Autechre / Hafler Trio VOD vinyl boxset

Ae30/H3ae (LP 1)
Aeo3 (LP 2)
3hae (LP 3)
5ah3eo (LP 4 - part 1)
5ah3eo (LP 5 - part 2)
Ha3oe (LP 6 - part 1)
Ha3oe (LP 7 - part 2)
Review: Three collaborative albums by The Hafler Trio and Autechre - ae.o & h.ae (2003), aeo. & .hae (2005) and ah.eo & ha.oe (2011) - were released one after the other over a rather long period and despite their intention as a comprehensive trinity, came out first via separate labels. It was as good a collab back then as it is now: we all may know Autechre, but Hafler Trio by comparison was a neat audiovisual counterpart to the former's gyratory mayhem music, erring more on the side of multimedia. Together, their music provides a raucous blend of abstract, ambient, drone and experimental music, with minimal and complex soundscapes, long silences and wild dynamic variation. all adding up to something rather. This comp brings all three LPs together, limiting the culmination to just 500 copies.
Drone: as with anything else that rarely changes, it's necessary to latch onto subtleties. What minimal suggestion put forth by a drone is so easily applied to pretty much any impression you might have that, predictably, describing one often leads to vague subjectivities bordering on bad poetry. And as much as I'd love to go around proclaiming my love for "deeply resonant, holy abysses" (not), I wish there were an easier way to communicate the real power of the things.
England's Hafler Trio are no strangers to an elusive clarity; rather, Andrew Mackenzie isn't. Mackenzie is the only current member of the self-dubbed h\xB3o, a group that at no point was actually comprised of three people-- unless you count their "collaborators", like imaginary scientists Robert Spridgeon or Dr. Edward Moolenbeek, both of whom were fabricated by Mackenzie and founding member Chris Watson (ex-Cabaret Voltaire) for their fairly astounding 1984 debut, Bang! An Open Letter. On that album, and on many early Hafler Trio recordings, tape edits and loops, found sound and Residents-style Dadaism ruled the day. Since Watson's departure in the late 80s, Mackenzie has gravitated more towards experimental ambient and drone music.
Autechre, on the other hand, seem to have been moving in the opposite direction. 2003's Draft 7.30 might have been slightly more straightforward than 2001's extraordinary Confield, but could hardly have been further from ambient if it tried. Even the moments that might conceivably have been called "drone" (parts of "Surripere", for example) seemed skittish and nervous. Certainly a far cry from anything on the Autechre/Hafler Trio split aptly titled, ae\xB3o & h\xB3ae, a daunting exercise in ominous hum, icy space and digital resonance. In fact, I had a hard time locating anything obviously Autech'd, whereas the album has much in common with recent Hafler releases such as the Moment When We Blow Flour from Our Tongues EP. - Pitchfork

[@Little_Internet_Monster]

Already the sound of unpacking the box sounds like a track by these artists.

[@Ppj29qT]

I should record it then and make some money 🙂

[@Little_Internet_Monster]

@@Ppj29qT I would even do a remix of it. ;-)

[@gmanderson2009]

One Hafler release, which I had in the UK, featured a voice track in a very thick Netherlands accent, however I have forgotten the name of the release.

[@temporoboto]

💙