@@haileyshannon7548 it’s really sad what happened to Will and how they treated him.

Thanks! You can find the re-mastered version on my channel here if you'd like to check it out: kzbin.info/www/bejne/pXWlhZlsgLVqgZI

@@animateclay You're Welcome!

@@troyacarpenter for that, most studios will cut some steel legs from water pipes. Or they might use lumber to do the same. As long as whatever it is you use doesn’t shake, that’s the important thing to keep in mind.

@@animateclay I meant more of do you use c-clamps or f-clamps (for a wooden bench) and what part of the plywood on the stage do you attach the clamps? Also, it occurred to me that the set ground or floor is often visible in the shot. Say if your set floor is made of felt, do you punch holes in the felt to attach the screws for feet and toes?

@@troyacarpenter Good questions, c-clamps are what I use to secure walls to the set base. But really any clamp will do if you have them handy. With the floor, it's a good idea to use painted construction paper if you are using the steel. That way it's thin and if you use magnetic tie down the magnetism will hold your puppet feet down. Yes, you need to punch holes in whatever you use to cover the floor with. If you use the painted paper method I mentioned, you just use a tiny piece of tape to cover old holes, then paint the tape the same color as the floor itself. That is how you hide tie down holes. If you have a thicker set floor using wood, you can also mix up colored clay to squish into the holes to hide them.

Thanks, it’s a simple tip but not everyone knows how to do it. It’s great you’re still working on your series. How many years has it been since you made the first one?

@@janeelliott9297 that’s cool. I’m pretty surprised myself, considering Blender, Unreal Engine and AI image generation can do similar stuff for free these days. They must have a devoted team.

Thanks @@animateclay - I'm going to check out one of their free components. so many different animation situations need totally different solutions - as you well know I'm sure. it's always good to have a plethora of choices in your little black bag.

Yes, times have changed a bit since I made this old video. ;)

Thanks Macaroni! Glad you liked this.

It doesn’t cure Zelda, it is non hardening so it can be used in animation.

20:14 Disney Channel 2. Wimzie's 🏠 House (2011) 0. Fish Hooks 🐟 1. Phineas and Ferb 4. Dog with a Blog 🐕 20:14 2. Marvel's Moon Girl and Devil Dinosaur 🦖 0. StuGo! 1. RoboGobo 4. La Familia Avenúñes

20:45 Disney Junior 2. Wimzie's 🏠 House (2011) 0. Gaspard & Lisa 4. The Octonauts 🐙 🐟 5. Big Block SingSong 20:45 2. Eureka! 0. Rise Up, Sing Out 🎤 🎤 🎤 4. Firebuds 🚓 🚒 🚑 5. Pupstruction 🐕 🦴 🧰 20:46 2. RoboGobo 0. Johnny Guitar, Rock Star 🎸 🎸 🎸 4. Royal Prep Academy 👑 6. Dusty Dupree Time 🧳 Traveler Treasure Hunter 💎

This type of clay is oil based and can't be hardened. One thing you can do to preserve any sculptures is to spray it a few times with crystal clear Krylon spray. That way the sculptures can have a way for you to dust them off. The spray also hardens the outside slightly so they are a little more durable. In the future, look for polymer clay if you'd like to make more permanent sculptures. Primo and Sculpey products are great for that.

I believe he's just the actor grant.

Thanks Mark!

Thanks, after seeing the way the frames look, it makes me want to shoot on my old Cine Special again.

@@animateclay I still have my Canon scoopic modified to super 16mm and an Elmo 1000s super 8 camera, both of which I've shot features on. I'm going to show your short film on my show at noon and throw a few more subscribers your way. We all love old school stop motion animation and I'm sure they will dig this.

@@horrormike It's great that people still appreciate it out there. Thank you for the shout out you'll give today, I just subscribed to your channel. The topics you cover are just up my alley!

@@animateclay thank you! As you will see, I am a huge fan of pre-code horror comics, Weird Tales original pulp mags - a lot of stuff early to mid 20th century. Huge fan of Muren's EQUINOX, he shot with a 16mm wind up Bolex. It is great to see filmmakers still shooting on film including Tarantino, Robert Eggers The Lighthouse, Northmen, etc.

Thanks. It was made by melting red clay that I placed on the puppets.