3 Things You Want To Know In All Keys And Positions

[@JensLarsen]

How do you make fretboard knowledge into practical exercises? Content: 0:00 Intro 0:18 3 Exercises to develop practical Fretboard Knowledge 0:35 2 Approaches 1:04 Level 1 1:14 Basic Exercise - Combining Arpeggios, Scale and Chord 1:58 And Practice it like this as well 2:27 Lick #1 2:37 Lick #2 2:55 Level 2 3:03 Adding an Altered Dominant 3:15 Next Position - Arpeggios and Chords 4:14 Play Lines 4:27 Lick #3 4:34 Lick #4 4:45 Explanation: Altered Dominant Arpeggios -That Sound like the 7alt chord 6:08 Level 3 6:16 Making it a complete turnaround 6:34 The Scale Position and the Arpeggios 7:24 Improvising on the Progression 7:45 Like The Video? Check out my Patreon Page.

[@damonshanabarger2604]

6:09 2,5,1,6 like Joe Pass. So many great videos Gens, I hope to get the time to learn them all. Hope your doing well. My left shoulder seems to be getting better. I have been doing aerobic exercises, stretching, and lifting weights. I should be back on the guitar by sometime autumn. I am working on some studio furniture. I have an antique solid cherry wood coffee table that I am going to clamp glue and install corner braces. I've also been working on drum loops at 70, 90, and 120 BPM. I started playing the piano more last winter, but kind of backed off from it. I don't want to play it to much because I don't want to damage my timing and coordination on the guitar. I figure I will play the piano more when I start playing the guitar again. I'm still doing mind exercises on my fretboard knowledge. Naming fourths up two frets across fretboard now. Memorizing scale structures and arpeggio intervallic patterns such as Cat Eat Garlic Bread C∆7 for example. I finally figured out my number but I don't think I want to discuss that anymore. Well OK, Beautiful Ears Always Day God Cat Four. For Cat God Does Always Eat Bagels. Four of sixteen plus four equals five. Twelve is the most superior way to count. Sum total twenty. Time, space, matter, inertia, electro magnetism, gravity, and history are all relative. These seven things are not spirits. That which is God is God. Seven seals are not Good, but they must be loosed again. Their children will again fill the face of the Earth. God bless our space time Continuum cube universe. God bless us all.

[@damonshanabarger2604]

I feel compelled to yet speak again concerning my last comment. Since there seems to be a lot of misconception concerning things that I had written upon this Earth concerning my existence. The fact that there were many lies written, or things that could be accidentally or purposefully misinterpreted, is not helping that any. First of all: the twenty spirits is the soul of the Universe, the twenty spirits is the Universe. Seven spirits is not the Universe. Lucretia was not numbered amongst the transgressors. Her offspring were; Lucy, Dawn, and Lucifer. Lucifer was the first male in the garden of Eden. God created many Edens upon the Earth. The first was in Stonehenge England. Although the seed of Lucretia was amongst the vine of humanity, the vine was corrupted by Lucifer's act of iniquity by his action of sitting at the master's marriage feast table. Lucy gave birth to Cindy, Able, and Adam. Dawn gave birth to Eve. The seven before mentioned persons are the seven seals. Their exact number of their seed is Two Billion Nine Hundred Million. There is a verse in the book of Isaiah in the King James Bible that describes the place of their nativity which is not of this world. It describes two polar regions and two storms opposite of each other at the equator. The one is on the light side of Jupiter, and the other one is is on the dark side. "The Lord has a mighty one and a strong one which is like unto a strong storm and a tempest, and the overflowing of waters, which shall cast down to the Earth with the hand." Through forces of gravity and other things of God's throne; garments and an earth are preserved there for eternity. The garments are human bodies that are models of God's marriage feast. These garments are there even when the souls of the prisoners are not. Six seconds coincides with the length of my foot from when I was the very first born of Jacob Israel in Egypt, which was six inches long. My foot that is. Under oath I testify that I had witnessed what it was like to actually be on the Earth inside of Jupiter for six seconds. It involved microwave energy and powers of healing. Twenty never forget itself, which is the Universe. Twenty have a state and art of absolute perfection and pure logic which allows for us to relive our history without having to live in hell. These twenty are created equal, because we switch places in increments of one every Eighty-Eight trillion years, which is the sum total of history that repeats itself. We hold these truths to be self evident. The device that destroyed Hiroshima and Nagasaki will not function without our negative electron, which is our soul. Book of Revelation: Behold I come quickly, and my reward is with me. Isaiah 54: verses 16 and 17, "I create the black smith which blows the coals in the fire, and brings forth an instrument for his use; and I create the destroyer to destroy. No weapon devised against you shall prosper; and every tongue that shall rise against you in judgement you shall condemn: This is the heritage of the servants of the Lord, and their righteousness is of me says the Lord."

