What's the most efficient technique for audience mics that you have used?
@sinekayambasan11474 жыл бұрын
We were doing a live recording this one time and we had Decca Tree (Shotguns) above the audience facing away from the PA and two other Shotguns under the stage pointed 30° up towards the audience and two condensers (SM81's) at FOH facing behind the engineer. They worked out really phenomenal and they really captured the energy of the audience.
@Videditor10673 жыл бұрын
MxU actually had a pair of SM57s on each side of the speaker stacks for front crowds. Worked fantastic. For some reason those mics are great for rejecting the pa when right next to them. I had researched what makes CBS to use and 57s came up... so I tried it. May not work too well if you also have front fills...
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@noelbulls86283 жыл бұрын
Hello brother’s we have two ambiance mics are placed on the walls not pointing towards pa speakers but pointed towards the crow. By the way these are shotguns mics. My question is do I really need to time align these mics? They are about 25 feet away from speakers.
@revtrweberjr.9243 жыл бұрын
I love the idea of the audience mics and room mics. But how do you time align, mixing Console.. audience mics.. and ..room mics? Currently I have an analog console. When we can we will upgrade to Digital Console, however until then what is the fix and how do I do it??
@Lcuzz1234 жыл бұрын
Please tell us how you tackle and approach time alignment. It is been one of the biggest frustrations for me mixing live.
@brycevaughn81514 жыл бұрын
Hey man! something ive figured out lately. would love to help if ya need it still
@stuartsmith18563 жыл бұрын
They did a follow-up video describing the timing procedure: kzbin.info/www/bejne/op6tdGeJbLNskNk
@lukecoll65824 жыл бұрын
They mentioned using mics up near the board to get the house mix sound along with room/audience ambience. What mics do you recommend for that technique? Also, I’m watching this series newly at the time of the 2020 Covid-19 restrictions, and we are live-streaming our services without an actual congregation in the room. What might be some good mixing techniques to getting a large room feel without feeling hollow?
@RossAdams4 жыл бұрын
Brilliant! So how do we set the correct delay to the Room mics?
@seangonzales35302 жыл бұрын
I know this is a 2 year old vid but here's what I think. Get a backup multitrack recording of your service. Load them in your DAW and listen to the close mic'd drum kit and the crowd mics. Slowly dial in the negative track delay until you hear they are aligned. Once you're contented, apply that delay in your digital mixer in the actual service.
@Highfivechurch3 жыл бұрын
Great tips! Thank you!
@Sound684 жыл бұрын
How about the idea of sending the room mics signal at the console to the inears along with the audience mics so that the performers feel the whole room as they always complain about getting diconected form the room and audience while using inears. And in doing that shall we put the delay on the input channel of the room mics? Suppose 70ft from the stage to the console so 70ft delay on the channel?
@balkipapek4 жыл бұрын
At that point in ears would be useless. Just imagine playing drums that are 70ft away from you.
@coreyfinch57183 жыл бұрын
When you say "room mic", what exactly do you mean? Can you provide an example or two of a make / model? Or is it a generic term for a microphone (any microphone) that is just out "in the room"?
@jonathanwashington4403 жыл бұрын
You hit it right on the nose a room mic is just a mic out in the room facing the performance