying. It's the plunge into hell. Oh, and of course you have to do it twice because of the mandatory repeat. 11:00 - Your reward for getting through the repeats is a splashy cadenza-like section with glittery vaults into the stratosphere, interspersed with reminders of the ostinato rhythm from the beginning of the movement. The challenge here is maintaining the rhythmical drive while flying across the full range of the piano doing acrobatics. Viani simplifies some of the hardest passages by broadening them for emphasis, which is a valid decision of interpretation but might not match Ginastera's intentions. Nissman, for example, doesn't slow down for the passage at 11:30. Even so, I think Viani has the best feel for this piece and the most secure execution, though Nissman sometimes has a bit more character. In Viani's reading, the relentless drive of the Allegro movement, the terror of stillness in the Adagio, and the raw, violent energy of the Ostinato aymará all come through in bold relief. The sound quality is stellar and the instrument's tone has a muted glint that seems tailor made for this earthy, primal piece of music.

ooh, do I hear some of the cello sonata in the second movement? ... and third? interesting oh looks like he's taking a lot more material from the cello sonata. Neat. I won't complain; that's a great piece too

Heard u on From the Top...congrats on Jack Kemp Cook award. You are really something special .Keep up the great work .!

What's the instrumentation at 6:31?

I just love the piano concerto so much

Utterly brilliant A real masterpiece

basedissimo

No doubt many will disagree, but I've always found this to one of Ligeti's less successful works, mannered and insubstantial : there's just too little going on! The other concertos are far more engaging.

"Pequeña danza" tiene nombre: "Malambo".... 😮

I love the First Piano Sonata. Performed it a few times. This one leaves me flat.

4:32 Stravinsky's quote?

No se porque me gusta pero, me gusta

Viani has such good control of dynamics, i dont think ive heard a performance that's as faithful to the score from any other artist or piece

If one word must explain Ginastera's music, it's rhythm. It plays a central role in all of his music

Me recuerda un poco al Allegro Barbaro de Bartók.

thanks for uploading this gem

Diese Musik schickt mich auf eine Reise in visionäre Gefilde auf unbekannten Pfaden

It always gets me thinkin' when composers deliberately notate hand crossing for a piece where it would still be easily possible to play it without hand crossing. Like a hand dance. Gotta get those hands dancin'

ooh interesting choice of putting kian’s 2013 paulo final as the audio here

Clarinet player is so awful in this recording. I mean, it's a hard piece, but his/her lack of precission, the bad sound quality, the time he/she takes to play the famous scale, how the super high note is not there (I think he/she doesn't even trey)... The orchestra and the clarinet are not even together in may places!!!! Plese, listen to this wonderful version of the clarinet variation: kzbin.info/www/bejne/pJOlYmiGrZl4n8U

Pure Genius!! Wonderful Music by Master Ginastera!!

very beatufyk! !

Typical 20th century music. Its built on effect. Violin l and Violin ll strings have technical parts that go unheard in the work. Some physically ridiculous to play. Makes them unpleasurable to perform. This piece contains a bit of everything. Great excerpts for movie music 🎵🎶

This is the most terrifying rancid piece ever im going to grab a sewing needle and pierce my eardrums rn

Quelle horreur

Very cool 👍

Very beautiful !