Antonín Dvořák - String Quintet No. 3 in E-flat Major, Op. 97; "American"

"Dvorak's E flat String Quintet ("American") was written around the same time as the Symphony No. 9 ("New World"); like that famous work, it is based partly on Native and Black American themes. Unlike the salon atmosphere that characterized string quartets of the era, the American Quintet is full of wonderful, populist tunes, even though their pentatonic origins may be more Slavonic than American. The String Quintet No. 3 received its premiere on January 12, 1894, at New York's Carnegie Hall.
The direct impetus for this quintet came on Dvorák's first long vacation in the United States, at the Czech settlement of Spillville in northeast Iowa. During his stay, a band of American Indians arrived to sell medicinal herbs to the locals and stage a celebration. Dvorák came into contact with the Indians on a daily basis, and on two or three occasions he attended small gatherings at a local inn, where they performed their traditional songs and dances for him.
The Czech-American violinist Josef J. Kovarik recalled that one of the melodies he heard the Indians sing at the time bore a resemblance to the second subject of the quintet's first movement. Indeed, at bars 63-64, Dvorák incorporates the transformed fragment of an Indian song -- a so called "Indian drum rhythm." Other "Indian" elements that appear in the movement, as well as the finale, include pentatonic themes and short, oft-repeated phrases.
No less striking is the Larghetto movement -- a set of variations that follows Haydn's example by having a double theme, half in major and half in minor. Dvorák had originally drafted it as a setting of S.F. Smith's "American National Anthem" (My country, 'tis of thee); he even hinted at the time in a letter to his publisher, Simrock, that he was considering expanding it into an independent work for baritone, chorus and orchestra. The Finale, has distant precursors in the cimbalom theme in the finale of Schubert's Trio in E flat, Op. 100, as well as the presto of Smetana's Trio in G minor."
(All Music Guide to Classical Music, 407)
Date: 1893
Catalogue: Op. 97, Burghauser 180
Order:
No. 1 - Allegro non tanto in E-flat Major: 0:08
No. 2 - Allegro vivo in B Major: 9:24
No. 3 - Larghetto in A-flat Minor
Theme - Larghetto: 15:20
Variation I - Un poco più mosso: 17:22
Variation II - Poco più mosso: 18:56
Variation III - Un poco più mosso: 20:08
Variation IV - Poco meno mosso: 21:26
Variation V - Un poco più mosso: 22:43
Coda - Meno mosso: 23:44
No. 4 - Finale (Allegro giusto) in E-flat Major: 25:57
Performers: Musicians From Marlboro
Note: This channel does not own the score or audio, and they are only used for non-commercial purposes. This video is a reupload from Thomas van Dun, who withdrew all score videos of pieces not composed by himself.
Original Uploader’s Channel: / thomasvandun

[@fatreq]

Stunning music, a very underrated piece that is at least as good as the american quartet

[@joncheskin]

The variations strike me as the perfect expression of Dvorak's ambivalence about America--a melody that starts in a minor key (and a very remote a-flat minor!) and ends in the parallel major, homesickness and wonder.

[@elipcellist13]

Honestly, I think I prefer this Quintet over his American Quartet- it’s just too good!

[@brunftbert3381]

Thanks a lot for posting! Memories so long time ago...

[@zarchle557]

Thank you for this! I especially enjoy the first movement. It quickly became one of my favorite pieces at the moment.

[@pbunting5143]

a friend just recommended this - thanks for posting it for us all

[@unaffiliateduser8995]

Thanks for this upload!

[@tasminlittle3867]

This is a stunning performance!

[@wooogie672]

the end of the fourth movement is just too good

[@joncheskin]

It's actually the one spot that reminds me of the American Quartet, with all of the triplets and such. Both endings are spectacular.

[@davidyoung6331]

I love the ending to the fourth movement. I was very much disturbed when an author of a book on chamber music (which I read about 40 years ago) stated that he thought that the ending was "the worst bit of chamber music writing ever" or to that effect. I think that he was very wrong in that assessment.

[@wooogie672]

@@davidyoung6331 i agree he is absolutely wrong 🤣

[@hilaryhaskell7666]

This is hugely helpful, to see how it all fits together. Having great fun playing it with friends!

[@beeshin9945]

Thanks for the score

[@9n2f3]

that's actually really good!

[@owengette8089]

6:41 9:59 i've heard a lot of american folk music in my day and he's got the American sound down pat.

[@joncheskin]

Lots of snap rhythms and pentatonic melodies, he was clearly fascinated with the whole thing.

[@cristinamelendez3543]

Mov. 2 9:24 Mov 3 15:20 Mov 4 25:58

[@christiangaloppe6847]

Why the American quartet is so famous and not the quintet is beyond me

[@Alice-gr1kb]

9:24 movement 2

[@rohankaramel2977]

Movement 4 : 25:58 1 : 26:21 2 : 27:10 3 : 28:02 4 : 28:18 5 : 28:42 6 : 29:21 7 : 29:44

[@jay_austere]

25:55

[@petermyerscello]

Who are the specific performers?

[@gerardbegni2806]

The "American" idiom is more integrated to the work than in the better known string quartet.

[@choijiwonballetclassmusic]

12:27

[@allenb5288]

Isn't the other one in F the american quartet?

[@davidyoung6331]

Yes. The F major string quartet was composed over a period of about 3 to 4 weeks while Dvorak spent a summer in Spillville, Iowa. The String quintet came right after and was influenced by Dvorak's stay in Iowa. The ground rhythm to the second movement is said to be inspired by the drum rhythms of local Native American tribes.

[@lianachristene8028]

15:20