[@damonshanabarger2604]

I feel as if I should clear up another common misconception: the idea that the elements could be created or destroyed. The truth is this: the speed of light is a constant. Nothing can create or destroy elements. The universe has always existed with as much mass matter as what is needed to fulfill it's own greedy endeavor. There cannot possibly exist the existence of nothing. This is the formula of why all the cube space time continuum universes in the abyss are of an everlasting history that cannot be changed or destroyed. Time is an infinite mass that is a state and art of absolute perfection and pure logic. The most perfect order of things already exists. Yet another quote from the Bible: "All have sinned and fallen short of the glory of God."

[@damonshanabarger2604]

God can move matter at the sub-atomic and atomic level in ways that others can't. Matter can only be moved from one place to another. It can't be created or destroyed. Atoms split, they pull back together. God would never be stupid enough to create enough gravity to maintain a self sustained reaction of that magnitude upon the Earth, such as with Hydrogen for example. The possitive electron bomb that was used to destroy two cities in Japan during world war two is an entirely different type of nuclear reaction. The amount of fuel used in the device was not relevant. It was that the Uranium 235 has the missing possitive proton hole capable, with the help of the negative electron soul of God, of creating the possitive electron. The possitive electron was the cause of the explosion. Pie over hypotenuse.

[@damonshanabarger2604]

Electro Magnetism is actually three things, that would actually make a total of nine. Photons, electrons, and natural magnetism. Mortal existence is within the outer most spherical realm of all the spherical realms of dimensions of time and space within the cube. The inner most spherical realms of dimensions of time and space like the corners are under the jurisdiction of the twenty Spirits. The corners are where the eight of the twenty which are the five persons go to rest. This time ratio is mathamatically proportioned within my negative electron to hold the four of me and my four children in a state of dormancy between death time travels and the resurrection. This time ratio is called absolute zero. Inertia is being driven by the two sets of four energy fields which are at an equidistance of three seconds before and behind each other. These are driven in six second treks through the space time continuum cube universe. What is fueling this self sustained nuclear reaction is three of twenty-seven positive electron slots in which three natural occurring positive electron bombs are occurring every three seconds. The one that is in the center is always being utilized. What is refueling this self sustained nuclear reaction is one negative electron that is being formed from one sixteenth of each of four of the eight energy fields every three seconds in another region of time and space in the very center of Jupiter. This immediately goes straight into Solaris through a region of time and space, called subspace, where it splits into three positive electrons which refuel the inertia of time. These twenty-seven positive electron slots are stacked in rows of three horizontally, vertically, and perpendicularly. Within the center most slot is the fastest of all the time ratios in the universe. The photon energy which is a constant, generates an infinitesimal finite frequency that is high above all others in the cube. Every cube in the abyss generates the same frequency. This frequency exists perpetually throughout the entire abyss and is known biblically as the key to the bottomless pit. This is held within the negative electron house of the Lord Abaddon which is the Tabernacle of the twenty Spirits of Solaris, the light of the world.

[@petealba707]

Fantastic info as always! Once I was able to identify the diatonic chords in each position, I started adding stuff like the b5 or b3 chord. The next level was to take a song like Green Dolphin street and learn it all keys. The end section covers a lot of ground (II, VII III(7), VI, bV VII(7), III VI II V. I wasn't until I did this with tunes that I really saw the patterns and understood the functionality of the chords. I've done this with Night and Day, How High The Moon, Green Dolphin, Just Friends and Days of Wine and Roses. A lot of work, but my playing got to another level. Love your videos and the hard work, thought and consideration you put into it!!

