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Hey folks, I'm back with another film photography video with the Olympus Trip 35. This time I'm shooting a roll of Ilford XP2 - a black and white film that I've never shot before.
One thing I didn't mention in the video was that I shot the entire roll in just over an hour, which is faster than I intended but I was having so much fun it just happened that way.
I'm quite happy with the results from the Ilford XP2 and Olympus Trip 35. I definitely appreciate shooting with a 400 speed film, as it helps with low light and getting a bigger depth of field - a welcome bonus with a scale focus camera such as the Trip 35.
Grain is present but not overly gritty and distracting and the contrast levels are decent enough without being dominating like on something like Tri-X. I'd say for a consumer level film the quality is a noticeable step up from something like Fuji C200 or Kodak Colorplus.
It's a fairly versatile film and due to its apparent lack of defining characteristics (at least to my eyes) it would suit a wide variety of subject matter, from portraits to landscapes.
That being said the results I got are fairly mixed, but that's down to my deficiencies as a photographer rather than the film. I'm still missing shots due to not guessing the scale focus accurately. This can be improved on with practise, but I also believe it's an inherent limitation of the Trip 35.
This camera was sold in the millions back in the day as the ultimate holiday snapper, for folks who didn't want to be bothered with adjusting manual settings. Many people would leave it on the 'three people' focus setting (marked in red to differentiate it from the other settings) and get acceptably sharp photos in most scenarios.
The challenge comes when you attempt to use the Trip 35 in more artistic ways than what it was originally intended for (a common thing these days with the hipster resurgence of film and the cult status of this particular camera).
I love shooting environment portraits (as you can tell with this video and my previous Olympus Trip 35 street photography video), but this often requires me to move closer to my subject and select the portrait scale focus setting. This means you have to guess the distance to your subject more accurately, so the potential for error increases. You can see I failed to nail this on a few occasions in this video.
For this reason at some point I'll probably end up moving to a camera that allows me to manually set precise focus - such as a fixed lens rangefinder or SLR - but for the time being I'm still enjoying shooting with the Trip 35 and I hope you enjoy this video.
See you in the next one!