Arcadi Volodos, piano 00:00 - 1. Intermezzo in A minor 01:57 - 2. Intermezzo in A major 08:17 - 3. Ballade in G minor 11:42 - 4. Intermezzo in F minor 14:29 - 5. Romanze in F major 18:43 - 6. Intermezzo in E-flat minor
Пікірлер: 84
@richheardthis8018 Жыл бұрын
brahms voicings are unbelievable.
@Mrmmm8811 ай бұрын
Absolutely 💯
@5imusic219 ай бұрын
I could listen to 118 2 all day and I would never get tired it. It has a melancholic quality that I love so much. It sounds like an emotional farewell piece to me, something that you would play when you’re reminiscing about your childhood or for a loved one’s funeral.
@herbiehan39929 ай бұрын
I also love the no2 so much! I just discovered it today and it is so unbelievable beautiful
@AurumFlavius Жыл бұрын
I think that op. 118 means a farewell to life. i absolutely love heartbreaking-melancholic and quiet A major Intermezzo and sadly-transparent Ballade, which i played. i think that these pieces along with dark Es moll Intermezzo clearly and fully describe the sense of the cycle - the summary of a long composers' life
@dedikandrej9 ай бұрын
just out of curiosity, i wonder what do you make out of 119?
@josevialcruz32434 ай бұрын
Volodos emerges as a great piano artist, a true musician, interpreting these wonderful pieces from Brahms' Op. 118.
@bosu37 Жыл бұрын
Never heard no. 4 so well realized before. Volodos' musicality is incredible.
@lisiyuanyang563811 ай бұрын
Great interpretation! I especially love how Volodos plays the mid section of no. 5 (16:05). I have always thought that this section depicts a distant memory of joy that gets fuzzy over time, yet retaining a nostalgic happiness. It’s like an old person remembering their first date. Too bad a lot of other pianists seem to just treat it as a generic fugue and expressionlessly rush over it.
@symphonyno.9688 Жыл бұрын
Love Volodos interpretation, especially the explosive playing on the Ballade.
@riccardobattistini69267 күн бұрын
16:05 this part is absolutely gorgeous
@CatkhosruShapurrjiFurabji Жыл бұрын
The opening motif of the first intermezzo is also used in the first movement of Brahms' second concerto.
@phillipbrandel79329 ай бұрын
And the opening motif of the second intermezzo is used in the cello solo from the third mvt of the same concerto
@counterpointenthusiast2 ай бұрын
the last piece Is heartbreaking. volodos plays all of these with such love and care, its beautiful. his tone control can take it up with Lupu, truly incredible. as much as the a major intermezzo is rightfully cherished, the last three pieces are absolutely divine.
@ydva1317Ай бұрын
This guy knows how to bring out a melody, gosh darn! (Brahms also knows how to write them out of the simplest little ideas) (Brahms is also good at counterpoint)
@Prometeur6 ай бұрын
No. 5 is so fucking beautiful
@user-wk5pg8fx8e Жыл бұрын
ブラームス晩年の傑作ですね。配信ありがとうございます。
@deodatdechampignac Жыл бұрын
The ballad is a model of phrasing and well accentuation that I will try to follow !
@pavlosgermanidis2754 Жыл бұрын
Thank you!
@MatthiasMeyerEsche9 ай бұрын
Volodos plays in a fantastic way, even when he changes the composer's will, for example at the ending of 118,4. Here he emphasizes the short reminiscence of the middle section by pausing before the last three chords.
@user-cf5bz8on8y2 ай бұрын
봄비가 내리는 새벽 어둠사이를 뚫고 피아노 건밤의 서글픈 울림에 마음을 놓아버립니다.
@christianvennemann9008 Жыл бұрын
The Intermezzo in E-flat minor (almost) quotes Dies irae. I wonder if Brahms knew he only had a few years left at that point
@iangreer458510 ай бұрын
He actually was on the verge of retiring as a composer when he wrote these pieces. He only snapped himself out of it after hearing a clarinetist play, which inspired him to make his Op. 120 set, including the Clarinet Sonatas, Clarinet Cello Piano trio, and Clarinet Quintet.
