11 Classic Guitar Effects Pedal Combinations - That Pedal Show

We run through 11 classic pairings of effects pedals to provide you with some inspiration to plug in and play… and of course to try some combinations of your own
Life too short for long KZbin videos? Please see the ‘Interesting bits and go-to sections’ information below.
Welcome to the show! In this episode, Daniel and I run through some classic effects pairings: two effect types that go together like peas and carrots. Bacon and eggs. Erm, op amps and clipping diodes?
Anyway, no doubt there are many many more, but we’ll kick you off with these 11 to get you thinking and perhaps spark some ideas of your own. We’re doing this because it might not be immediately obvious that combinations of effects can be really cool; moreover that you can create some really lovely sounds without having to own every pedal under the sun.
Please remember that we’re talking more about effects types than specific pedals here, so don’t worry if you don’t have the exact pedals: another of the same type will get you there!
Enjoy the episode!
Pedals & stuff in this episode…
• TheGigRig Three2One
www.thegigrig.com/three2one
• Analog Man Beano Boost
www.buyanalogman.com/Analog_Man_Beano_Boost_p/am-beano-boost.htm
Australia: bit.ly/2TCPpwU
• Kingsley Page Tube Boost
kingsleyamplifiers.com/products/pedals/7/
• Jam Pedals Rattler
UK & Europe: bit.ly/2vtdFtq
USA: bit.ly/3dgkxwe
• Analog Man Sun Face BC183
www.buyanalogman.com/Analog_Man_Sun_Face_p/am-sun-face.htm
Australia: bit.ly/3aswD24
• MXR Dyna Comp (vintage, links are to new version)
UK & Europe: bit.ly/2qgWgOA
USA That Pedal Shop: bit.ly/3ogeGNK
• MXR Phase 90 (vintage, links are to new version)
UK & Europe: bit.ly/2mcZUYI
USA That Pedal Shop: bit.ly/3GahoKO
• Mooer E-Lady
UK & Europe: bit.ly/2g7sSnk
• Diamond VIB1
www.diamondpedals.com/products/vibrato/
• Boss DC-2W Waza Craft Dimension C
UK & Europe: bit.ly/2QGu1Uc
Australia: bit.ly/2CQ9IhY
USA: bit.ly/3GcXjnn
• Neo Instruments Mini Vent II
USA: imp.i114863.net/ZW7Kq
Australia: bit.ly/38l8KYS
• Hamstead Tremolo MKII
UK & Europe: bit.ly/2KZaIW2
Australia: bit.ly/37wNEXE
• Empress EchoSystem
UK & Europe: bit.ly/2x5i4z4
Australia: bit.ly/2x0K9K7
• Boss RV-6 Reverb
UK & Europe: bit.ly/2Q6NFw5
USA That Pedal Shop: bit.ly/3luXwKt
• Peterson StroboStomp HD Tuner
UK & Europe: bit.ly/2Ozf60o
USA: imp.i114863.net/BL7y1
Australia: bit.ly/2lM39so
• TheGigRig G2
www.thegigrig.com/g2
* Why do we have preferred retailer links? Find out here: www.thatpedalshow.com/partners
Interesting bits and go-to sections…
- Intro playing: 0:00
- Why are we doing this?: 1:30
- 1. Delay & Reverb: 2:53
- Amps today: 03:10
- So let’s add some delay: 3:50
… and with reverb: 5:04
… and with even more reverb: 6:33
- 2, Dimension Style Chorus & Compressor: 7:38
- A listen to the Dyna Comp: 8:25
- … and together: 9:05
- 3 Compressor & Slap Echo: 11:25
- Varying the echo level: 13:20
- 4 Tremelo & Reverb: 14:38
- Swapping the effects around: 17:04
- 5 Flanger & Delay: 17:59
- 6 Fuzz & Wah: 20:46
- 7 Treble Boost & Overdrive: 25:20
- Extra thoughts on treble boosters: 28:25
- 8 Rotary & Overdrive: 29:20
- … now with Fuzz: 31:10
- 9 Compressor & Tremolo: 32:22
- 10 Modulation & Higher Gain: 35:50
- …Phaser: 37:35
- …Flanger: 38:50
- …Vibrato :40:47
- 11. Reverse Delay & Anything Else!: 45:40
- We should do this again!: 51:00
Guitars in this episode:
• Fender American Vintage ’59 Stratocaster - no video yet
• 1965 Fender Telecaster - no video yet
• Gibson Memphis 1958 ES-335 - Mick’s video at bit.ly/2mpJA8X
• Gibson Custom 1958 Les Paul Standard - Dan’s video at bit.ly/2dbwbvS
Amps in this episode
• Matchless HC-30 with Matchless ESD 212 cabinet / Celestion G12M Greenback & G12H Anniversary speakers
• Hughes & Kettner Puretone with Hughes & Kettner Vintage 212 / Celestion G12M Greenback speakers
We hope you enjoy this episode. Please subscribe to our channel.
You can buy TPS merch to support our efforts www.thatpedalshowstore.com
We are on Patreon - crowdfunding for creatives
www.patreon.com/ThatPedalShow
Please visit our preferred retailers!
UK & Europe: Andertons Music bit.ly/2cRvIvt
Australia: Pedal Empire bit.ly/2mWmJQf
USA: www.thatpedalshop.com/

