a Man on the blue carpet

a Man on the blue carpet
This project arose from Personal Film work where we asked ourselves: Where are the jobs in the production that we want to do to tell stories? Art Director? Editor, Colorist? or even a performance We want to do it all. Even though I know that in many Position you want to do We weren't able to do it well in such a short amount of time, but since this project was free enough to let us introduce ourselves and still do what I love.
Another idea is Classic Painting. Many of the pictures we've seen a lot, so we thought, if we put ourselves in Painting, how can we tell the story? And which work has a story? or elements that we are interested in At first I got many pictures. Until everything exploded in different directions. We felt that if we followed the story of the picture, there would be nothing continuous. And it may not be our story. So we chose to create a story and bring Classic Painting into the production design element rather than being the main element.
"a Man on the blue carpet" was told about a forbidden painting. Do not make eye contact. If you make eye contact, your identity in the real world may be chased away, merged with the world of the painting that will stop. There is no movement, no growth, only time continues to pass. There are warning signs posted in many places. But then one man wanted to admire this painting with his own eyes. Part of the name of the work was based on several paintings that he would name directly after the things he painted. But the meaning of the words used It can also expand its own meaning.
Classic Painting
René Magritte - Not to be Reproduced (1893), The Lovers (1928)
Salvador Dali - The Persistence of Memory (1931)
Johannes Vermeer - Girl with a Pearl Earring (1665)
Alexandre Cabanel - The Fallen Angel (1847)
Vincent Van Gogh - Almond Blossom (1890)
Edvard Munch - Vampire (1893)
Panupong K.
Director, Written, Art Director, Editor, Colorist
Support
Tonkao, Pairmai, Mark

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