Bach - Cantata Ach Herr, mich armen Sünder BWV 135 - Sato | Netherlands Bach Society

[@bach]

0:15 Ach Herr, mich , armen Sünder (Chor) 7:18 Ach heile mich (Rezitativ) 8:30 Tröste mir, Jesu, mein Gemüte (Arie) 11:56 Ich bin von Seufzen müde (Rezitativ) 13:09 Weicht, all ihr Übeltäter (Arie) 16:02 Ehr sei ins Himmels Throne (Choral)

[@philipaggesen]

Bach is like oxygen - it never goes out of fashion ❤️

[@youssefbalaki508]

This the great Bach . The prophet of got to the german peaple and the world

[@DatGinnga]

And if I run out I die lol

[@cassandraseven3478]

Life giving.

[@paulsmith5752]

And, furthermore, life without Bach is impossible.

[@barroco05]

Bach is essential for our lives.

[@smallfry3017]

There is nothing as soothing in the world as a Bach chorale, especially one sung and played by the NBS. It's like being cradled in your mother's arms.

[@patrickvanrhedenborg6784]

Cantata for the 3rd Sunday after Trinity, which is today. Perhaps the very best, most atmospheric, and most beautiful recording of a Bach Cantata I've ever heard and seen! A wonderful gift for my 73rd birthday!

[@haydnschlinger6740]

Happy belated birthday!

[@douglaspierce8480]

Honest to God, I could listen to his music 24 hours a day and never tire of it, the margrave of Brandenburg didn't know what he was missing.

[@deboraharmstrong4385]

Have you heard Nuria Rial, Bach foundation. Bwv 35

[@douglaspierce8480]

@@deboraharmstrong4385 No, I haven't.

[@harryjoseph1802]

Sato's infectious energy is evident in the Bass Aria. What a fine musician. The very controlled opening chorus with it's motif being passed from voice to voice, instrument to instrument Bach's polyphonic adeptness is showcased so wonderfully. NBS, you have a mortgage on my gratitude!

[@DuarteDomingues_Official]

Another great recording. Sublime! J. S. Bach is excepcional, and NBS can always transmit it the best way, and with so much quality. Thank you.

[@johanngottliebgoldberg1055]

What else do you expect from Bach? Each movement is a masterpiece!

[@marckg6950]

Don't know much about music, but I agree. Listened to Bach several hours a week. Finally, I took plunge on bwv obviously on 135. I look at the notes and read lyrics for each to learn what I can

[@PUREATMOS]

One of the best things about Bach is that he wrote so much music that you're guaranteed to find something you haven't heard yet. This is one of those pieces for me. And the fact that it's not one of the more well known cantatas has no bearing on the quality of the music. Just amazing - especially that startingly cooll Bass aria! Thanks NBS!

[@kofiLjunggren]

Yup, relatable! main reason why I love Bach is that seemingly you can choose a BWV number at random andit will be one of the most gorgeous things I've heard

[@bachopia1572]

So much fire in the Bass Aria !!! Dancing fire !!! As in the Sinai desert. Jesus - Lord of the (fire) Dance. Thank you Mr. Sato and Co.

[@grahaml3449]

The way the oboe sound comes through in every movement is just fantastic.

[@gmleitgeb]

Bach is out of our world

[@konstantinnoack1985]

Ach! Die Energie in der Musik zu "Weicht, all ihr Übeltäter"... Einfach herrlich!!!

[@edelahaye]

These "wide pandemic" recordings are stunning. It gives more space, more air to the instruments and the voices.

[@vittoriobacchiega9118]

I don't know how to you perceive the "air" from a compressed mp3 file. The air between instruments should be recorded from accurate microphones take_up and lossless reproduction on state-of-art hi-fi system where the correct loudspeakers disposition. Reverberation can be built into post production from multitrack input microphones. This is an accurate production for this type on channel (bit ratereduction forYT).

[@vittoriobacchiega9118]

@@omi_god I'm an electronic engineer, a player and a sound engineer and know how the electric trasformation are made for recording and reproduction. There is not a "snob" approach but respect of music rendition to hear as best of posdible. Mp3 on yt is a surrogate.