[@patrickcarroll1754]

The best part about ThatPedalShow is Dan & Mick.

[@nathanrottmann2140]

No shizz

[@leeseibert4979]

Pretty please with sugar on top make a video where you intentionally show yourselves getting lost in a mix. Then of course demonstrate how to solve the problem by tweaking pedals until you triumphantly claw your way back to the forefront. It's the hardest thing to understand until it happens to you.

[@tompoynton]

I’d love to see a professional sound engineer on TPS

[@heybuddy6794]

@@tompoynton if just to see the comment section blow up 🤪 but great idea!

[@BrockBarr]

Usually it's about mid range and too much effects. These are common causes of getting lost in the mix especially in studio missing.

[@Diax1324]

@@BrockBarr Missing compression, as well. Using too much compression will end up with your guitar tone consisting entirely of transients, and then pumpy mush sitting below the drums and bass otherwise. GREAT for funk and subtle rhythm, TERRIBLE for standing out in a washy rock mix. Most bands don't play soft rock or prog all night long. Tidbits I've learned from thousands of hours of gigs: 1. Delay and reverb can get you lost, but can also make you stand out. LONG delays can actually work in your benefit. The EQ of the delay/reverb (If it is something you can adjust) is VITAL. Too bright and you might step all over your playing. Too dark and it will add a mushy noise underneath your playing without much information being transmitted. The main thing is to keep your mix very low. What you think is spacey is probably WAY too spacey to be usable. It doesn't take that much delay or reverb to communicate space. 2. Scoop is not actually bad, especially for rhythm. Vox AC30 with a klon clone will murder a singer and make it impossible to hear anything but guitar if you play rhythm. EQ pedal/multi channel amp is good for this. Or use two amps. An AC30/Marshall and a silverface fender circuit would probably be as good as it gets for a two amp switching setup. 3. Super high compression overdrive/compressor pedals is comfortable, but ultimately will make you fade into the backdrop of the mix if you overdo it. Found this out by using a tube preamp into the preamp of my amp normally. Way too much tube compression and sag. Great tone in the bedroom, missing body live. Some compressor pedals compensate for this with fairly aggressive EQ controls. The Diamond compressor is a GREAT compressor because it lets you add a lot of mids/highs with its EQ, which counters the negative effects of compression on your place in the mix.

[@klapaucjusz1]

This is a great topic. The fear of getting lost in the mix actually made me sound harsh on my last gig, which was also my first gig in years, and my first gig with new gear and new music. So I guess one can overdo it. TPS always talks a lot about risks of getting lost in the mix, but it cuts both ways.

