RUDOLF BUCHBINDER plays Beethoven Sonata No 23 F Minor Opus 57 Appassionata

[@NorbiBirdie]

Ein Meister seiner Zunft interpretiert den Meister der Musikgeschichte - was für ein Klangerlebnis!!! Vielen Dank!!!

[@claudiadorfmeister1618]

DIE BESTE APPASSIONATA ... Beethoven lebt und frohlockt über diese gefühlvolle und vollkommene Interpretation, danke, meisterhaft!

[@tomaxi007]

Phantastisches Werk und eine sehr überlegte Interpretation, die es verstand, die Steigerung klug herauszuspielen. Buchbinder kennt genau die Tücken einer übertriebenen Ausdrucksweise und er macht sehr geschickte Übergänge mit technischer Überlegenheit, sodass das Werk nicht so überlastet schwer im Sinne von beethovschen Pathos herüberkommt. Der Wiener Charm schimmert trotz tiefer kompositorischer Schöpfung des Meisters Beethoven noch hervor und das bringt Buchbinder mit schwingendem Rhythmus und strahlenden Diskant, perlender Lauftechnik und schön differenzierten Mittelstimmen alles zur Geltung. Bravo!

[@DIANA-rv7zn]

Die Apassionata hat mich oftmals abgeholt und getröstet... Sehr gut gespielt von Rudolf Buchbinder. 👏👏👏

[@ErnestUngureanu]

Le plus génial pianiste de tous les temps !!!

[@MaxPower-grrl]

excellent playing!

[@cagdas7915]

my fav. pianist ever

[@1ImmanuelK]

Nice to hear a quintessentially Viennese pianist -- never dragging in tempo, terrific finger control, focus always on crystal-clear enunciation of Beethoven's ideas.

[@GerRidOfThem]

He is a moet important pianist, maybe the greatest alive today...

[@Lalulalala824]

He literally drags in tempo in the very opening measures of the piece

[@claudioocchi1186]

A Denis B dico soltanto di ascoltare bene e non soltanto con le orecchie bensì con gli occhi e cogliere tutte le sfumature di questa grande passione che riesce a trasmettere...rispetto, solo grande rispetto per questo grande grandissimo immenso artista! vorrei ascoltare Te per sentire se sai fare meglio...inchiniamoci a questa persona che sembra un Dio e che ha poco di umano.

[@francoriva55]

Grandissimo pianista !!!

[@arturozeballos1]

Beethoven’s opus of 32 Piano Sonatas, known as “the New Testament of piano music”, is a landmark in piano literature. Spanning Beethoven’s entire life, the sonatas reflect his whole development as a human being and a musician, moving from one century into the next, from one epoch in music in to another. With the sonatas “Pathétique”, “Moonlight”, “Waldstein”, “Appassionata”, “Hammerklavier” and the final sonata, op.111, the cycle contains some of the most known piano pieces of all time. Now, for the first time in its history the complete cycle was performed at the Salzburg Festival. For this challenge the Festival asked no less than the world-renowned and influential Beethoven expert and pianist Rudolf Buchbinder. With more than 45 performances of Beethoven’s complete sonata cycle in concert halls all over the world and his relentless drive to discover new details and facets in the sonatas through meticulous study of the scores, “Buchbinder has set new standards in the interpretation of Beethoven’s works” (Bayerischer Rundfunk) - See more at: www.europadisc.co.uk/classical/128635/Beethoven_-_The_Complete_Piano_Sonatas_(DVD).htm#sthash.bnYTYEHs.dpuf RECORDING SALZBURG-AUSTRIA 2014

[@roliveira8885]

Simplesmente! Bravo👏👏👏tive o privilégio de assisti-lo, ouvir pessoalmente!

[@communicatingdoors]

Awesome - let's see if G19h are going to watch this, too.

[@JBorda]

this Sonata really srteches the space between high and low sounds

[@irinechepkhodze1974]

Wunderbarer Pianist!

[@hyramesshiramess1035]

A robust, muscular, solid, brilliant, not partcularly subtle performance, perhaps, but then who really looks for subtlety in an outburst of energy as monumentally violent and cataclysmic as an earthquake or volcanic eruption? I have always felt both the second movement and the Allegro ma non troppo - presto benefit would immensely from an omission of the repeats -- especially in the final movement. Buchbinder is one of the best in this repertory especially -- a great master of the Viennese-Classical School.

[@ГульсумУмбеталиева-ф5о]

BRAVO MAESTRO ❗

[@MrRjcosta]

Impecável👏🏻👏🏻👏🏻🎹🎼🎶🎶🎶!

[@Smartcn-w9m]

WOW !!!!!

[@gregorurban3222]

As some former comments beyond for me too there some "thing " is acking As always I admired the pianist R:. Buchbinder I can express that there is a lack of natural "Innerlichkeit" is his playing of music.

[@rosaceae100]

太厲害👍

[@andreahung3604]

太厲害👍🎉🎉🎉🎉🎉🎉🎉🎉🎉

[@rudolfgolezpianist4322]

Wow! The a-flat alternative is so effective

[@claudioocchi1186]

invece a Moy Didier suggerirei di soffermarsi su questo periodo della vita di Beethoven che evidentemente è frutto di grande tecnicismo e dinamismo....anche tu fammi sentire se sai fare meglio! ;-)

[@luwei5762]

15:07

[@paulorcarro]

Os dejo la versión de Sergei Yerokhin kzbin.info/www/bejne/rXnbpH6qp9Wnrc0

[@chaikagome9725]

When is this concert?

[@jakobhofmann2903]

2014

[@chaikagome9725]

@@jakobhofmann2903 Thank you!

[@nicoloanzivino6181]

I can accept everything, but the man is literally ignoring what Beethoven wrote. How superb and disrespectful...and he is a Deutsche Grammophon artist, goddamn...

[@moydidier]

Beethoven is not Mozart. Where is the melancoly of Beethoven ?

[@Piflaser]

Allways between the notes

[@rachelpeham3508]

Interesting comment. I always thought the other way round, that Buchbinder 's Beethoven was spot on but his Mozart was played a bit to Beethoven-ish.