[@vittoriobacchiega9118]

@@omi_god You are completely wrong! MPEG layer 3 is a bit reducing algorithm to reducing data weight of file music. It is designed to minimize the space on memory or data trasmission on media channel. You continue to hear low quality *reduced* music while I hear *my recorded* high resolution classical music (ex DAT machines now DSD recorder from luve concerts). Enjoy to you for *your* mp3 hearings.

[@endreszatmari2302]

You are confusing the sampling rate with file formats. While it is true that 44.1 kHz sampling rate LOSSLESS audio can be perfectly decoded to the original waveform, a lossy compression like MP3 will never be capable of this, because by definition it is lossy, i. e. some tiny bits of the original signal are lost forever. By the way, KZbin does not use MP3 encoding but a similar lossy format.

[@notaire2]

Wunderschöne und tiefempfundene Aufführung dieser kompakten doch perfekt komponierten Kirchenkantate mit gut harmonisierten Stimmen des ausgezeichneten Chors und herrlichen Stimmen dreier genialen Solisten sowie gut vereinigten und perfekt entsprechdenden Tönen aller Originalinstrumente. Der intelligente und geniale Violinist/Dirigent leitet das ausgezeichnete Barockensemble im gut analysierten Tempo und mit künstlerisch kontrollierter Dynamik.Alles ist wunderbar!

[@nonconfundar]

The Transition between the Alto Recitativ and the bass Aria is so stunning and soo well executed here! Stunning virtousic singing in that Aria too, i am speechless! It is so dramatic and gripping. Thank you so much, NBS for this!

[@schaulinmarkus6002]

Der Begriff "Multi-Tasking" kann nicht beschreiben, was für eine gewaltige, ja übermenschliche Leistung es aus meiner Sicht ist, von der Violine aus das ganze Ensemble zu leiten, besonders während der "Pfeil-Arie" Nr. 5. Ich selber bin nur ein sehr, sehr mäßiger Laien-Pianist und kann mir überhaupt nicht erklären, wie jemand so etwas schaffen kann. Chapeau Mr. Sato!!

[@pennimf]

Bach ist der Meister der Verwendung musikalischer Dissonanz, um die tiefe emotionale Erfahrung des Hörers zu schaffen. Bachs musikalisches Talent fängt die Dissonanz des Lebens selbst ein. Danke NBS

[@markbell9973]

Und diese Verwendung geschiet oft von Takt zu Takt. Mein erster Orgellehrer stoppte uns manchmal mit dem Befehl (😀) "hold that chord." Und dann, ohne die Tasten los zu lassen, fragte was wir von dieser Dissonanz hielten. ""What do you think of that dissonance?" Ich war nicht mal 18. Meine Antworten waren vieleicht das von ihm Erwünschte so, das er uns darüber belehren konnte, gerade darüber was Du eben gesagt hast. (Meine Antworten waren ganz schön primitiv bis hin zu dümmlich. Ich hätte gern jezt viele Jahre Später gesagt so etwas in die Richtung gesagt' "Well, Hindemith and even Stravinski ain't got nothing on Bach." Bessere Gramnatik natürlich. Ich stamme aber aus einem Kuhdorf 1200 Seelen in der immer noch unbevölkerten NE Ecke von Arizona. Hier wird--aber total privat!--immer noch Cowboy-Dialekt gesprochen. Der alte "JJ" (Keeler), der beim Notenpeitscher Karl Straube am Leipziger Konservatorium Orgel 1931-1933(!) als 19jähriger studierte, hätte zwar gelächelt. Aber nur mit den Augen. Nicht mit dem Mund! Straube war Thomaskantor. Bedruckendste Verantwortung; teuflischste Arbeitsethik. JJ war nicht anders. Bin diesem zweiten Vater ewig Dankbar. Wo reicht der Einfluss Eures "Baches" nicht hin?? Auch Euer, Mark PS. Stichwort "Einfluss." Die wahre Geschichte ist auch wahrer Prophet. Der Einfluss von Mendelssohn-Verbieter Addy H reicht LANGE nicht so weit wie Hannes. 13 Jahre dann Schluss. Nichts schlimmeres als dies wünsche ich Monsieur in Russland. 50 Jahre inklusiv DDR... S'reicht schon!!! Mendelssohn, Schastokovich, Dostojevski statt Putin(e)!! Statt Stalin noch 50 Jahre vom Datselben dazu. (Hab Deutsch Kielern zu verdanken.) Das russische Volk verdient endlich Besseres meinst'd nich?