[@Zetamen7]

Mick: *name drops Johnny Marr* "Ah, if we only had a Rickenbacker" Perfectly good jaguar in the back: "Am I a joke to you?"

[@ThatPedalShow]

You are right! It’s a bit sick though. Needs help.... help is on the way!

[@larsolufsen]

That yellow Tele ... I mean, I like Red, but that yellow tele is just THE tone. Everything that comes out of her is just so defined and well-balanced, and it’s just THE rock-tone to rule all rock-tones.

[@garystackhouse5787]

17:53 "I much prefer it tremolo last", says Mick... "Yeah yeah... absolutely" adds Dan... whilst both are wearing a shirt showing a traditional signal chain with tremolo before reverb... ;-)

[@drSwan77]

Sharp eye :)

[@hoboroadie]

I am going to swap my Pan/Trems and my Phasers. Sounds discernible on TPS, give it a bash. 👍

[@forester057]

I know. I based my order on their old pedal order. Guess it makes sense since amp trem is after your reverb pedal.

[@garystackhouse5787]

@@forester057 ...but if you use your amp reverb and trem pedal.....

[@sixstringstruggle6508]

So my favorite part of your shows is when you perfectly create a tone reminiscent of a time in history and then play in the style of what would be the iconic song from that time while at the same time not playing that song and skirting around the copyright laws. What a fun dance.

[@DanPeacock]

The thing I love about your show, guys, is how much joy you exhibit when you get a sound you love. I've learned so much from you guys and folks like Brian Wampler (honk) and Josh Scott (honk) about how to shape sound. Love it love it love it

[@drbalchin1]

Never understood how people can't get on with vibrato, it's such a great sound! Stick some slow smooth vibrato on a clean signal - total bliss!

[@jdemedeiros1]

drbalchin1 I go through periods of time where my standard clean tone has vibrato

[@testinguk_Admin]

I recently added a Swart ST-Tremolo to my rig and the sound of the trem on that is unbelievable. Wonderful and useable in so many ways ...

[@testinguk_Admin]

To be clear ... I'm not sure if you meant to say "tremolo" instead of "vibrato". Vibrato is varying pitch (like a vibrato arm on a guitar) and tremolo is varying volume.

[@drbalchin1]

@@jdemedeiros1 I'm the same! Get to the point where i forget its even on

[@drbalchin1]

@@testinguk_Admin I mean vibrato! I do love tremolo too though!

[@ulisescerrato8758]

That flanger+delay is awesome. In love with that tone.

[@hazzyg24]

One of my favourite go to sounds for ambient guitar stuff is a slow, gentle vibrato and a really strong, big reverb sound. The vibrato adds depth and layers to your sound while the reverb smears the "out of tune'ness" into a landscape of ambience!

[@LeftOpenOfficial]

Sound Guy Vs Guitarist episode, bringing in a professional sound technician and showing us some tips/tricks behind the scenes on dealing with guitarist

[@OtherTheDave]

Mostly just don’t put the mic in the spot where the amp sounds like an ice pick, and don’t let them aim their amps right at a vocal mic. Unless they’re just way too loud, guitarists usually aren’t that bad.

[@error8418]

When you see the Kingsley Page and a Neo Vent together on one pedalboard you now it's gonna sound awesome.

[@centralswitzerland]

LOVE that sound. But I can't remember the big song riff/sound Mick starts with (29:58)? Was a big one, WHO????? Please help!!!

[@CorbCorbin]

centralswitzerland He did a couple notes of Badge, then Born to be Wild.

[@stephanmeier2139]

@@CorbCorbin Badge!!!! Thanks a lot!!!

[@DeathByHumbuckers]

D&M this was perhaps your best video so far. Genuinely inspirational. Thank you both.

[@2Plus2isChicken2013]

I just started watching and I hope they talk about my favorite combination of effects, which would be a Boss TU-2 going into a TU-3. It’s amazing.

[@alexbresseleers147]

Always a good moment when I receive notification that you guys posted a new video. Love it!

[@Danthehorse]

Thanks for putting the time stamps to your vids in the description guys, makes it so much easier to go back to fav parts.

