Gulda - Ansermet (1946) video
1:36
Пікірлер
@AccurateCrabLegs
@AccurateCrabLegs 23 сағат бұрын
Too slow
@さとる-v8h
@さとる-v8h Күн бұрын
知らなかった!!
@mikepen3477
@mikepen3477 2 күн бұрын
Slight finger slip at 1:26:13
@francescaemc2
@francescaemc2 2 күн бұрын
happy 2025.
@Twentythousandlps
@Twentythousandlps 3 күн бұрын
Dixon was 27 years old here.
@AuntieMamie
@AuntieMamie 3 күн бұрын
I’m 75 and have lived Nr Levant since I was 18 in college. Thank you for posting this. He was an unhappy genius. I love anything he’s written, composed or been in. I’m smitten.
@shorihiraku
@shorihiraku 3 күн бұрын
what is the name of the piece that he is playing at 10:48
@luana-oe3rp
@luana-oe3rp 3 күн бұрын
13:00
@dgcmusi
@dgcmusi 3 күн бұрын
He met Scriabin as a young boy…
@pattomuso
@pattomuso 3 күн бұрын
I played this as part of my final undergrad assessment in 1997, great piece!
@Lobninoff
@Lobninoff 4 күн бұрын
Virtuoso vecchio stampo...
@GarciaCopista
@GarciaCopista 4 күн бұрын
7:52 ????????
@s4cha286
@s4cha286 7 күн бұрын
Did he say 440 is too high ?
@PedroMiguel-if3ll
@PedroMiguel-if3ll 7 күн бұрын
His wife was a nightmare. Let the man play what he wants ffs!
@mankiperukangas7785
@mankiperukangas7785 10 күн бұрын
It is a cause for joy when there is something by this during his time very highly rated maestro who is sadly underrepresented amongst the recordings. There is lucidity yet tremendous intensity here, and the continuity is maintained admirably.
@Hitaro617
@Hitaro617 11 күн бұрын
KlempererはBachからShostakovichまで最高の演奏を作り出す。
@EdmontDantes2
@EdmontDantes2 11 күн бұрын
An example of the subject making up for the nervous clumsiness and lack of skill in the interviewer. Regardless, Horowitz is very kind and gentle with this dilettante. Always fascinating to hear him.
@Lobninoff
@Lobninoff 13 күн бұрын
La cadenza è qualcosa di sublime. ❤
@Twentythousandlps
@Twentythousandlps 13 күн бұрын
Schoenberg at 23:10, Stravinsky 38:40.
@koichitoyama215
@koichitoyama215 14 күн бұрын
I was there when I was nine years old. Igor conducted the Japan Philharmonic for several years from 1960.
@beppedefusco1395
@beppedefusco1395 14 күн бұрын
Superlativo. Grazie
@DanielKurganov
@DanielKurganov 14 күн бұрын
holy shit
@dreamlandnightmare
@dreamlandnightmare 15 күн бұрын
I can definitely hear the influence here on the more action-oriented sections of some of John Williams' film scores.
@dasglasperlenspiel10
@dasglasperlenspiel10 16 күн бұрын
Very inspiring!
@danieladalcortivo6919
@danieladalcortivo6919 17 күн бұрын
Attualmente è visibile su KZbin anche l'attacco della Marcia funebre di Beethoven alla Scala per il funerale di Toscanini: §.4/** 1957 Milano, in TV i funerali di Arturo Toscanini * 16 GENNaio * RAI STORIA ACCADDE OGGi
@antonioantonio-no2uc
@antonioantonio-no2uc 17 күн бұрын
UNA JOYA
@marcellovacca3155
@marcellovacca3155 17 күн бұрын
4:13 ----> 4:20 😮 allucinante
@marcellovacca3155
@marcellovacca3155 17 күн бұрын
6:06 ----> 6:27 😮
@David-R.
@David-R. 19 күн бұрын
What an amazing person he was!!! That SPEED that Memory at his AGE!!!!!!!
@elisaoliveira3862
@elisaoliveira3862 19 күн бұрын
. 😊 🥴I //// ........😮
@Zympans
@Zympans 21 күн бұрын
I'm melting
@TahseenNakavi
@TahseenNakavi 22 күн бұрын
Magnificent. Full of elan.
@pianoredux7516
@pianoredux7516 22 күн бұрын
I find this work rather interesting and attractive. There's a definite voice there. Good use of color with the three pianos and string writing. The rhythmic patterns do become a little predictable and regular over the course of 15 minutes.
@antonioantonio-no2uc
@antonioantonio-no2uc 23 күн бұрын
Interpretación muy personal pero maravillosa
@roxanaoprea3573
@roxanaoprea3573 24 күн бұрын
Nothing can be even compared to how Celibidache could understand any music and how he never gave up the passion of bringing into life what he could experience from any musical score. Endless love and respect for what he did for this world.
@stephenjablonsky1941
@stephenjablonsky1941 25 күн бұрын
How many Cs are there in Academic?
@epigrapheantique
@epigrapheantique 26 күн бұрын
29:32 41:18
@inraid
@inraid 26 күн бұрын
Superb!
@boulayg
@boulayg 27 күн бұрын
The recording date should be 12 April 1953 according to Arfanis' "Complete Discography of Dimitri Mitropoulos".
@federicofielitz7673
@federicofielitz7673 29 күн бұрын
Fantástica y electrizante versión de un conciero ñar piano considerado uno de los más difíciles por uno de los más grandes pianistS de todas las épocas.
@konstantinosboutounas4627
@konstantinosboutounas4627 Ай бұрын
Α refreshing listening from a sensitive bygone unfortunately era . Pity for us today.
@walterbeloch1207
@walterbeloch1207 Ай бұрын
Musica stupenda. Meraviglioso CARL MELLES
@francescaemc2
@francescaemc2 Ай бұрын
Grazie
@philippemuller3079
@philippemuller3079 Ай бұрын
I had the privilege to attend his playing of Beethoven piano concerto #4 at the BSO in the early 80s. It was one of the two performances I will never ever forget.
@r.i.p.volodya
@r.i.p.volodya Ай бұрын
Is this concert available on cd?
@r.i.p.volodya
@r.i.p.volodya Ай бұрын
The voice-over talking over the music is ridiculous!
@r.i.p.volodya
@r.i.p.volodya Ай бұрын
The unique and superlative Maestro! 🎼🎵🎶
@avksenteva_8348
@avksenteva_8348 Ай бұрын
8:42 - 2 part
@freddynewcomb1089
@freddynewcomb1089 Ай бұрын
ok so everybody who can't deal with the coughing keep yo asses home from the concert halls so we can prop up our feet. geez, so much whining, it's late november in the City LOL
@thorstentopp3824
@thorstentopp3824 Ай бұрын
Er war und bleibt der Größte!
@LesterBrunt
@LesterBrunt Ай бұрын
0:57 jesus f, that is literally the sound of my doorbell. That is not an omen I want to hear.... those dates also look too similar, and the music also somehow really resonates with the feeling of this era. I don't like where this is going...