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‘Origins’, the third CD of Toon Fret and Veronika Iltchenko, presents works by composers from the inter-war period who were inspired by national musical traditions. This musical journey takes the listener across Europe, from France to the borders of Asia. Béla Bartók’s role in the integration of popular traditions into classical language is indisputable. However, the achievements of the other composers assembled here deserve to be discovered. Ervín Schulhoff, born in Prague into a German-Jewish family, was one of many whose works were proscribed by the Nazi regime as “degenerate music”. The Azerbaijani Fikret Amirov and the Armenian Arno Babajanian were constrained by the Soviet regime. Also, while the French composer Charles Koechlin produced an imposing catalogue of works, he suffered throughout his life by the fact that his career as a composer was eclipsed by his reputation as a theorist. While the works on ‘Origins’ were inspired by national music, they are contemporary in that they were born of the political turbulence that agitated Europe between the two world wars, with major upheavals in every artistic field.
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