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This video examines what I find to be the central thematic message of 1917 -- that the experiences of soldiers and war itself are impossible to simplify or generalize. I think this focus allowed director Sam Mendez to transcend history and ideology and politics, resulting in a film that manages to be both personal and universal. Instead of looking at the well-tread aspects of the film's pace or cinematography, I break down my analysis (like a good English teacher) into three story-focused elements:
1.) The use of paradox and contrast in the 1st act
2.) The inversion of archetypal symbolism in the 2nd act (e.g. descent/ascent, baptism/rebirth)
3.) The motif of homecoming
I also reference the novel The Things They Carried by Tim O'Brien, which connects well to this theme ( / 133518.the_things_they... )
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TAGS - Film criticism, film analysis, hidden meaning in movies, 1917, war movies, high school English, American Literature, The Things They Carried, Tim O'Brien, symbolism in film, themes in film, films and literature, #1917, Biblical allusions, Dante's Inferno, historical fiction, video essay, movie breakdown, baptism, descent to hell, ascent to heaven, Christian symbolism, The Wayfaring Stranger