7 Options for a Dominant 7th Chord - Peter Martin & Adam Maness | You'll Hear It S3E139

[@Jazman0959]

Awesome as usual. I wonder why this Musical approach (and manner of showing) is not found any where else {even with thousands of videos and texts). You guys are very helpful and kickin. Even though this is not an Dominant 7th Chord idem per say, I think it would be good to mention the functional minor approach to II V I (in the key of C: E half dim, A7 alt,) back to the II minor. It is just another arrow in the keyboardist quiver. Carry on and I await more treasures !

[@yes_its_THE_Dave_Alleckna]

Hey guys! Keep up the good work! Quite jealous of your temperature though! Big cheers from cloudy Hamburg - just across the pond! 👊

[@yes_its_THE_Dave_Alleckna]

@@pianopeter No fair! Here in the arctic circle (Hamburg) life is only muggy right now. Cool beer anyway? Okay! Olá, Cheers and safe travels, Peter!

[@judeelias3078]

@David Alleckna Hey David! You live in Hamburg too? We should meet up!

[@winstonmacmahon9735]

Great episode. Could you update the comments by adding a note to the context where you'd might use each scale? I.E. you might use the finished when moving from a dominant to a Major

[@Jazman0959]

Another good V chord in the key of C is (F-6). D-7 , F-6, Cmaj7....

[@mologban360]

I really wish u guys would get midi keys!!!!! Plz you’re killing me!!!! 🎹

[@piracycan]

What’s the notes of the scale you played at the end ?

[@paulkrassen7785]

II minor VII dominant one....cycle that one folks! Well stated Adam...thanks as always. I really enjoy listening to the both of you.

[@ciousli]

backdoor sub, nice :)

[@steinhalvorsen_]

Rephrygiate the practice room!!!