[@DavidJones-oh6vg]

Have just seen a you tube video from a Rick Beato who does pop music videos. His latest is about Bach and how he is appreciated by that community. Bach is without compare. Mr Beato was talking from the us and in this video praised the NBS. Obviously a man of taste! Well done NBS (again!) And thank you!

[@meijong6453]

Je suis stupéfaite.... quel miracle de beauté, émotion, perfection!

[@elmienthom9825]

JS Bach, sublime as always! Thank you from South Africa, NBS.

[@lenanielsen5903]

Thanks NBS for an absolutely wonderful performance Bach's music is so beautiful🍃love it

[@かよ中野]

バッハの名曲、ソロの響き素晴らしい！幸せに満たされました。感謝！

[@vaniberi8189]

Got goose bumps as soon as tutti and choir entered... What a blessing!!!! ❤❤❤

[@jeanpierrebreuer4295]

Quelle magnifique écriture ! Nuancée, complexe, contrastée,... Et l'interprétation rends bien tout ça

[@dasisleudagar4145]

Bravo. You had me swaying on that spot where memory, love, hope, thought, reality and being human touch oh so briefly... ROCK ON !

[@messindemetz5774]

Bach gestern, Bach heute, Bach morgen. Von Ewigkeit zu Ewigkeit.

[@joachimtelser]

Beautiful performance, great singers and instrumentalists, it's a pleasure to listen to

[@ariadne4720]

exquisitely performed and superbly recorded, as always - thank you NBS!

[@gabordobrocsi5368]

Gratulálok,és köszönet Bach örökségének életben tartásáért. Ilyen csodálatos színvonalon!

[@benoitreyre8939]

Bravo Maestro Sato. You have reached the sublim ! Thank you so much

[@TheSoteriologist]

The beauty of this is breathtaking ! Outstanding performance as well.

[@bobh5087]

Superb and lovely, as always. Wonderful vocal soloists. Many thanks to everyone. ❤️

[@micheltibon6552]

Ik geniet wanner ik hier naar luister. Groeten uit Luxembourg en een fijne weekend allen.

[@かよ中野]

バッハの名曲、ソロの響き素晴らしい！幸せに満たされました。

[@edgardodelisi8634]

Gran ejecución! Bravo al maestro Sato y sus músicos.

[@NickCarlozzi]

It’s a good day when NBS posts a new video :)

[@joseleonido3479]

Bach is like wine, becomes better and more beautiful as it goes through the ages. -me

[@jimbuck795]

Another beautiful performance from the NBS.

[@marionadler1110]

Eighteen minutes of sanity, bliss and joy in these troubled times - thank you

[@sweetpea7583]

Love this. The authenticity using period instruments is so wonderful.

[@bart-v]

“If there is anyone who owes everything to Bach, it is certainly God.” (E.M. Cioran)

[@yulonliang6484]

Fantastic sounds and recording, simply marvellous! I noticed a new arrangement of the ensemble.

[@landak136]

Harrowingly beautiful. If you need music for various movie genres, Bach has all of them in his library.

[@solcarzemog5232]

Magnificent interpretation, sound, timber and visuals! Chapeau!

[@Hobbs-Bagley]

Ehr sei in Himmels Throne; ja, es war!! Vielen dank!

[@wzdavi]

Beautiful performance.

[@antonellabaluganti8109]

Sempre bellissime le vostre sinfonie

[@carolynclark1724]

Beautiful!

[@Artist_Aejoo]

역시 최고입니다 늘 잘 듣고 있습니다♡

[@claudiorodriguez8344]

En esta obra en particular pareciera que son las excelentes decisiones de dirección las que nos permiten admirar el maravilloso doble protagonismo del órgano y la voz humana, y sus interacciones

[@ManuelStaropoli]

you are fantastic...bellissima performance di Bach!

[@stevenlester2606]

Sago finally gets to direct something and he does an inspired job of it.

[@samshearman5251]

This is masterful!

[@giuliapremilli764]

grazie!❤

[@euledj79]

Great performance! Best soloists you can imagine. But especially the new oboe-players are a big win, though I like Peter Frankenberg.

