Dmitry Zharkov & Olga Kulikova = Tango = ROC 2018

[@klaraedelburg8345]

Die sind die Besten.

[@АртемАнтоненко-я8ы]

Лучшие!!!

[@zagranichnaja_zhizn]

пока что их никто не переплюнул - не те, что были до, ни те что после.

[@wanchiho2167]

excellent

[@lanerope4482]

No words . It’s just so bad.

[@greysonosterberg7101]

Could you elaborate please??

[@lanerope4482]

@@greysonosterberg7101 overtly physical. Results in the destruction of her shape and his shape , let alone the absolute needless head and body movements from her that do nothing to characterise or enhance the dance. Simply done for affectation and not as a consequence of the overall shaping from the man Attacking the dance physically rather than attacking the rhythm of the dance. Simple tech faults like rise and fall: he’s often on a straight supporting leg in promenade. This is what happens when you develop physicality and performance at the expense of basic principles of movement and actually listening to the rhythm of the music, and the analysis of the use of compression and balance to support shape and movement I don’t mind their quickstep though.

[@slam5]

@@lanerope4482 they wasted so much time posing instead of dancing!

[@greysonosterberg7101]

@@lanerope4482 hmmm very interesting I can see what you are saying. I won’t speak for the *rhythm* necessarily but I think that they had very good musicality in certain places. They dance passionately, and that’s why I like them. I won’t advocate for the sacrifice of basic technique though

[@lanerope4482]

@@greysonosterberg7101 . Very passionate. I have great concerns where this style is heading. I believe it will ultimately sacrifice essential analysis of music , basic technique and the finesse of performance for athleticism and shock performance value. The divide between this style and the “WDC “ style is becoming larger, and more disconnected , progressively. Same for Latin. The Russians have a bit to answer for , as in skating also lol

[@skipermyt9555]

dis like