Ars Antiqua Austria - Biber - Festival Oude Muziek Utrecht 31 augustus 2014, deel II

Heinrich Ignaz Franz Biber - Missa Alleluia
Ars Antiqua Austria:
Fritz Krircher, Barbara Konrad, viool/violin
Peter Aigner, Wolfram Fortin, altviool/tenor violin
Claire Pottinger, cello
Jan Krigovsky, Roberto Sensi, violone
Erich Traxler, Sergej Tscherepanov, orgel/organ
Hubert Hoffmann, theorbe/theorbo
Andreas Lackner, Herbert Walser, clarino
Thomas Steinbrucker, Martin Sillaber, Gerd Bachmann, Georg Pranger, trompet/trumpet
Georg Tausch, pauken/timpani
Norbert Salvenmoser, Gerhard Schneider, Johannes Giesinger, trombone
Frithjof Smith, Gebhard David, cornetto/cornett
Solisten van de St. Florianer Sängerknaben / solists:
Josef Pascal Aur, Simon Paul Bernhard, Daniel Mandel, sopraan/soprano
Alois Mühlbacher, alt/alto
Franz Farnberger, koorleider/choral conductor
Markus Forster, alt/alto
Bernd Lambauer, tenor
Gerhard Kenda, bas/bass
Ulfried Staber, bas/bass
Gunar Letzborg, conductor
Live vanaf Festival Oude Muziek Utrecht, TivoliVredenburg.
Live from Utrecht Early Music Festival, TivoliVredenburg.
Kijk voor meer concerten op / for more information:
avrotros.nl/kla...
/ avrotros.klassiek
/ klassiekonline

[@tritonusgesang]

So wunderschön! Besonders wenn Knaben die hohe Kunst des schönen Singens verstehen. Großartig!

[@PauloCesarMaiadeAguiar]

Divine this performance from Biber's mass. Magnificent.

[@notaire2]

Danke den Österreicher für solch eine wunderschöne Aufführung des historischen Schatzes!

[@HexPulsion]

Je suis littéralement ébloui, chaviré par cette prestation céleste.

[@judithwhitehouse2149]

Great to hear those young voices and wonderful instrumental playing!

[@bobosally]

PLEASE come to Los Angeles and perform this divine style of Baroque realization, clearly as it should be done. Bravo Ars Antiqua and thanks Avrotros Klassiek for delivering the best music on the planet!

[@notaire2]

Thank the Austrians for such a beautiful performance of the historical treasure!

[@Rx-mn5fv]

Thank you for bringing to life the music of a composer who was just a name in a book previously. It was a very revealing experience. The singers were splendid.

[@TheSonja2804]

Congratulations to Ars Antiqua Austria for the outstanding Performance !

[@NeoDoryphorosspb]

Unique and exquisite!

[@mindenfugleman6976]

Biber was certainly one of the superior composers of that period.

[@TenorCantusFirmus]

I love to watch to period instrument performances because I can then notice how instruments have changed with time. I thus noticed how thinly made were trombones made back in the days, they almost look like made out of paper when compared to nowadays'! Yet, this gave them a velvety, almost horn-like sound which very well blend with male voices. Also I admire the way Biber scored trumpets and cornetts at the same time, taking full advantage of the resources of both instruments.

[@matteovasta5952]

Il barocco musicale austriaco, come quello pittorico delle chiese, crea un’atmosfera di colori il cui effetto è portentoso e inebria la mente e il cuore. Quando ascoltai per la prima volta questo genere musicale come “ messa di Benevolo “( messa salisburghese poi riconosciuta di Biber) eseguita dalla celebre Escolania di Montserrat, ne rimasi stupefatto. La grandiosità dei suoni e dei cori si ritrova solo nella musica della cappella di S. Petrolio. La Chiesa Trionfante!!!!!!!!!

[@funkylemonsbb]

wunderbar, ich gratuliere allen Beteiligten zum Erfolg!

[@gemstone212121]

Music and performance, both wonderful. 0:07 Kyrie 2:58 Gloria 11:32 Credo, 15:28, 18:46, 19:24, 20:45 GP 24:45 Sanctus ***, 26:45 Hosanna, 28:40 31:45 Agnus Dei 34:18 Dona nobis pacem 35:52 end of performance

[@LukaszSzafera]

Bravo!

[@johannesnicolaas]

I have to admit that I didn't know Biber till a week ago. This music is incredible beautiful.

[@elidevilska4009]

+johannesnicolaas wow great , this is amazing but u can see more for gerd bachmann when u google it panlarko amazing reflux planner

[@ferdiriordan1]

You might also like his Missa Salzbergensis -Collegium 1704 Vaclav Luks has a fantastic performance here on uTube.

[@bgfn01]

Brilliant!

[@emielderoover4538]

Superbe!!

[@vladimirjacrequies894]

Bravissimo!!!

[@bartholomewsholto5274]

Heinrich Ignaz von Biber ended up as Kapellemeister in Salzburg he wrote rather interesting chamber music as well as masses (Salzburgensis!) his chamber music is somewhat similar to Schmelzer in that it has a folky element. I am convinced he played his fiddle against his chest like in those old Dutch paintings instead of under the chin. Sigiswald Kuijken advocated this in his Bach sonatas and partitas. Check out Letzbor recordings on Arcana and Challenge classics. Fantastic.

[@herminioteixeira5921]

Apenas complementando, este autor inserido nos primórdios do barroco, nasceu em 1644 e faleceu em 1704.

[@geschiedschrijver]

Heinrich Ignatz Franz von Biber. von ! von !! proper naming PLEASE.

[@maestrovoci7214]

Why only one treble on a part? They are overwhelmed almost all the time. Maybe three boys on a part, including solos?

[@alexkipper63]

Bravo!!!!!..(N. B. Gunar Letzbor leitung)

[@rolandtruc5700]

Quel est le nom du quatrième homme qui chante à côté des basses et du ténor? merci

[@Skogbox]

Harald Lesch in erster Reihe?

[@solcarzemog5232]

Too much C major - G major... enough

[@mdesapio]

Keep in mind this kind of polychoral music was originally written for huge churches - overly complex harmonies would have gotten lost, which is why the composers mostly stuck to simple diatonic harmonies.

[@frillydaffodilly]

How did that smallest soprano singer get away with ‘conducting’ himself like that? Such bad training- how obnoxious. Really off-putting.

[@Maltravers2011]

The voices are not powerful enough. Compare and contrast with Kings Cambridge or New College Oxford UK