[@jdemedeiros1]

So many great combos mentioned here! One of my personal favorites: octave down with high gain or fuzz. Talk about wall of sound, makes me feel like a rockstar in my basement! Cheers from Massachusetts!

[@nateost]

Way fun show! Would happily watch several more like that. Thanks to you guys!

[@Guitar_Ted]

Hey guys, thanks for this info. It's timely for me as I am getting a new fuzz pedal soon and am taking the opportunity to rearrange my board when it comes in. You are not only giving me inspiration for combinations, but you are informing my pedal order on the board. Tremolo AFTER reverb! Thank you!

[@Skybluetoo]

Great show. I was right back in the 80’s at one point. Love the captain Anderton lick at 21:50!

[@danmessore4553]

This is bloody brilliant! Love the show chaps!

[@khai_nomore8613]

Fuzz and wah can never go wrong. My favourite combination. Great two pedal series, that was entertaining.

[@stevencoleman9013]

Love a lot of the combinations used here, but I also have gained a new appreciation for my Dyna Comp!

[@xchops8278]

Thank you so much for your detailed and time-stamped outline. Very helpful!

[@arceneaux777]

The end was hysterical - thank you for the laughs and the knowledge.

[@rigfish-theguitarplayersge7342]

Great refresher guys! Can never get too much of this.

[@fernandocastro6279]

Amazing episode and very informative. More like this show will be very appreciated. Cheers.

[@HiVizSmiley]

I'm a happy man anytime the vent or Sun face is on the board, hearing them together was sublime!

[@massimilianopersico1283]

Greatest insights ever, guys! Thanks so much

[@nastamasterx]

Half way through this episode, I’m thinking: I have to watch it again! Amazing job!

[@TCMx3]

Appreciate the increased focus on clean sounds this week; the subject matter is very back to basics but nice tones abound and Mick's playing really on point this week so very happy to spend the 53 minutes.

[@ThatPedalShow]

Thank you!

[@SFolkes97]

For me, one of the best from TPS. Mick's playing exceptionally appropriate - the Jazzmaster-Comp-Page-Tremolo especially interesting. Then the almost guitar-as-bagpipes reverse echo at the end. Fascinating stuff, yet basic and simple.

[@andysolomon279]

PUT THEM ALL ON!

[@josephpickard3108]

Those Dimension Cs are just spectacular. Every setting is like a John Hughes movie

[@coreyclark6505]

I recently began experimenting with reverb in front of drives and love it! And now I think a compressor in front of chorus is in my future. Thanks!

[@bryanlewis9575]

Absolutely awesome Playing, Mick with the wah/fuzz!! Classic "getcha some of this!" Great show as always gentlemen!! Thank you!

[@ThatPedalShow]

Thank you!

[@alanbartlett6082]

An excellent show guys. There was something for everyone and a whole lot more.....so inspiring. Now must get my old Morley Pro Flanger fixed.

[@lukecurnow8868]

Such kewl tones. Thank you guys. Inspiring as always!!

[@johnfritzenjr.1240]

That yellow Tele is amazing!

[@josephpickard3108]

Isn't it crazy that so many distortion pedals out there, no matter how boutique they are, still ape the humble ProCo Rat? Such an amazing pedal

[@geoffnightingale9290]

Crappy week at work.. good soul food.. my happy place is an old BK Tube Driver and old CE-2.. .. magic

[@DragonofLimerick]

Thoroughly enjoyed this as always!

[@stevengarvey5782]

Lovely show, gents. Guess I'm going to have to dig out my old dyna comp and phase 90. They were mainstays on my board for decades but fell by the wayside over time. Be well.

[@MrMikkelodgaard]

Yet another great episode. These days I’m very much digging a tremolo set pretty light into a dirty envelope filter (tc’s Pipeline into an ehx Tube Zipper). ...in a wet/dry setup, of course and because of you guys :)

[@weschilton]

So very cool! Combos I know well and combos that were new to me.... and damn those Vents sound SO GOOD. I need a harmonic tremolo and a Micro-Vent. I forgot how good the Dimension C sounds too! Dan once again playing gorgeously inspired with the delay and flange.... just sublime!

