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Official website : www.ahmadjamal.com
Taken from "Live in Marciac 2014 » CD+DVD / Digital
Out June 2015 on JazzVillage
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Label : / jazzvillagemusic
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Picture Marciac, during a sultry evening in early August, 2014. Like every year, this little town in the Gers region has been turned into the worldwide capital of jazz for a month and under the marquee Ahmad Jamal is stepping out onto the stage with his three fellow musicians. This time, it’s the double bass player Reginald Veal’s turn to set the tempo with a marvellous new track, Sunday Afternoon, which prolongs the magic of the albums Blue Moon and Saturday Morning. The band is in great shape and seems more than ever to function by telepathy. Majestically, Ahmad Jamal bestows upon us a wonderful, intense shot of groove; aside his own compositions, which fill the playlist for most of his set, he gives a nod to Cole Porter and Horace Silver, who has just died and to whom he makes a double tribute, both playing his famous track Strollin' and dedicating a new piece, Silver, to him. The group sounds better than ever, and their pianist has reached the highest echelons of genius. The audience drinks it all in, as we all can today, thanks to this unmissable double album which is a feast both for our ears and our eyes.
Ahmad Jamal fait partie des musiciens dont les nombreux passages à Marciac ont toujours suscité l’enthousiasme. Non sans raison. C’est un magicien du piano, un de ceux dont le style, fait de ruptures rythmiques, de légèreté et d’audaces harmoniques, est si original qu’il n’a guère suscité de disciples. Il fut adoubé par Miles Davis qui le tenait pour son pianiste préféré et connaît, surtout depuis les années 80, un grand succès populaire. Ses développements gorgés d’invention semblent, de prime abord, relever de la fantaisie du moment. Ils s’inscrivent, en réalité, dans une conception plus vaste, quasi architecturale du morceau. D’où l’extrême attention que lui portent ses partenaires, dont le bassiste Reginald Veal et Herlin Riley, l’un des meilleurs batteurs actuels, tous styles confondus. Ils sont, avec le percussionniste Manolo Badrena, les artisans d’une dynamique dont le pianiste reste le maître d’œuvre, parfois - souvent - impérieux et déconcertant.