#Blackmagic

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Core Creative Film Production & Lighting

Core Creative Film Production & Lighting

Күн бұрын

Пікірлер: 11
@YannParodi
@YannParodi 3 жыл бұрын
Thank you. I have the 0,58x speed booster for my Nikon glasses. Very very good and underrated cinema camera, even in nowadays standards. Easily up-scalable to 4K. I shoot Raw 3:1 25/50P
@mrshaheedmalik
@mrshaheedmalik Жыл бұрын
Thanks for the video.
@CoreCreativeMedia
@CoreCreativeMedia Жыл бұрын
Thanks, I hope you subscribed and helped the channel out.
@stephanes.
@stephanes. 3 жыл бұрын
the lens is impressive!
@FANBUSBABAS
@FANBUSBABAS 3 жыл бұрын
Great video ! Congratulations !!
@vintagejesus660
@vintagejesus660 4 ай бұрын
So the .064x T Cine XL EF to BMPCC4k works on BMMCC and BMPCC OG as well as .058x Super16 speedbooster?
@CoreCreativeMedia
@CoreCreativeMedia 4 ай бұрын
Yes works great on full frame lenses. I used 14mm full frame lenses and up with not issues. The 0.71x also works if you have apsc lenses.
@gdlt1
@gdlt1 2 жыл бұрын
Do you have a link for the zitay brick battery?
@CoreCreativeMedia
@CoreCreativeMedia 2 жыл бұрын
Here is a link to the model Zitay battery I use. It was purchased to use with my bmpcc6k but I use it on the bmmcc and monitor instead. It's a 10v which is more than enough to power the BMCC. www.zitay.com/product/showproduct.php?id=37
@FilmingLocationsFlowGoneta
@FilmingLocationsFlowGoneta 3 жыл бұрын
Great video ! Congratulations !! Are you filmed in CinemaDNG or ProRes HQ? And for expose with your camera, did you in Film mode (BMD) or with some LUT on your external monitor? I have this question: expose (for example False Color) with or without LUT? Before or after the LUT? Thanks for share your video 👌 Really nice images :)
@CoreCreativeMedia
@CoreCreativeMedia 3 жыл бұрын
For KZbin videos I generally shoot in Apple ProRes 422HQ and always used FILM range exposure. It saves me time this way instead of editing DNG in DaVinci. With the BMMCC I don't use a monitor that allows LUTS or external recording. I use a very simple SmallHD DP4 monitor that does have false color. I like to use a combination of lightmeters, histogram, and false color without adding any luts. My lightmeter is my right arm and fist line of trust. I'm always going to set my exposure to my subject whether it is an actor or product. A LUT is mainly going to clip highlights and shadows. I try not to use luts but only for speed of color grading. Professionally I will send things off to be done by a colorist. Also always shoot at your native ISO which is 800 on BMMCC. I hope this answers your question?
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