[@maximeguieu6877]

Guys... tremolo after reverb is one of the best tips I’ve learned from you thanks a lot !!! It is just what was missing to my association between Mad Professor Silver Spring Reverb and Henrietta Engeneering Crimson Tremolo... it’s gorgeous !!!

[@kosmicwizard]

Great episode! My favourite reverse delay is the Talkback.

[@southpaw335]

“Upsetting singers with obtuse effects” - my new mission in life ;-)

[@samhatman6536]

6:49 is you two having so much fun! I shared it with a band mate who wants to have a channel of our own. Your decibel meter is reading 88:8. That's Chinese numerology for all the luck in the world. Not a follower of such things, but I do wish you two many happy years in your endeavor. We all benefit tremendously from your experience so freely shared, and Dan, by your joyous expression and Mick's obvious glee as he took off when you ratcheted up the reverb for him, just wonderful. Gentlemen, you are good medicine for all our collective hearts and souls!

[@anthonytylermusic]

I avoided this one for a few days... Glad I finally bit down hard and watched (listened). Nice show. Very much so.

[@billsherrington5996]

Monster intro Dan! And lovely bit of Jerry Donahue to boot Mick👍🏽

[@alexkavo8930]

Hey guys, those flanger sounds were awesome. Some of the combinations I love are- Harmonic Trem into Overdrive Chorus into delay Fuzz into harmonic trem Vibe into compression

[@ericcarpenter3263]

Everything I’ve ever heard about Eddie is, on the first few albums he would step on the Phase 90 to boost the highs on solos and had the speed turned all the way down. Great show as always.

[@jimbeaux4988]

This was delightful. A slap after the wah and fuzz is also nice.

[@kasperdavide5174]

Very good idea and video. Thank you.

[@angryxjx4856]

Amazing video guys....well done

[@user-oy7gz5bf2h]

That's a precious episode! Very valuable. BTW, I've been asked to do a workshop on guitar sounds for high school kids. Your shows will have helped with that!

[@TheMichaelseymour]

0:44 micks face is the ultimate compliment one guitar player can give to another .....universal for right on brother.

[@jonathanlblack]

That intro Dan and that tele sound WOW!!!

[@MrWhit30]

Excellent show guys!

[@GeoffByrdMusic]

The Vibrato section of the Waza Chorus pedal is the ONLY vibrato I have ever bonded with. It's not seasick, it's just sits perfectly in a mix and modulates a bit like tremolo. Gorgeous. I don't like the out of tune warble of most vibratos.

[@tonybrooks476]

Oooooh yes gonna have to try that comp and trem. Love it.

[@FezMan94]

Whenever mick says "I just want to see if this will work" I know I'm about to hear something awesome. Fuzz onto rotary, bloody killer soumd

[@lionsdenblog]

Just when I thought I wouldn’t want to watch anymore... I’m sincerely going in the JTV Variax/Helix direction. It will do everything I need for my trio and church. The sounds and effects are excellent. That being said, you guys are so brutally nostalgic that I can’t turn it off. You live sounds that I grew up hearing. ALL the 80’s stuff (shocked you didn’t have it going through a Roland JC-120 - LOL!) is great. Thanks again for giving love and respect to effects that we know from specific artists/songs. It’s why I’m trying to become a [much] better guitarist. I’ll never be as great the people I listened to, but my tones can be. Awesome episode! Loved it!

[@qissahelpdesk4850]

INSIGHTFUL EPISODE GUYS! THX!

[@warrborn_official]

Mick just wailing out the country at 12:20 well played brother!

[@fishypaw]

47:28: "Hark when the night is falling" "Hear! Hear the pipes are calling" I dinnae ken that wee Mick could play tha Bag Pipes.

[@jwmcmillenii]

Excellent show, sirs!