[@SilvioNobre]

Perfection always!

[@no42arak-st-floor44]

Asking the Lord for 2 belsssings: 1) finding my recently departed beloved wife, 40 years of ❤. regardless of what form she is? flame,plant, rock...or where she is? 2) Ability to hear NPS' performances continously !

[@cassandraseven3478]

You will be with her again. Be patient.

[@no42arak-st-floor44]

@@cassandraseven3478 thank you for your kind support my dear! Lord protect you and your loved ones!

[@purpurina5663]

Oh WOW. I didn’t know this Cantata. Feels so solemn yet modern, almost not baroque. Bravo NBS.

[@herrickinman9303]

I assume you're referring to the opening chorus. The deliberately slow, and consequently enigmatic, tempo chosen by the director exaggerates the contrapuntal dissonances, encouraging your perception that it's a "modern, almost not baroque" composition. The Bach-Stiftung's performance of the same chorus, at a slightly faster tempo and with fewer instruments and singers, gives a very different and, IMO, more accurate rendering of the composer's intentions. kzbin.info/www/bejne/rYHFdpWOntOMjsk

[@cyanpunch6140]

@@herrickinman9303 I find this NBS version a lot more compelling, but I really like "dissonance"

[@rahimbinselamat3233]

Marvellous! ❤💘💖

[@stevenlester2606]

Wonderful Alto!

[@professorprovichance7260]

To sing along with the chorale: Stanza 1 (mvt 1) Oh Lord, in your displeasure Don't count my sins' full cost; Give mercy in full measure, Or otherwise I'm lost. O Lord, I pray this moment, In mercy sins forgive, That far from hellish torment I may forever live. Stanza 6 (mvt 6) All glory be to heaven With honor and all praise To God the Father, Son, and the Spirit, now, always. Have mercy on us, Jesus, In honored endlessness, As is your will, Lord, keep us In everblessedness. Translation by R v B Griffioen, 2019

[@voraciousreader3341]

Once again, the oboes/English horns are the fixed point, around which singers and the orchestra revolve....what a happy choice, though I, a flutist and therefore not one of the lucky few! The whole ensemble is wonderful, and the singers are amazing!

[@herrickinman9303]

They're baroque oboes, not English horns. And they are not "the fixed point, around which singers and the orchestra revolve." The chorale movement opens with the upper strings in unison intoning the first line of the cantus firmus "O Haupt voll Blut und Wunden" in long notes. The cantus firmus is what the entire movement "revolves" around. The oboes open with a 1-measure motif that is an abbreviated, diminshed version of opening line of the cantus firmus introduced by the upper strings in unison and later by the bass singers. The upper voices enter with a fugato on a motif derived from the 1st line of the cantus firmus. The entire movement is a setting of the cantus firmus.

[@criaturasmarinas]

Maravilloso 😊

[@jonathanclemens4660]

