ARRIRAW

[@abrampainter3764]

I don't really make films but I can't get enough of these shots. Insane how good modern cameras are. Keep making more!

[@BlaineWestropp1]

Truly insane! I still do want to get a film camera though 😇

[@thefilthyswede]

I just love your account mate, any video is just super interesting haha.

[@BlaineWestropp1]

Thanks so much Mathias ❤️

[@Satan.exe_]

Any plans on uploading your color grading pipeline in the future? I'd love to see your process.

[@BlaineWestropp1]

Yes I definitely have plans to show the workflow. I have a very specific and purposeful workflow!

[@IJohnSmith]

Dude, I’ve seen your channel pop up a few times and am definitely gonna sub. Love the Mini LF vids. Do you DP feature films?

[@BlaineWestropp1]

Thank you! Love the mini LF. I’ve DPd one feature, one show, and have another feature coming up this spring.

[@IJohnSmith]

@@BlaineWestropp1 Hell yeah I look forward to seeing more of your work!

[@BlaineWestropp1]

Thank you 😊

[@Jakenbake98]

@@BlaineWestropp1 do you own a mini LF?

[@BlaineWestropp1]

@@Jakenbake98 yes

[@EdmundElijah]

My eyes in the morning before I put on my glasses 😂

[@BlaineWestropp1]

It changes colors like that?!

[@EdmundElijah]

@@BlaineWestropp1 Not as drastically, but I definitely see color shifts!

[@BlaineWestropp1]

I smell you 😎

[@pglazzari1]

Please confirm there is distortion in the lens and that why it looks like Boeing in the window frame.

[@BlaineWestropp1]

Yes definite distortion in the footage!

[@pglazzari1]

@@BlaineWestropp1 good, I was like is it just me. What lens you use for that shot?

[@BlaineWestropp1]

Great joy 50!

[@Dezdirectz]

What anamorphic lens did you use?

[@BlaineWestropp1]

This was a GJ 50 with adjusted edge distortion.

[@loganlambert]

Decent camera

[@BlaineWestropp1]

It gets the job done 😂

[@MikeMarrah]

this somehow feels like it's a KZbin compression experiment as much as anything else

[@BlaineWestropp1]

It’s always a KZbin compression experiment.

[@MikeMarrah]

@@BlaineWestropp1 hahaha truth

[@holdmedear]

How does Prores 4444 and Arriraw compare?

[@BlaineWestropp1]

First, on the LF, ~30 minutes of arriraw is 1TB. 1 hour and 10 minutes of 4444 is 1TB. So, there are big data differences. Visually they are very similar if you are not pixel peeping but arriraw offers the metadata adjustment in post which is nice. I find myself shooting mostly arriraw and 422hq for commercial work. For a film, 4444.