ArpsBand - RadioLand EP [2024]

[@aninaanina8313]

Arps Band has crafted an exciting new genre, blending the depth of electronic music with the intricate, layered complexity of progressive rock. Their sound merges atmospheric synths, driving electronic beats, and the improvisational elements of prog rock, creating a mesmerizing musical experience.

[@ersatzmusic756]

Sounds great, never thought I would hear Kraftwerk and Porcupine Tree in one song! Definitely ElectroProg!

[@lilica445]

Rene voice is very special ! Great!

[@SonicWavePassengerMusic]

fucking fantastic

[@diddymen1]

I'm liking the music, Electronic Prog hope there will be more of this kind cause I think is one of your best

[@lilica445]

The track is perfect for those who crave that moody, alternative vibe with a touch of retro charm.Such an amazing work ARPS BAND!

[@SonicWavePassengerMusic]

10% pink floyd 10% prcupine tree, 10% opeth, 10% king crimson, 10% talking heads, 10% good charlotte, 10% R.E.M

[@jonstein6868]

Changing Stations - a review of the RadioLand EP (2024) To be fair, my prog credentials aren´t that great. My record collection in the 1980´s didn´t go much beyond Pink Floyd´s better known albums, most of Yes and all of Rush. By the time Marillion came along I´d already moved on to jazz and folk music and I haven´t kept up with the many and exciting developments in progressive music since then. Still, I´ve got a soft spot for intelligent rock and admire musicians who continue to create music that combines the best of the past with all that´s current. ArpsBand, the brainchild of multi-instrumentalist and composer, René Steenvoorden, has just released a new EP which takes us on a journey through outer galaxies and inner feelings. His signature sounds of futuristic synths, stonking guitar, driving drum and bass, and the unforgettable voice of Mia (as well as a few growling monsters) are all here. But there are hints too at possible new developments and directions. The magical chord changes in RadioLand, the popping synth in PlasticWurlie, and the singable melodies and lyrical guitar of GlassMotions could all be developed, maybe as the basis for songs, and perhaps even with some commercial potential if that´s where René wants to go. Quibbles? There are occasional long passages which meander (I got lost in the Stratosphere), and the predominance of minor chords can get heavy - at least for this listener. The ending of the EP on the KZbin link I have has been chopped mercilessly. And only getting to hear Mia on the first track is a bit of a tease! All in all though this is great music, serious music, deserving of wider attention. It may not be particularly cheerful, but that isn´t the point. We live in a fucked-up world and real artists doesn´t shy away from that fact. Yes, there´s probably some sadness here (and sometimes Arps can be positively frightening!), but I hear something else too. In the dedication of one man - and his gifted collaborators - to his craft, there´s a positive message. Produced under dark London skies, RadioLand is broadcasting a creative message of hope and light across the Universe. Tune in or lose out!

[@saltermellon644]

Great to have some new music from you guys

[@adriandanailaclassicalguitar]

Beutiful!