Cantata BWV 135 Ach Herr, mich armen Sünder English Translation in Interlinear Format Cantata BWV 135 - Ah Lord, poor sinner that I am Event: Chorale Cantata for 3rd Sunday after Trinity Readings: Epistle: 1 Peter 5: 6-11; Gospel: Luke 15: 1-10 Text: Cyriakus Schneegaß (Mvt. 6); Anon (Mvt.1-5) Chorale Text: Ach Herr, mich armen Sünder Biblical quotations in green font, chorales in purple 1 Chorus [S, A, T, B] Trombone, Oboe I/II, Violino I/II, Viola, Continuo Ach Herr, mich armen Sünder Ah Lord, poor sinner that I am Straf nicht in deinem Zorn, do not punish me in your anger, Dein' ernsten Grimm doch linder, but soften your terrible fury, Sonst ist's mit mir verlorn. for otherwise I shall be lost. Ach Herr, wollst mir vergeben Ah Lord, if only you would forgive Mein Sünd und gnädig sein, my sin and be gracious Dass ich mag ewig leben, so that I could live forever Entfliehn der Höllenpein. And escape the pains of hell. 2 Recitative [Tenor] Continuo Ach heile mich, du Arzt der Seelen, Ah heal me, you physician of souls, Ich bin sehr krank und schwach; I am very sick and weak, Man möchte die Gebeine zählen, my bones could be counted So jämmerlich hat mich mein Ungemach, so pitiably has my misfortune Mein Kreuz und Leiden zurichten; my cross and suffering battered me Das Angesicht ist ganz von Tränen aufgeschwollen, my face is all swollen with tears Die, schnellen Fluten gleich, von Wangen abwärts rollen. Which like rapid floods roll down my cheeks, Der Seele ist von Schrecken angst und bange; with terror my soul is anxious and fearful; Ach, du Herr, wie so lange? Ah, Lord, why so long? 3 Aria[Tenor] Oboe I/II, Continuo Tröste mir, Jesu, mein Gemüte, Console, Jesus, my mind, Sonst versink ich in den Tod, or else I sink into death, Hilf mir, hilf mir durch deine Güte help me, help me,through your kindness Aus der großen Seelennot! out of my soul's great distress! Denn im Tod ist alles stille, for in death all is still, Da gedenkt man deiner nicht. there is no thought of you. Liebster Jesu, ist's dein Wille, Dearest Jesus, if it is your will, So erfreu mein Angesicht! then bring joy to my face! 4 Recitative [Alto] Continuo Ich bin von Seufzen müde, I am weary with my sighs Mein Geist hat weder Kraft noch Macht, my spirit has neither strength nor might, Weil ich die ganze Nacht since throughout the whole night Oft ohne Seelenruh und Friede often without rest and peace in my soul In großem Schweiß und Tränen liege. I lie in great sweat and tears. Ich gräme mich fast tot und bin vor Trauern alt, I worry myself to death and become old because of my tears Denn meine Angst ist mannigfalt. for my fear takes many shapes. 5 Aria [Bass] Violino I/II, Viola, Continuo Weicht, all ihr Übeltäter, Go away, all you evildoers: Mein Jesus tröstet mich! My Jesus gives me consolation Er lässt nach Tränen und nach Weinen after tears and weeping he allows Die Freudensonne wieder scheinen; the sun of joy to shine again; Das Trübsalswetter ändert sich, the storm of suffering is changed, Die Feinde müssen plötzlich fallen my enemies suddenly have to fall Und ihre Pfeile rückwärts prallen. and their arrows are turned back upon them. 6 Chorale [S, A, T, B] Cornetto e Oboe I/II e Violino I col Soprano, Violino II coll'Alto, Viola col Tenore, Continuo Ehr sei ins Himmels Throne Let there be honour on the throne of heaven Mit hohem Ruhm und Preis with high renown and praise Dem Vater und dem Sohne for the Father and Son Und auch zu gleicher Weis and also in the same way Dem Heilgen Geist mit Ehren to the holy spirit, with honour In alle Ewigkeit, for all eternity, Der woll uns all'n bescheren he wishes to bestow on us all Die ewge Seligkeit. everlasting blessedness.

[@DatGinnga]

Great piece 👌🏻

[@carmelaangiuli6212]

Wonderful!

[@opusrosae8560]

Magnifique ❤

[@pascalecahuzac2436]

Bonjour, magnifique comme toujours ! Merci pour le texte en anglais . Bel été à la NBS .

[@Vegas0Drew]

I have really enjoyed these countless recordings. For this particular one, the director/producer has gone far from their normal format in terms of lighting, and spacing of the artists, etc., etc. (no doubt due to the pandemic), which actually works perfectly for me when I think of the English version of the chorale as "O Sacred Head Now Wounded" -- one of Bach's saddest pieces. THANK YOU!

[@cstiska]

¡Genial señores!!

[@no42arak-st-floor44]

What would this world be without his (JS Bach's) masterpieces? May be his supernatural ability was given through a mystic or holy source!🤔 We may never know!

[@MitchBoucherComposer]

I'm so grateful that we live in this age of the Internet, where videos like these are available each week for our pleasure. We get to hear Bach's music more often than he did!

[@rsjmd]

@@MitchBoucherComposer I think he was probably able to hear every piece he ever wrote any time he desired to-they were all in his head!

[@MitchBoucherComposer]

@@rsjmd True! but...there's a world of different between hearing something in your ears and having other people play your music...

[@lindacowles756]

G'day, No42! Bach gave God all the due credit for the talents with which he wrote his music. He said, "People call me a composer, but God gives me the notes and I just write them down."

