With Stan Tracey - piano; Ricky Laird - bass; Jackie Doogan - drums
Пікірлер: 47
@wilfredomolina9622 Жыл бұрын
Colossi!!! That was at Marquee Club, London, England, December 20, 1964.
@rickdavenport95385 жыл бұрын
Ronnie Scott,the true aficionado and purveyor of jazz.
@wheresrossy14 жыл бұрын
Ben's tone and articulation are second to none!
@AyoHues2 жыл бұрын
Brilliant thank you for uploading this. 🙏🏽
@Gruntol56 жыл бұрын
The great days of jazz in Britain. We thought it would go on forever, but we were wrong.
@warnerbeachful4 жыл бұрын
I agree, I agree....very sad.
@lafayettegunter2926 жыл бұрын
Ben is and always will be my hero his sound is amazing and beautiful .
@reggiemuzak12 жыл бұрын
Thanks for this video of these two Jazz Giants. I used to be a regular at the Flamingo in Soho when The Jazz Couriers performed WOW that was a great band ,sure would love to hear some of that again .
@conradmason878 жыл бұрын
Hotter than hot from Webster and Scott...both at the top of their game, Great Times!!!
@harri26263 жыл бұрын
Ben had a good session with Ronnie and Stan. Class musicians with style.
@elberttownsell290210 жыл бұрын
man! great music!! classic!!
@MAJORSNODGRASS12 жыл бұрын
Ronnie swings it but Ben tells a story. Love the elastoplast over the piano maker's identity, typical BBC at the time. Two Scottish players Rick Laird and Jackie Dougan, Scots are very good jazzmen.
@barryv9733 Жыл бұрын
The late, great Rick Laird was Irish
@ustwoalberts9 жыл бұрын
THIS IS WONDERFUL
@zinwah14 жыл бұрын
Rick Laird went on to play with John McLaughlin on electric bass in one of the first manifestations of his fusion bands.
@123must13 жыл бұрын
A giant ! thaks a lot for the post
@romamruin14 жыл бұрын
Ronnie -Carries himself well on this - nice blowin' rhythm secton swingin' well too
@john994414 жыл бұрын
I loves me some Ben and Ronny is such a giant
@123must12 жыл бұрын
Beautiful ! Thanks
@siberia198913 жыл бұрын
Ben the increible the best !!!!
@MickGough195714 жыл бұрын
thanks great vid
@satziebaby15 жыл бұрын
Ronnie's a beast
@andrea222138 жыл бұрын
Great work as ever from Jackie Dougan. I've enjoyed listening to his drumming for many years. Can anyone here tell me how he came to die in Australia at the age of forty two?
@kccffm3 жыл бұрын
car crash
@nickpilgrim19663 жыл бұрын
Gem.
@helgeaaen99627 жыл бұрын
BIG BEN!!!!!!
@sixophone8 жыл бұрын
Oui oui 😀
@wanawara1118 жыл бұрын
Бен ГЕНИЙ !
@zdanjazz15 жыл бұрын
Yeah!!!!!!!!!!!!!!!!!!!!!!!!!
@adylasibiu13 жыл бұрын
pure jazz
@lupuslupus115 жыл бұрын
Ricky Laird!!!!!!!!!!!!!!!!!
@vatanenj3 жыл бұрын
Jumping Ronnie and Flowing Ben...
@terrryc13 жыл бұрын
Ronnie is great, but Ben is BEN! Know what I mean, Vern?
@we2699 жыл бұрын
isso e que som bom.
@kineticmallary211112 жыл бұрын
oh and of course that is that same Rick Laird who played bass in the original Mahavishnu Orchestra.
@Joesithebe52gmail.comJoesithem8 жыл бұрын
Yoò Ronny Scot
@moviemadness200911 жыл бұрын
Anyone know what sax Scott is playing?
@johnanderson51922 жыл бұрын
Ronnie Scott player a Selmer Mk6 I think
@jackwhite52512 жыл бұрын
@michael petrillo What are you talking about?!? Ben is AMAZING. Scott may be good, but not here...
@MARKMANIATT7 жыл бұрын
Jack White Can I second that!
@Littlewhitelephant14 жыл бұрын
Praising Ben for his articulation here means hearing tones not played, because he introduces the melody in a frowsy manner. Forgive me ! There are a lot of other pieces he's done masterfully.
@notguiltymlud8 жыл бұрын
Ben Webster is from the swing school of tenor playing. He is good at that. But he does not seem quite to get what bop is all about and just plays the pre-bop licks of his youth that don't fit that well here.
@tenorsaxguy28 жыл бұрын
I beg to differ, while in comparison to Hawk he did not advance with bop, he did hold his own. Ronnie clearly plays circles around him on ascending and descending patterns but they match well. Webster had a unique capability to weave through tough progression while maintaining his melodic motifs. A good example is his session with Art Tatum on 'All the things you are.' His incessant drive to stay rooted in what he did well made him who he was. No his lack of understanding in bop wasn't it either. His theory knowledge is clear seen in his motif developments on 'Cotton Tail.' Additionally his ballad work with the unmatched subtone is unheard of these days. Playing an exposed ballad the way he does couldn't be matched due to his importance of what he was playing as well as what he left open. So at any rate, while his licks aren't Scott's, they are Webster's and his alone. That is why for the most part, I switched to his set up and currently pursue his sound, alone.