[@JensLarsen]

That's great, Peter! There is nothing like putting in the work 🙂

[@RC32Smiths01]

Great job on another fundamentals kind of video! Great work as always!

[@JensLarsen]

Thanks 👍😎

[@RC32Smiths01]

@@JensLarsen You are very welcome my man

[@DESIENASHOES]

this is such easy and linear lesson that you can practice and apply it for 10 years at least :-) Great lesson

[@JensLarsen]

Thank you Francesco 🙂

[@urbachd]

Another great lesson, Jens. They just keep getting better, which is hard to imagine!

[@JensLarsen]

Thank you very much Dan!

[@draizer2]

the information in ur channel is fck man, good stuff. thanks keep going.

[@JensLarsen]

Thank you 🙂 I am glad you think so 👍

[@brad724p]

Another great one, Jens. The basics logically presented (as always) so one can do something musical with them. Thanks!

[@JensLarsen]

Glad you like it Brad! Exercises don't do any good unless they are applied to music!

[@BrandochGarage]

Thanks for your consistently interesting and detailed videos.

[@JensLarsen]

You're very welcome! I am glad you like them!

[@cfibanez]

Many thanks for yet another great lesson. And thanks also for making the PDF available. 👍

[@JensLarsen]

You're very welcome 🙂

[@levinascimento1995]

this was SUPER enlightening! Thanks a lot :)

[@JensLarsen]

You're very welcome, Levi! I am glad you like it! 🙂

[@Yupppi]

Really enjoyable and interesting content! If you could slow down just a bit in the talk and introduction of new things sections it'd help a lot! These coming as new things makes it a bit difficult to understand before it's already in the past and then you start getting behind while the brain is still processing the last bit! Thanks for the lesson!

[@usmc1875]

That was so amazing, im just stunned:) thank you for being the teacher I always needed Mr Larsen:) really it's amazing how much you give to the world:) im so grateful:) thank you thank you thank you:)

[@JensLarsen]

You're very welcome Lucas! It is really great you like the videos!

[@SomeKindOfMadman]

I love your videos. Many thanks, Master Larsen

[@JensLarsen]

You're very welcome! I am glad you like it! 🙂

[@simonfivez2947]

awesome video!

[@JensLarsen]

Thank you 🙂

[@kymcarter589]

Love your stuff, thank you so much. Also wanted to say, this video has been up for 5 mins and is 8 mins long and someone dislikes it? What the hell!!!😡 keep up the good work, it really helps!😁

[@JensLarsen]

Thank you! Haha, don't worry. There's always somebody who hates me or the video. It's not important 😁

[@MichaelDHockenberry]

Most likely the down vote was from a person who’s eighth grade class was the best three years of their life....

[@khalidali6659]

Quality content as always

[@JensLarsen]

Thank you 🙂

[@patricksteinmetz44]

Outstanding video tutorial. Randy Vincent's book "Three-Note Voicings and Beyond" have proven helpful to me in my guitar work as well my keyboard and saxophone work.

[@JensLarsen]

That's cool! I was actually thinking about writing a book on 3-note chord voicings since that is what I play most of the time :)

[@patricksteinmetz44]

@@JensLarsen I encourage you to write that book. There is always room for another perspective, regardless of the topic. I suggest you read Vincent's book, then develop a strategy to expand on Vincent's material. Knowing Randy Vincent as I do, I'm certain he'd welcome additional insights. In fact, you might be able to convince Chuck Sher to publish your work since he's the publisher of Vincent's book. Hey! You the man Jens! Keep on keepin' on! Al rato! Nos vemos amigo!

[@JensLarsen]

@@patricksteinmetz44 Thanks Patrick. I already have a publisher 🙂

[@grobertabidbol4005]

Great !

[@JensLarsen]

Glad you like it 🙂

[@FourOnSix]

i love your videos, keep up the great work! I wanted to ask if you have any tips for soloing in maiden voyage? Arpeggios and scales? thank you!

