I count myself fortunate to have seen Earl Hines live in a jazz club in London c. 1965., just himself solo. A great experience. A two-handed pianist who had the whole audience in his hands.
@isaackahn71882 жыл бұрын
I am full of envy now!🙂
@alaindrillon922611 жыл бұрын
2 légendes du jazz ,quel plaisir!
@mohamadoulaminediop228710 жыл бұрын
Pere drillon ca me rap le dimanche qd tu t'appretais a aller rejoindre l'equipe a joinville
@mohamadoulaminediop228710 жыл бұрын
Salut alain donne moi ton call g besoin d.une attestation k tu m.as héberge au 7 quai de l.oise rap moivau0033758636353
@@colorred5383 A pleasure! What oafish behaviour by Hines at 16;00! I love both Hines and Benny Carter, but you can see how hurt Benny was. All best, and keep well, Alan ............................................................
@colorred53833 жыл бұрын
@@alanparr6700 hahaha yeah it looks like a misunderstanding there 😅 poor Carter ^^
@georgemcfetridge83102 жыл бұрын
Just remarkable how Carter rises above the rinky dink rhythm section here, showing both parodic wit and power. What a professional. Also remarkable is the impression he gives during his improvs of being ahead of where he is at any given moment, as though he's in command of the musical future. This imparts a real feeling of mastery to the listener. This seems to be an ability of the best, most moving soloists.
@PabloVestory Жыл бұрын
In that "rinky dink" section is Earl Hines, 73 years old at the time, pianist of many of the legendary early hits of Louis Armstrong,a true innovator in jazz and piano then, later he hired young unknown players like Parker and Gilespie...and many things more. Respect.
@georgemcfetridge8310 Жыл бұрын
Hines and Bud Powell are my two deepest, most expressive piano figures, each of them close creatively, respectively, to the supreme Armstrong and Parker. The bass and drums sound horrible here, and Hines should be held responsible for hiring them. I'm sure Carter wouldn't have. @@PabloVestory
@PabloVestory Жыл бұрын
@@georgemcfetridge8310 Fair enough. It could be the atrocious sound and the detuned piano could have some guilt here of the absence of a nice groove
@georgemcfetridge8310 Жыл бұрын
No. You're giving too much adulation to the playing of crap by revered musicians. Earl Hines veered off really badly into show biz in his later period, to the derision of many musicians, like Art Blakey for example.This isn't a question of differing styles, either.@@PabloVestory
@TheFunkyKingston10 жыл бұрын
Mindblowing stuff...!!!
@eecorr8 жыл бұрын
👍👍👍🎶
@crownpropeller10 жыл бұрын
Great!
@harleywhitesr8 жыл бұрын
Harley White Sr. on bass, not Harley White Jr.
@Jazzer-rr8loКүн бұрын
The lack of stereo makes it tough to listen to
@PhrygianPhrog10 жыл бұрын
might be the recording quality but there's something wrong with that piano! (Hines is excellent as always, of course)
@justinward36878 жыл бұрын
Has the mic dropped into the piano? Well out of tune
@juancpgo10 жыл бұрын
:( sound only on left, impossible to enjoy this treasure
@vova474 жыл бұрын
Where have they found that piano?!!.... In a gutter somewhere it sounds like. Total disrespect to the legends of jazz.
@BixBolden8 жыл бұрын
Great masters, but... kill the TV-sound-people. Bass overflooding the whole group. Completely out of tune piano without sonority. The Kings Benny Carter and especially Early Hines behind everything. Sorry, PA = Pissed Amateurs
@PabloVestory Жыл бұрын
Well, spanish TV 1976, only one year after the prehistoric dictatorship of fascist Franco... it's really remarkable that they broadcasted any jazz quartet
@jeffcraven73767 жыл бұрын
Hine's piano's not even miked. Carter was always too tame; rather hear Bird, then Hawk, Jimmy Dorsey, Sonny Stitt, or Charlie Rouse.
@jeffcraven73767 жыл бұрын
Listen starting with "Misty", Hine's mike is back online; enjoy!
@jeffcraven73767 жыл бұрын
After "Misty" my only thought after the next tune; the guy doing the mixing was too drunk to tie his shoes except to a table leg.