(1998) Club 69 feat. Suzanne Palmer - Alright [Club 69 Future Mix]

www.discogs.com/it/Club-69-Fea...
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[@f.m.v.b7217]

2024!

[@charlessmith263]

Here is the EDM (Electronic Dance Music) breakdown of this house number. 132 to 138 bpm to the 4/4 meter. INTRO (LONG) 4 measures X 4 - percussion/drums only 4 measures X 4 - more cymbals come in and a bit of false voices 4 measures X 2 - “It’s Gonna Be Alright” done 2 times every 4 measures over the rest of the percussion 4 measures X 2 - “It’s Gonna Be Alright” done every measure as if it was a pseudo-riser DROP 1 (1:35) 4 measures X 4 - instruments come in as well as the percussion (key is now roughly in C-sharp minor) BREAK 1 (2:02) 4 measures X 2 - verse by backup singer starts under all instruments 3 measures X 2 - verse continues starts under all instruments PSEUDO-DROP 1 (2:20) 4 measures X 2 - Suzanne does a fragment of “Alright” BREAK 2 (2:36) 4 measures X 2 - verse by singer starts under all instruments 3 measures X 2 - verse continues starts under all instruments PSEUDO-DROP 2(3:04) 2 measures X 4 - Suzanne does a fragment of “Alright” 4x BREAK 3 (3:20) 4 measures X 2 - verse by other singer starts under all instruments 3 measures X 2 - verse continues starts under all instruments PSEUDO-DROP 3 (3:46) 2 measures X 4 - Susanne does a fragment of “Alright” 4x BRIDGE 1 (4:02) - USING THE FRAGMENT OF PSEUDO-DROP 2 measures X 4 - male multitrack voices do a fragment of “Alright” over instruments (not Suzanne) BREAK 2 (4:14) 4 measures X 2 - verse by singer starts under all instruments 3 measures X 2 - verse by singer starts under all instruments PSEUDO-DROP 4 (4:44) 2 measures X 4 - Susanne does a fragment of “Alright” 4x RETURN TO BREAK (5:00) 2 measures X 4 - Percussion (most) drops out except for looping machines FALSE-RISER (5:17) 2 measures X 4 - Suzanne sings over instruments SURPRISE RISER (5:34) 4 measures X 4 - synth wails and no other instruments as Suzanne continues to sing. But at measure 15 - the riser starts in the percussion and there is a gap in measure 16. DROP 3 (6:00) 4 measures X 4----Everybody comes in - singers, synths, drums. With a new musical effect in the looping machines. DROP 3 - CONTINUATION (6:33) 4 measures X 4-singers drop out, instruments continue. DROP 3 - CONTINUATION (7:02) 4 measures X 4 - everybody comes in again. OUTRO 1 - BASED ON DROP 3 (7:19) 4 measures X 2 - singers still sing - instruments continue. OUTRO 2 - BASED ON DROP 3 (7:30) 4 measures X 2 - (singers drop out, emphasis on percussion; sweep noise in synth) OUTRO 3 - BASED ON DROP 3 (7:47) 4 measures X 2 - bass drops out - percussion and synths continue OUTRO 4 - BASED ON DROP 3 (8:05) 4 measures X 2 - still another sweep noise from synth - percussion and synths continue OUTRO 5 (FINAL OUTRO) - BASED ON DROP 3 (8:22) 4 measures X 2 - at beginning, synth sweep comes in, and then, except for the tom-toms, cowbell is left to sound - all other percussion instruments and other synth instruments drop out.

[@itsthatsebguy93]

Gods work shout out to da mixers

[@johnnyatab]

At first I wanted to hate your post, but then I looked at it more and became fascinated.

[@ncvdvelden]

LekkerrrrrTTT

[@raihanramdhani9424]

Chooonnn!!!