Adapting Arri's New Alexa LUTs to Canon Cinema CLog

[@jb9video]

Thanks a lot! This was the most useful video today! 😎

[@johnstanson3479]

THANK YOU! Can’t wait to try these on the c200 crl!

[@DagarMedBjorn]

The download says they’re for CLOG2, will they actually work for CLOG3?

[@GabrielScindian]

I use Alexa LogC4 on my C70!!! Amazing results

[@MrPByH]

Hello, this looks like amazing lifehack) Thank you so much for that! I am newbie in color grading, so I'm sorry if my question sounds stupid, but.. does this luts fit only for clog2 or they also fit for clog3? If not, is there a link, where I can get same luts for clog3?

[@IvanMonagas-k8i]

Please can anybody tell me the settings I need to put on "COLOR MANAGMENT? please need some help

[@RuneAbro]

I lost my resolve studio serial so I am currently on the free version. Any chance you could make a LUT that just does a CST from Clog3 to Alexa without the look? I would love to try this workflow using my "TheBrim" LUTs :) Anyways, thanks for a great video!

[@RuneAbro]

Will try to play around with this on Resolve studio at work as soon as I can. Any chance you can share a screenshot of your "Project settings->Color management"? :)

[@RuneAbro]

For Premiere users: Will it give a similar result if you create a LUT from just the CST node in resolve and load it in the first of 3 Lumetri effects in Premiere (loading the ARRI look LUT in the second and the "ARRI_LogC4-to-Gamma24_Rec709-D65_v1-33.cube" in the third? I feel like the more I learn the less I know :D

[@ErisedMediaCo]

Do you have a link to the Alexa Luis themselves?

[@Crimsonengine]

Here you go! www.arri.com/en/learn-help/learn-help-camera-system/technical-downloads

[@matthewlundmark1280]

Will these work on Premiere?

[@Crimsonengine]

Yes!

[@zachthomas9600]

Am I the only one who can't see your vectorscope, otherwise great tutorial!

[@fredrm6023]

LUT me up before you go go Crimson Engine.

[@hufman9807]

While you get in the ball park, this is especially the same as converting rec709 footage from any camera to arri... the original footage is not arri and has it's own characteristics that cannot be removed with a transform.

[@Crimsonengine]

Nothing will make a $5k camera look like a $80k camera, but this is the closest free option :)

[@purelink3236]

It would be interesting to compare this to the Arri emulation luts people make for Canon