[@bleeknoir]

Love the Marr references this week gentlemen . I went to my 28th Morrissey show in Leeds last night. Under rated guitar players... BOZ BOORER. Always. Great show as always guys.

[@LemonHolidayProd]

A couple potent pairings are octave fuzz before a klon-style overdrive, and a POG before a heavy gain pedal. Also, analog and digital delay together with a timing relationship.

[@marksieber8140]

Thanks for another excellent episode. The trem in places was reminiscent of Stones' Please Go Home. I enjoyed Mick with vibrato + tone clusters.

[@karllongbottomguitars9192]

I booked tickets to see you guy's in Liverpool the other day. I went to see Phil X last night in Manchester, where he seamlessly blended a line of the Flintstones into Jimi Hendrix's fire, played behind the nut etc, a full on entertainer never a dull moment, the man's a genius

[@davidkieltyka9]

Black Strat sounding really good in this ep. The bridge pickup has a nice twang thang goin’ on.

[@nicolasvandermeer2145]

Nice playing Dan! Great to see you getting lost in the sound and feeling the flow. Could you do a Vlog about flow and being “in the moment”? Such a fascinating topic in the context of gear

[@lesthompson1773]

Great show.. I always have issues with combinations obvious and the abstract. Thanks for combo's.

[@eongxien]

Yes... My Friday is complete!

[@jonathanhillenbrand132]

Thankful for That Podalcast today! Waiting in the hospital eagerly as my wife pops out a new squirt, so pods are all I've got. Reverb into trem for DAYS, please.

[@goregamer100]

i like delay into chorus. delay into 2 amps. chorus in one. playing with the repeats sounds great!

[@richnetts]

I absolutely loved this show, thanks so much guys. Made even better by your decision to form a boy band! Some of the sounds you got took me right back to my youth. A great part 2 would be 3 pedals. That would give people on the start of their journey a number of “first pedal board” ideas and be able to hear them. But loved loved loved this, thank you.

[@alphanuevo]

This was great! Thanks! Much food for thought... I've been enjoying overdrive > tape echo > reverb > amp with more reverb Cheers from Seattle.

[@NoCoverCharge]

love this episode guys...way killer

[@tonyvardy2399]

OCTAVE AND FUZZ WHAT A KILLER SOUND!

[@danmist]

Chorus+ light flange is brilliant. Stick an overdrive or fuzz on that and woah!

[@sjdavies47]

Really good episode. Gotta love that wah/fuzz sound. Not particularly related, but you do need a SG in the rack.

[@piroxide]

Just checked into my hotel in Tokyo, and this popped up as soon as I got on the Wi-Fi! I'm about to build a second board. Cosmic timing.

[@danielmyers9946]

Fuzz into a harmoniser pedal such as a Quintessence or a Harmonist, or even a straight octaver (with a low octave in) was a game changing sound for me. I run a Hudson Broadcast into a Quintessence and its magic.

[@curtissyoung2698]

That reverb>trem is like a massage for my ear drums! Very nice 👍

[@jonathankrieger9121]

Next episode: 11 Weird Guitar Effects Pedal Combinations

[@kyle_brenn]

1) Miku + OD 2) Miku + Reverse Delay 3) Miku + Shimmer Reverb 4) Miku + Wah 5) Miku + Fuzz 6) Miku + Chorus/Vibrato 7) Miku + Flanger 8) Miku + Tremolo 9) Miku + Rotary 10) Miku + High Gain 11) Miku + Miku

[@hoboroadie]

You're going to love Miku and wah into a Heil Talk Box. 🙉

[@BrockBarr]

Stacking the Miku

[@ozbizbozzle]

How to fatten your solo sound without distortion?

[@kljudson]

Kyle Brenneman 12. Miku + Rainbow Machine 🙀

[@mfrankelnyny]

Geezers - this show makes my week, keep it going! I'm not yet current, so need to ask a backdated question on wet/dry. What are your thoughts on a 4x12 cab split with a Mesa head into 2 speakers and an Orange head into the other 2? Never occurred to me to do this until you made the point in the VCQ that wet/dry does not mean panned field.

