How To Effectively Use Mask Generator to Texture a Real Time Substance Painter Asset

[@WillPreston3D]

a true artist, and extremely alturistic, sometime we forget that we're all still in art school and growing as a team

[@MrZeith]

I was just rewatching your old videos and wondering if you'd start uploading new stuff and you just did! Great video, as always!

[@Nausicaa521]

Gonna try to be more consistent for sure.

[@bewsii]

Your characters are beautiful. Great work!

[@slade6257]

Wooow that model is amazing I am trying to learn zbrush and dang it's hard so props to you 🙇

[@Nausicaa521]

Keep practicing!

[@Cyber_Kriss]

Nice ! (Btw I really like your soothing voice)

[@honkpill686]

MARVELOUS! BRAVO! 👏👏👏👏

[@ShidoSoul]

This really great!

[@nayandurge8877]

Fantastic work mam

[@davidmin1954]

That's great. This is a very informative and effective course.

[@pepnoi]

Veru usefull, as usuall

[@oscarbaracaldo3556]

Thank you very much, this helped me a lot. ty ty ty ty

[@Nausicaa521]

Glad to hear.

[@thedesignguy9203]

Love your work and tutorials. An extensive tutorial on baking the texture and lighting in Substance Painter would be much appreciated.

[@benarmony1532]

Fuck my balls

[@benarmony1532]

יא גרגמל

[@iksanfianka]

you are amazing girl!

[@mahabbat1960]

Very interesting theme

[@raV_3d]

Great tutorial!

[@marccb]

Great stuff! clear explanation, same thing with the Mask Editor, which i guess is an upgraded Mask builder. Thanks for sharing your process!!

[@kidda74]

Love it! well done 💀👍

[@allendomantay6657]

love your channel and tuts

[@unrealhabitat]

Amazing tutorials

[@felipegl5000]

Thanks for share!

[@sebemmelembro2172]

2:40 a tip, if you hold alt and click on a channel all other channels will be disabled leaving only the one you clicked active

[@88hyuuga88]

Thank you so much for your vids! :D

[@nikolatesla5308]

i wander how do you keep your self motivated through out the project. specially long projects. like after viewing all your videos, i inspire to create very detail model of coffee grinder. i can complete small easily(2 to 7 days max) but big project that will take a month is hard to complete. How do you do that???

[@Nausicaa521]

Just do a little bit everyday.

[@joed9789]

great vid, FYI the youtube previews that come up at the end of the video for next video block your final shots

[@rodrigolimatattoo]

Thanks for the tutorial, but how can I use the mask builder?! I created the black and white effect using the mask generator but I dont see how to properly use that as a effect on the object. It stays as black and white here XD

[@mrmiyagi6940]

Very impressive .I don't really understand why did you used 10 udims for this project ? 🤔

[@swapnanilnag3713]

Hi ! Did you upload the texturing process of iguana !? I really need that

[@ArtruismDigital]

That's a full course on gumroad.

[@swapnanilnag3713]

@@ArtruismDigital oh ! Okay

[@maximevigneron560]

Thank you :D!

[@hamidsalami7022]

Thank you for your awesome tutorials! do you have any plan for substance painter course which is from beginner to advanced level??!

[@adrikito]

Love your content :3, very insightful and inspirational to those we want to become 3D artists. Keep it up!

[@spamgrabber9558]

Where we can use udims?

[@peter486]

do you always work with like a million poly model?, your mask is insanely detailed :)

[@nicholashunter8545]

My curvature maps bake out fine, yet Painter places large and blurry gradients near some seams, but not all seams. Even if I have blur set to 0 in the generator, using the curvature slider values results in seams in my mask. Does anyone know how to clean this up? I have read of an older trick to generate a curvature map from a normal map, but even that won't clean it up entirely.

[@chenxuanzeng]

Hi, I want to ask a question about Mari. the node and the layer which one is good for texturing in the future. I saw some of your tutorials that you mostly use node to make texture in Mari. please tell me which is good. I am so confused.

[@ArtruismDigital]

Node is a new creation and it's considered to be more efficient.

[@allendomantay6657]

super random, your really pretty.

[@badboytoy]

can you plz tell me how can we put more then 1 udim layout in substance

[@Nausicaa521]

You uv your object in other software in to multiple UDIM, Substance doesn't do uv.

[@badboytoy]

@@Nausicaa521 yes i know, but my other udim layout look dark except the main one

[@Nausicaa521]

@@badboytoy it's possible that you have different material assigned for different udim, to see the other udim, either assign everything with the same material or switch a different material in painter.

[@badboytoy]

@@Nausicaa521 sorry for the troubled . till now i dont know about the UV tile workflow option. but now its working .

[@copaboy]

I still never got the concepts of UDIMs.. please a tutorial

[@victorespin819]

what enviroment you recommend for working on this kind of works, yours looks so neat. Excellent video.

[@BasilPio]

You started creating a mask generator but ended up not showing how it was used in your finished texturing. Easy to create a maks generator, how you went about using it would have been useful.

[@HanSolocambo]

10 UDIM for that ??? Damn.... You gotta read about optimization.

[@cowholy3031]

帅啊

[@elk_h]

Thanks for your tutorials. Really helpful. I was wondering, how do you approach UVing your assets and laying out UDIMs? Do you have a set of rules for texel density for example? Or does that vary depending on each shot? I'm coming from game development background so curious to know how you approach this stuff in VFX!

[@nothankyoutube]

I'm confused it's a real time asset but using udims?

[@ArtruismDigital]

Yes

[@nothankyoutube]

@@ArtruismDigital is there anything that makes this different from a film asset? I'm new but this seems very high res!

[@benarmony1532]

I see all i see all i see all i see all agghhh agghhhhhhhhh ahhhhhhhhhhhhhhhh I am a glowing glowing glowing glowing i see i eat i see i breathe i eat i see i fuck i sleep Agghhhhhhhh Aggressive confrontation against more than a dozen circumstances in which illuminated turbines circulate by extreme light amplifications, aka acamdcitcela