Roberto Diaz and Dover Quartet: DVOŘÁK - Quintet in E-flat Major, Op. 97

[@betaniajohnny209]

0:06 Movement 1 10:04 Movement 2 16:17 Movement 3 27:56 Movement 4

[@elaines5750]

One of my absolute favorite pieces of chamber music ever.

[@Metasisic]

I'm so fond of the first movement, I don't the other movements.

[@elaines5750]

@@Metasisic Give them another chance! I love them all equally!

[@betaniajohnny209]

I've listened to this a million times and I keep coming back! It's so amazing!

[@doumne]

j'adore cet ensemble, Dover quartet et également Roberto Diaz, magnifique altiste. Ce quintette de Dvorak est une de ses plus belles œuvres de musique de chambre.Bravo à tous.

[@curtisinstitute]

Merci beaucoup! :)

[@robertgoss4842]

Tres bien! Merci, mon ami!

[@Metasisic]

The opening movement to this quintet is unbelievably powerfull and forceful, talk about feeling the music's passion, anyone defenitely would unless you have no ear what so ever.

[@paoloperrelli3226]

CAPOLAVORO Assoluto… mi fa piangere…

[@joeowens6180]

What a glorious piece of music gloriously played! I heard more of Bohemia in this piece, especially in the dance rhythms than I did of American, but that may be my fault. The playing was thrilling beyond all expression. Such oneness of sound, such total precision and such warmth of tone. The Dover Quartet is already among the great quartets playing before the public.

[@Axolautism]

Well, Dvorak was Czech so it would track that you hear Bohemian. I don't know much about this piece but if this rings more strongly of Bohemia than America, I'd guess he may have written the piece when he was homesick

[@elffromcolorado1376]

@@AxolautismSupposedly he started writing the piece before he was in America, but also parts of it were inspired by Native American drumming 🤔 But try as I might, I can’t seem to hear it.

[@Axolautism]

@@elffromcolorado1376 yes, I believe the first movement is supposed to capture what it was like arriving by ship to the Americas The second movement's main melody is meant to capture the voice of one of his best singers I've not heard of the native American inspiration before but that's really interesting so I'll have to look into it And also I believe his string quartet 12 is where he pulled some inspiration from black communities, if I recall correctly

[@karlwinkler66]

Supremely beautiful - thank you!

[@lacorchea955]

Dvorak never dissapoints, he always have something good to say. And the Dover Quartet is excellent. And two violas... Guau.

[@jonstewart464]

What a gem, thanks for sharing.

[@greenviolist34]

Gorgeous!

[@glennhall2729]

This is really freaking great.

[@Alejandro-mt1nm]

3:29 favv moment

[@RikerEKC]

Guarneri Quartet for a new generation!

[@luisangelacostasanchez290]

La más bella música para darte sentido a la vida música de El Olimpo para terricolas

[@robertgoss4842]

This was one of the very first CDs I ever bought, in the mid-1980's, and it remains among.my favorites. This stirring performance is one of the best I've heard. Thanks a million! Patreon page??

[@SlothYen1216]

so good..

[@くりをこわ]

5:44、30:40、33:42 beautiful viola!

[@nickyork8901]

and 12:02 🥰

[@davidyoung6331]

Wonderful. Question! I am very pleased to note that the violist does not play the double stop in measure 119 of the second movement. I have always considered that the double stop in the score was a mistake. Do you also believe that the double stop was a transcription mistake? Can you tell me why you avoided the double stop? (at 12:41 she plays just one note where as most renditions the violist plays a double stop at this moment).

[@milenapajaro-vandestadt8780]

Sorry for my delayed reply! I’ve gone back and forth but I tend to be in agreement with you, it just sticks out and doesn’t add to the harmony while forcing the line to be chopped up because of an awkward fingering situation.

[@davidyoung6331]

@@milenapajaro-vandestadt8780 There are about 40 or 50 renditions of this quintet on KZbin and only a couple of very old recordings, and your recent recording do not play the double stop. I wish I could see the autograph score. I'm thinking there is a smudge that was interpreted as a note. As far as I know, all of the scores and parts have the double stop. There are other mistakes in published parts of Dvorak's chamber music, verified by top publishers (Henle, mostly). Are you aware of the mistake in the viola part, for two measures, starting four measure before rehearsal number "8" in the fourth movement in Dvorak's American String Quartet? There is also an error in the second movement, in both parts and score.

[@milenapajaro-vandestadt8780]

@David Young yes I am! I wish I could see the original manuscript too, I’m so curious. So many of his pieces have discrepancies between the different parts as well, or the parts and the score, which make me think maybe he was a little sloppy or unclear in his original markings!

[@stevenvinson1615]

@@milenapajaro-vandestadt8780 I mean, he was a violist 🤷

[@milenapajaro-vandestadt8780]

@@stevenvinson1615 🥸

[@socorrochoran3114]

Excelente

[@trapsunset400]

25:00 ❤

[@penultimateh766]

My god those last three notes. Why didn't every person in that room leap to their feet?

[@gpcrawford8353]

I always believed that a troop of Native American Indians come into town and he Dvorak was enraptured by the rhythms that they created and put them in music. Strangely or coindence Smetana in his opera the Bartered bride had American Indians in one scene where Dance of the comedians enters

[@nandocordeiro5853]

Yes that’s true. When Dvorak was in Europe the folk traditions there influenced his music, so when he came to the US, he wished to do something similar with the music of Native Americans.

[@이명선-q9y]

13:02

[@grimjim100]

Very nice! have they heard the Esme qt.from Korea?