[@MitchBoucherComposer]

@@lindacowles756 Hmm, be that as it may, it may have been a way of deflecting pride at his own music. These days I don't think that discrediting yourself for your own hard work is really...necessary?

[@romuloVG]

Absolute perfection

[@cristhonian]

Un placer!

[@marckg6950]

Incredible

[@robertwinfieldstabler7697]

Whenever I listen to the Kenatas of Bach, I imagine myself sitting in a Lipzig Lutheran Church.

[@johnsilverton639]

Text for Cantata 135 Ach Herr, mich armen Sünder Original German Text English Translation 1. CHOR Ach Herr, mich armen Sünder straf nicht in deinem Zorn, dein ernsten Grimm doch linder, sonst ists mit mir verlorn. Ach Herr, wollst mir vergeben mein Sünd und gnädig sein, daß ich mag ewig leben, entfliehn der Höllenpein. Oh Lord, me a poor sinner do not chastise in your scorn, your intense fury do lessen lest I be doomed. Oh Lord, would that you forgive me my sins and be merciful that I might live eternally escaping the pain of hell. 2. REZITATIV (Tenor) Ach heile mich, du Arzt der Seelen, ich bin sehr krank und schwach; man möchte die Gebeine zählen, so jämmerlich hat mich mein Ungemach, mein Kreuz und Leiden zugericht; das Angesicht ist ganz von Tränen aufgeschwollen, die, schnellen Fluten gleich, von Wangen abwärts rollen. Der Seelen ist von Schrecken angst und bange; ach, du Herr, wie so lange? Oh heal me, you physician of the soul, I am quite ill and feeble; one can count my bones so pathetically has my hardship, my cross and suffering ravished me; my face is fully swollen from tears which like rushing torrents roll down my cheeks. My soul is worried and anxious with fear; oh, you Lord, why so long? 3. ARIA (Tenor) Tröste mir, Jesu, mein Gemüte, sonst versink ich in den Tod, hilf mir, hilf mir durch deine Güte aus der großen Seelennot! Denn im Tod ist alles stille, da gedenkt man deiner nicht. Liebster Jesu, ists dein Wille, so erfreu mein Angesicht! Comfort my soul within me, Jesus, lest I sink into death, help me, help me by your goodness, out of my soul's great agony! For in death all is still, there one is not mindful of you. Dearest Jesus, if it is your will, then cheer my countenance! 4. REZITATIV (Alt) Ich bin von Seufzen müde, mein Geist hat weder Kraft noch Macht, weil ich die ganze Nacht oft ohne Seelenruh und Friede in großem Schweiß und Tränen liege. Ich gräme mich fast tot und bin vor Trauern alt, denn meine Angst ist mannigfalt. I am weary from groaning, my spirit lacks both power and might, for the whole night through I often with no rest for the soul nor peace lie in excessive sweat and tears. I almost fret myself to death and am aged from grieving, for my anxiety is manifold. 5. ARIA (Baß) Weicht, all ihr Übeltäter, mein Jesus tröstet mich! Er läßt nach Tränen und nach Weinen die Freudensonne wieder scheinen; das Trübsalswetter ändert sich, die Feinde müssen plötzlich fallen und ihre Pfeile rückwärts prallen. Yield, all you evildoers, my Jesus consoles me! He lets, following tears and weeping, the sun of joy to shine once more; the storm of tribulation averts itself, foes must abruptly fall and their arrows recoil backwards. 6. CHORAL Ehr sei ins Himmels Throne mit hohem Ruhm und Preis dem Vater und dem Sohne und auch zu gleicher Weis dem Heilgen Geist mit Ehren in alle Ewigkeit, der woll uns alln bescheren die ewge Seligkeit. Glory be unto heaven's throne with high esteem and praise to the Father and to the Son and equally so as well to the Holy Spirit with glory throughout eternity, who will bestow on us all everlasting blessedness. COMPOSED: June 25, 1724 (Leipzig) for the 3rd Sunday after Trinity

[@qqtisqqtis4286]

Bravo

[@ronwalker4849]

I LOVE THIS CANTATA AND I CAN IMAGINE A HARPSICHORD CONTINUO BEING ADDED WITH EACH HARMONIC CHANGE--SLOWLY AND SOFTLY. IT WOULD ADD A GREAT DIGITY TO AN ALREDY GREAT MUSICAL ENSEMBLE.

