You explain it very good. Even I understood it! I just got the Aeros Thursday. I used a boss drum machine and put it on 1st track and put down the bass on track 2. It turned out great for my first attempt, good enough to use live! Much easier and better sounding than the Jamman stereo I been using! Thank you for very easy to understand tutorial!
@rickthomas393 Жыл бұрын
Clear instruction Great musicianship Incredible products !
@RichardLuna20253 жыл бұрын
Your the best Steve, thanks!!!
@alfonsealbanese17854 жыл бұрын
Thanks for taking the time for this... this is a great method of teaching how to use the gear in a way that simply the right pace for people new to the product.. Great job
@sparkx251 Жыл бұрын
Another great job of saving me lots of time and some confusion. Thanks for sharing.
@stinemusiclessons Жыл бұрын
Hi. My pleasure! Thanks for commenting!
@troyalcorn94594 жыл бұрын
I am just learning about home recording and not good with computers so got a lot to learn thanks for video Steve.
@tomcaron91134 жыл бұрын
Thanks for these videos Steve. The Aeros is a great and unique machine. A bit of a learning curve and different approach to looping. The quality of the output tone is incredible. In and out routing is very simple. How great would it be to have a time counter on each of the track circles?
@weddingwiththewhitedove4 жыл бұрын
Knights in white Satin
@rickthomas393 Жыл бұрын
Sorry, Not Bach & Not Moody Blues….that’s Procol Harum’s Whiter Shade of Pale, var. by Steve Stine
@AchillesWrath14 жыл бұрын
Steve, do you have any lesson on learning the lydian scale similar to learning the 5 pentatonic positions? I've seen diagrams and it looks almost identical to the 5 minor pentatonic positions moved down one fret with an extra note on some of the strings? Could you do a lesson on that or if you already have one could you point me to it?
@mikethegreat42964 жыл бұрын
All scales and modes are simply relocations of the same pattern but with a different root, or note on which you start. If you look at the Major scale to compare, the Lydian mode would begin on the 4th note, so for the key of C major, the corresponding Lydian would be (c...d...e...) F Lydian and it would simply be F G A B C D E. Convenient because F would be the chord you would want to play Lydian mode over if you were playing in the key of C. If it helps you understand this: The major scale is also a mode, called the Ionian and would go C D E F G A B. There is one mode for all 7 notes, but none of them change the notes used. The reason this looks similar to a pentatonic with extra notes is the pentatonic scale, or 5 note scale, is the same as the 7 with two notes omitted - for the major the 4th and the major 7th. With a pentatonic minor, this would mean the 2nd and minor 6th are omitted. Now as to how you play this, you can choose to continue to use box shapes by adding in the 2nd and 6th. I do like how box shapes allow you to more easily follow the root if they're what you're comfortable with already, which is important for modes as it's the only distinguishing factor varying it from a major, right? You can also adapt your box shape use the classic 3 note per string pattern depending on which box you're playing, but just keep in mind that the roots are a key thing that makes a mode unique so keep in mind where you're at while you move so you can return to it. For a few examples of the 3 note per string patterns you can see this www.jazz-guitar-licks.com/medias/images/lydian-mode-one-octave-shapes.png . Just slide at the end of the octave to repeat the pattern. kzbin.info/www/bejne/mpusZH-Hepyhlc0 Here is Steve's closest video on the topic. He mainly says not to even worry about it just focus on the roots. I'll point out this - he plays a C major chord progression that shifts to an F chord in his demo, and the only thing that says he should be playing Lydian is the fact the C major scale he's playing is played over the F chord.