[@JensLarsen]

Think of the sus chords as m7 chords and see what that gives you? :)

[@FourOnSix]

@@JensLarsen thank you very much, I will do that :)

[@Guilhermefreitas5]

I notice that in most of your videos that have II V I you only play inside on IM7, are there any videos that you have more possibilities about this chord? thanks

[@JensLarsen]

Yes quite a few. Just search for maj7 on my channel :)

[@artjomjuferov1280]

Hello, thanks for the video, very enjoyed it :) I have one question, here 2:29 in first bar(Am7) you used F# twice which is not included into Am scale. How does it work? :)

[@JensLarsen]

What key is the II V I in? 🙂

[@jhwk1970]

F# is the 6th note in an Am scale. Thus it works fine in Am, and it is the note you add to a Am to make an Am6 chord.

[@JensLarsen]

@@jhwk1970 but in this case that is not the right explanation. Do you see why?

[@artjomjuferov1280]

@@JensLarsen Ah, got it, it's included into G major scale :) So here we could use any note from both G major and A minor scales? I made such assumption because of the F.

[@jhwk1970]

Jens Larsen Maybe. It’s the 3rd of D and the the major 7th of G. So, F# is in all three chords.. Seems to me all notes are either right or passing notes to the right note in jazz. What I don’t get about jazz is the lack of melodic musicality to it. Seems like jazz guys need to listen to BB King and learn how to make notes actually matter. - Your instruction is interesting and informative, and I have much to learn from you. I better watch this video some more.

[@Guilhermefreitas5]

hi, why C is the third of D7alt? thanks?

[@JensLarsen]

As explained in the video, it is the arpeggio from the 3rd of Ab7.

[@mustafa-o7j6y]

thank you for your videos they are really helpful, but how to apply these 3 things on Oasis - wonderwall :)

[@JensLarsen]

They all fit right in there, but don't get too close to the campfire if you want your guitar to not catch a fire!

[@mustafa-o7j6y]

@@JensLarsen haha, I really appreciate the effort you make to create this content, thank you again!

[@oneeyemonster3262]

you get used to it..I can play Am7 D7 into G Major as if I was in A minor going to G Major/E minor..I just see the D7 as the lydian dominant..it's just in reverse.. or i can play Bb7 from A min into Eb minor..melodic.,,using the N6 it'll over lap with Bb Augmented or D augmented ( G lob b4 ..1, b4, b6) or C minor...double harmonic min or lydian b3..ect the D7 Because i'll also see the Bb7 to C min or I can see the C minor ( lyidan b3)as the IV for G Harmonic MAJOR... I did it in one key at first....basicailly modulate from A min/C Major to different keys and back...using different scales ...basicailly from C Major G7 into Ab melodic min

[@cfibanez]

Very clear...

[@oneeyemonster3262]

@@cfibanez have you tried the cycle of DOMINANTs??? it's just II, V, I.....extended....it helped me..get used to making certain movements or sounds.... example from C MAJOR/Amin.... I'll started on the D min..5th fret ..Root on A string... D min...to G7 into C Maj....into F MAJ..( root on 1st fret Low E string) into B dim...to E min...to A min to D min.... Just if use All dominant chords.... B7 into E7 .into A7....into D7...into G7...into C7 into F7...into Bb7 into Eb7....into Ab7...into Db7....into Gb7...into B7 You dont have to use all dominant chords...becuase the LEADING tone note is the Major 3 of a chord....you can use maj7 or AUG. That's why you could play D loc b4...as dim or augmented in Eb The b4 is like a Maj 3rd. 1.b4. b7...or ...1, b4,b6....or 1, b3, b5 Augmented chords are SYMMETRICAL...that's why the ..D, F#, Bb.. or D, F#, A# Sometimes...I'll play Bbmaj7.....C maj7.....into A min... if you followed the other lessons how C maj7...is also related to E min.. C,E,G,B.....E, G, B It'll make sense....Bbmaj7...is just sort of an inverted D min.. Bb, D, F, A......D, F, A it'll sound as if im playing...D min...Emin....A min.