[@Auxend]

Man, I'm going to have to watch this multiple times - lots of good inspiration - Mick, dude, thanks for all you do for the notes and post-production work, one small thought, with episodes like these, would be to notate in the notes, the order of the pedals near the timings - e.g. instead of "Delay & Reverb" maybe "Delay > Reverb" "Comp > chorus" as seen in the videos?

[@PocketUnv]

This was great, please do more episodes like this! Half the fun is watching you guys just barely not play the originals =)

[@andrewculhane9082]

Great show! Hey Dan, I believe I speak for many of your fans when I say- please bring the Lazy J and Cruiser back for a show. I love what you guys do. Also, eternal gratitude for bringing Jam pedals into my life. I have the Rooster and Delay Lama, better builds I’ve never encountered.

[@peddlereffects]

The Crybaby Mini has a "voice" switch inside that I found incredibly helpful in getting a good combo with my fuzz face. When you do you next wah show it is worth including the CB Mini because it's reasonably priced but comes standard with true bypass (solving the problems you noticed in your last wah show) and the mini size is helpful for keeping in a gig bag.

[@markferguson3745]

Like all MXR/Dunlop, the TB is an intentional misnomer; they use "True Hardwire Bypass", which IS not the same thing.I do own that mini, and do know that it was, nonetheless, designed to work with Fuzz .I don't think it is great sounding, compared to a Fulltone Clyde, Colorsound, or Teese, but it does the job. Told that this is still done so they can save a few pennies on a more expensive switch.

[@TheRealReTox]

I wish I had the money to spare to take a trip to the UK just to hear you play with Andy. On your recommendation I checked out his Theme from a Perfect World and it was the only CD that got played in my car that summer, i can't thank you nor Andy enough for what the music did for me during a difficult time.

[@robertlittle7314]

This is long overdue. Can't wait for part 2, perhaps beyond.

[@GazMoz78]

Great show guys! Van Halen: Ain't talkin bout love was a flanger. Atomic Punk and Eruption was the Phase 90 :-)

[@mattburdock1734]

I though ATBL only had flange on the C-B-C at the end of the main riff? Pretty sure there's phase and chorus in the mix throughout

[@benjaminwoodrowmusic6070]

@@mattburdock1734 flanger on those notes in the riff...phaser on the solos...then flanger in that middle section just after the quiet section 👍

[@mantashaft]

I haven’t watched this yet but I absolutely love the topic!

[@kelvinburn7743]

watching this on the train from Leeds to Newcastle. Missing my gear! Guitarguitar will have to be visited for an inspired impulse buy!!!

[@tonybrooks476]

Wah. Officially underused in modern music. There’s nothing like it.

[@hoboroadie]

I guess I need one. The MRB is busted on every one of my Vox amps. I reckon I need to spend like a couple hundred on capacitors, or something. Just like the Chorus on my Roland, it's always that "You had one job!" thing around here. 😣

[@DavidWilliams-iq3eu]

I was lucky enough to be at the Eric Clapton Ginger Baker tribute gig a few weeks back. That was wah heaven - Eric, Ronnie Wood, Nile Rogers all wahing away on Cream and Blind Faith songs.

[@MorleyRobertson1975]

I never thought I would see a Mooer pedal on the show (maybe I missed some others?). I bought an E-lady last year just to have a cheap flanger to play around with, and absolutely love the sound with reverb into a clean amp just like that! Killer! I've said this before, but I would love to see a "cheap pedal" episode to see what kind of tones you could get.

[@TheRealMarxz]

a few channels have done something along the lines of $50 pedal review(though I don't know where Josh got his pedals for under $50USD even the used Danelectro eBayed at $125 ... unless his video drove up prices) or "all the cheap(brand x) pedals on amazon" that said would love a "all the Mooer's" review, I've tried a few with... mixed results the Thunderball bass fuzz was atrocious on my bass rig and my practice guitar rig but kind of sounded OK on my main jam rig