Fauré: Pianotrio, op. 120 (clarinet, cello, piano) LIVE Concert HD

[@robertmarcus8084]

For a clarinetist whose trio life often consists of nothing more than Beethoven Op 11, Brahms Op 114, and Zemlinsky, as great as they are, this version of the Faure trio comes as a breath of fresh air and makes me want to put it in my repertoire toute de suite! Robert Marcus

[@tannerjordan2010]

You were almost Robert Marcellus ;)

[@gerardbegni2806]

Do not forget Louise Farrenc and Reinecke: these trios are quite interesting.

[@emilianoarroyo1067]

I. Allegro, ma non troppo II. Andantino 06:24 III. Allegro vivo 15:42

[@DarrylWhiteguitar]

The second movement is one of most beautiful that Faure ever composed. The trio works fine with clarinet.

[@framefu]

totally agree

[@joshuasussman4020]

One of my favorite piano trips with the beautiful new addition of the clarinet.

[@RodolfBaha]

I'm playing this trio ( Clarinet, Viola and Piano) its veryyyy beautiful.

[@aitorgarcia1147]

Only a marvellous connection among the musicians in a chamber ensemble makes possible to listen the heaven with Faure. Very nice version!

[@thecanoem]

Sounds like it was written for a clarinet instead of a violin! Thank you for sharing this ensemble

[@UsmanSahar]

idk , y i am crying. Loved it.

[@urmorph]

The poignancy of this beautiful performance is perhaps increased by the realization that the composer never really heard this piece; like Beethoven he was almost completely deaf in his last years. He was also notoriously uninterested in orchestration; I'm sure he would love the clarinet here, if he could hear it. Especially with these fabulous performers. They are all top-notch, but as a pianist I especially admire M. Le Sage's luminous playing. Mille remercie.

[@thekendrickhuynh]

It was Faure's idea to include clarinet. He originally wrote it with clarinet in mind.

[@stevenheck9433]

the piano is recorded perfectly

[@robinsnell2231]

This is EXCELLENT! The piece adapts extremely well to the substitution of a violin by a clarinet

[@sibamohia]

what a wonderful performance! this made my day

[@bordereauxdidier9220]

trois musiciens qui "sentent" parfaitement cette musique et en particulier un véritable clarinettiste de chambre qui sait la mettre en veilleuse aux bons moments!

[@TheClassicalSauce]

This is great. I've never listened to Faure' before.

[@jean-pierrek.9819]

Cette transcription pour clarinette est un enchantement. L'œuvre y gagne en solidité, richesse de timbres et profondeur. Il faut dire que les trois interprètes ne sont pas n'importe qui...

[@JuanManuelSanchez_JMComposer]

wow, what a wonderful a expresive music! thanks for posting it

[@juanjomorales5608]

This trio usually moves my heart, it's heavenly music...this version has left me very cold though, never felt it quite captured its magic. The clarinet suits it fine, though!

[@plumayray2656]

Yes this version is very fast and without that deep feeling from soul (((

[@thierryastolfi889]

I agree with you. Lesson this other interprétation...The tempi are more quiet and it's much better...For me !kzbin.info/www/bejne/ZnLdlKBsdt2AnZYsi=dEbY5GvHm_6l5O9B

[@tomcherney42]

...awesome find...!

[@mmbmbmbmb]

sublime ~ thank you!

[@trommeltante7920]

Sehr innig, klar und präzise musiziert!!! Dazu eine wunderbare Aufnahme. Vielen Dank!!!

[@notaire2]

Der Dialog zwischen den drei Solisten ist intim und gut artikuliert. Der tiefe Ton des Cellos klingt besonders bezaubernd. Hörenswerte Aufführung!

[@gerardbegni2806]

Except a fantasy for flute and piano (actually an exercise for the ParisConservatory, Fauré had never written any chamber score with winds. This trio (his last music hamber published when alive - the unique quartet, his last score, is posthumous). It seems that the clarinet version was the initial purpose project,; he soon changed for the classical piano/strings version. Perhaps Fauré did not take a wise decision, sinc the sound of the clarinet fits wonderfully with the specific composer's melodic style, and the intsrumental composition is attractive. But htis music is scnadalously underrated (as is the composer from a general point of view). Let us first make it more often played, and then we will open the clarinet versus violin debate - which is actually not a debate but an open choice.

[@rachsky1224]

Faure did take a wise decision. The problem is the coda of the first mov. it doesn't work with clarinet. The beginning yes but all the last part it doesn't. The clarinet doesn't have that sound attack of a string instrument and it blends too much in the chalumeau register with the cello, making it sound more like a duo than a trio. Hence the wise change to violin

[@InstrumentManiac]

I didn't know Jon Hamm was a clarinetist

[@LambentOrt]

❤️

[@gerardbegni2806]

It seems that Fauré thought actually to the clarinet instead of the violin, which is the final form of this trio. I am not sure of this. I read it somewhere, but I cannot remeber where. Except a minor piece for flute and piano, the chamber music of Fauré is always written for strings and piano (or strings alone for his quartet).

[@didierschein8515]

Yes, I agree with you.

[@WilfriedBerk]

Oríginally Trio für Klavier, Violine und Violoncello d-Moll op. 120 (1922-1923). Clarinet (Paul Meyer!) matches well in the ensemble

[@urobos99]

exquisite!

[@tomlin4179]

這應該是由豎笛取代小提琴的改編版本,和以前聽過的杜馬,柯拉德...演奏版本相較,速度可能放慢了一點,姑且不論美術性（描寫風物）如何,也因此取得了更優美的音樂性！本來忙完Facebook的通知,欲接續處理下一個活動,但轉場時一看到是佛瑞的曲子且時間也不太長,二話不說,先點進來欣賞再說 ！

[@797brm]

Seems like they only have one dynamic but still good job

[@WinrichNaujoks]

rubbish

[@СвятыйЖорий]

Сочетание Франка и Пуленка

[@martaovi5404]

PLEASEEEEEEEEEEEEEEEE TELL MEEEEEEEEEEEE THIS OPUS 120 OF FAURE IS ORGINAL FOR CLARINET OR FOR VIOLINNNNNNNNNNNNNNNNNN (THERE IS TWO VERSIONS OPUS 120).......I AM TOO MUCH CONFUSED

[@eyalli]

no there's only 1 original version: violin. this clarinet version is just an adaptation..

[@martaovi5404]

Eyal Tata ah ah ah original is violin.....good, thank yourrrrrrrrrrrrrrr

[@jackhousman6637]

Is the adaptation by the composer?

[@martaovi5404]

Jack Housman i dont know....nobody knowsss only God know this mysterius

[@pablomartin9599]

+Marta Ovi nooooooooooooooooooo fck this, i had your same cuestión but i wanted the other anwser... fck me sideways :((((

[@RobinBeaumont]

I don't like the cold almost rubatoless interpretation in places in the first movement - they seem to get into it in the slow movement

[@thekendrickhuynh]

Faure hated overly rubato music. He wanted subtlety but never grand gestures.

[@thepablorz]

This is a bit irritating...