[@smalin]

Animated graphical score of the opening chorus: kzbin.info/www/bejne/jJa8eIWEnbp7rqc

[@ronotgrundmann1579]

Sublime

[@ОльгаАбросимова-з3у]

Это божественно.

[@microroentgen]

Eventually the intro is changed, thank God!

[@smith_yugo]

정말 사랑하는 순스케…..

[@Felipe_Vitar]

impresionante

[@МихаилШипилов-ч8ы]

Прекрасная кантата, достойная интерпретация! Большое спасибо! Всегда с большим удовольствием смотрю ваши видео. Вот органная обработка этого хорала: kzbin.info/www/bejne/bHqzqZerjdeaoZY

[@mirellanenci8021]

Bach e' ispirato da Dio

[@no42arak-st-floor44]

It will be good to know during the first performance as to how many vocalists JS performed? and further if their names are recorded somewhere?

[@rocketsroar1]

Bach erects this like a vast tapestry of pure sound.

[@TxemaMunoz]

How to be alive without Bach?

[@Klonering]

"An irdische Schätze das Herze zu hängen, Ist eine Verführung der törichten Welt."

[@TxemaMunoz]

@@Klonering No, if you think heaven is empty. That's my case. I can live without God, but not without Bach.

[@Klonering]

@@TxemaMunoz Maybe your definition of heaven is empty. And from my perspective. You are god.

[@rickypayne9192]

@@Klonering no you are nuts

[@Klonering]

@@rickypayne9192 How so?

[@DavidDionisiocantautor]

Hermosa interpretación, gracias!. La melodía de Ach Herr, mich, armen sünder la escuché en el primer movimiento de la Misa Solemnis de Beethoven, ¿acaso es una melodía folklórica?, ¿una cita a Bach?, ¿plagio?, si alguien sabe algo al respecto, se lo agradeceré.

[@mwnyc3976]

Hello David -- My apologies for not replying to you in Spanish. I hope that either a friend or Google can translate for you. I don't believe this chorale melody appears in Beethoven's Missa Solemnis, but you have certainly heard it in other Bach works and possibly in other music as well. It appears repeatedly in the St. John and St. Matthew Passions, and you can hear it in many other Bach cantatas and in the finale of the Christmas Oratorio. The melody, a common hymn in many Protestant churches, is mostly associated today with Holy Week and the Passion of Jesus Christ. You may know it by its Spanish title, "¡Oh rostro ensangrentado!"; in English, the melody is known as "O sacred head, now wounded", and the most commonly known German title for it is "O Haupt voll Blut und Wunden" ("Oh cabeza, llena de sangre y heridas"). But when the melody was composed by Hans Leo Hassler (probably in 1599, and he published it in a collection in 1601), it wasn't thought of as a sacred hymn at all: the opening words were "Mein G'mut ist mir verwirret von einer Jungfrau zart" ("My mind is confused by a tender young maiden" or "mi mente esta confundida por una tierna doncella"). The melody was first used in a sacred context in 1613 with the German text "Herzlich tut mich verlangen nach einem sel'gen End" ("I do dearly desire a blessed end" or "Deseo de todo corazón un final bendito").

[@DavidDionisiocantautor]

@@mwnyc3976 thanks a lot for the information and your time, it' s a great melody. I hear it too at 04:42 in "Missa solemnis" by Beethoven: kzbin.info/www/bejne/npPdioVsg5eIlZY

[@trudyrijsbergen3207]

Wat ik sinds kort heb leren begrijpen, is dit beeld van de geboorte in de kerstnacht dit thema in Bach of andere componisten dat is het thema kerkmuziek en geschiedenis.

[@litoboy5]

COOL

[@Contextcatcher]

Ongelooflijk Bach verveelt nooit. Schitterend.

[@wernermisteli1162]

❤❤❤🙏

[@Miunr]

Woah 😔🤎🤎🤎🤎

[@PosauneundPapier]

2:33 you can see the appearance of a trombone (sackbut) player

[@JeSerra]

❤️

[@romanbyzantine27]

4:44 an interesting transition from minor to major

[@antoniosannicolas3286]

Esta música...la compuso un hombre?