Beethoven - Piano sonata n°27 op.90 - Richter studio

[@makaan699]

What a shame Richter didn't make more studio recordings so we would get his playing in high sound quality. This is wonderful.

[@parhamahmadi4046]

A glamorous artwork Richter ,one of the best pianist in all time or maybe the best one ever

[@notaire2]

Gut artikulierte Interpretation dieser kompakten und fein komponierten Klaviersonate im relativ schnellen Tempo mit klarem Anschlag und effektiv kontrollierter Dynamik. Einfach wunderschön!

[@thefxbip315]

Genius! Transcendent!Such sensitivity yet such power!Amazing!

[@treedeblue]

One of the best interpreter of Masters Klavier music, YES

[@Rokudammela]

Yes, I agree, one of the greatest

[@cantkeepitin]

Wow, in this sonate I prefer him, even over Gilels. So many details, so great structure. Perfect composition, thanks Beethoven and Richter.

[@lucascriabine5404]

Sublime! Thanks

[@Alexagrigorieff]

Richter sometimes went to excessively slow or fast tempi. "Nicht zu geschwind" means not too swift (fast).

[@giorgimatiashvili807]

perfection

[@goupilargente]

Pourquoi presque tous les pianistes ne suivent-ils pas les indications de vivacité pour le premier mouvement, et de relative lenteur ou de calme apaisant pour le second ? Second mouvement trop rapide.

[@volkerf.sesselmann6783]

Er war ein großer Zauberer.

[@fredericpelassy527]

Absolument fabuleux

[@annettebrusa1193]

Recettes de pâte de campagne

[@georgenorris2657]

Looking for an op.90 that I love throughout. Great first movement but the finale is not contemplative enough here.

[@davidmoran5431]

Von Bülow labeled the two movements speech then song. Beethoven asks for “liveliness” at the start, and yet Tovey called the first movement lonely. Schubert was 17 when Opus 90 appeared and he surely absorbed it. Altogether the piece “cost Beethoven much trouble. The coda is magical and full of mystery.” (MSteinberg)

[@gevorgbalyan6556]

5:22

[@MrGar11]

2:23

[@chrish12345]

finale is far too fast, no feeling at all there

[@秋本康博-e3f]

Je crois que si Beethoven vivait à présent, il aurait dit que le tempo de cette exécution serait trop rapide.

[@davidrmoran]

he sure is in a hurry in the second movement, and rushes as well a little bit, weird

[@dedikandrej]

davidrmoran Its funny Coz the tempo marking literaly says to not rush the second movement :D

[@davidrmoran]

ha :)

[@aarondyer.pianist]

And yet he manages to make it work. At the times the faster tempo would destroy the movement, he lets up and it survives. It's difficult to keep this movement from becoming pedestrian, and maybe that's his solution to it. It's Richter, so I bow to his judgment.

[@ЛарисаКутузова-ф4о]

Соната пророческих Откровений .