@christianvennemann900810 ай бұрын
@@iangreer4585 I didn't know this fact. Thanks for the info!
@watutman9 ай бұрын
@@iangreer4585What inspired him to write the organ pieces?
@raymondgood65558 ай бұрын
@@watutmanthe knowledge that his life would soon be over
@evilBreadD-jf9goАй бұрын
@@iangreer4585I believe the Op.120 is just the clarinet sonatas. The trio and quintet are 114 and 115, respectively. These Op.118 pieces were actually written a few years after Brahms became acquainted with the clarinetist Richard Mühlfeld, who inspired him to write chamber music for the clarinet after considering quitting composing entirely.
@Milo-fh8zl Жыл бұрын
It's very annoying that there is always an ad in the last chord before it stopped sounding.
@evilBreadD-jf9goАй бұрын
I recommend installing an ad blocker
@Milo-fh8zlАй бұрын
@@evilBreadD-jf9go I did, youtube revanced.
@Palermo.340 Жыл бұрын
Volodos is good!
@user-ue9nv2oj1d6 ай бұрын
Под музыку второго интермеццо вспомнилось произведение Владимира Набокова "Лолита"
@JaneDoe-fd4rh Жыл бұрын
1:57
@Mezzotenor5 ай бұрын
Damn, he nails it. Odd, because some other performances of his haven't impressed me.
@tommypianissimo Жыл бұрын
am i the only one who thinks no 2 lowkey quotes liszt b minor sonata at the theme at 7:16?
@CatkhosruShapurrjiFurabji Жыл бұрын
More like an apology for sleeping at the concert when Liszt played the sonata for Brahms? Lol To other people here: don't treat this comment with hostility, I was only joking.
@timweather38479 ай бұрын
I had never noticed that, but you are right. I doubt if it was a deliberate quote, though.
@Dichweed26 күн бұрын
Noisy.
@EmptyVee00000 Жыл бұрын
What is this thing too many pianists have about playing the left hand before the right?
@PianoJFAudioSheet Жыл бұрын
It's called rubato.. When you listen to 19th century pianists it becomes even more apparent. Nothing wrong with it. Even Brahms himself does it extensively as you can hear on his own recording of the first Hungarian Dance
@EmptyVee00000 Жыл бұрын
@@PianoJFAudioSheet I only play left before right when it is in the score; it is not rubato. Rubato is to do with agogic, or tempo/timing.
@PianoJFAudioSheet Жыл бұрын
@@EmptyVee00000 And playing the hands not simultaneously is related to timing, so that's rubato. And I find it highly questionable to ignore the past 200 years of piano playing just for the sake of fetishistic score adherence to a degree that it only goes further away from romantic piano performance. Chopin used to play the left hand very steadily and the right very freely - which unavoidably results in not playing the hands together.. how would he even attempt to write that down into the score? And as I already said, it was common among all pianists from the past. Playing in a steady tempo with steady timing is a modern thing and has nothing to do with how pianists actually played at that time.
@EmptyVee00000 Жыл бұрын
@@PianoJFAudioSheet I am fully aware of the history of piano playing, but I am not sure the sources are necessarily trustworthy. Actually, Brahms does write an arpeggio bass in order to create a special dramatic effect at the climax, but if the pianist plays a constant bass not together, the climax loses its intensity. I have taught Op.118. and played Op.116 and Op.117, as well as both Piano Concertos. Oh, and the Rhapsodies Op.79, the Piano Trios, the Violin Sonatas, and the E minor Cello Sonata. This is over the last forty years or so of performing.
@jonathanchavez9009 Жыл бұрын
@@EmptyVee00000 I believe it’s just a common performance practice that originated from Russia (if I’m remembering correctly). It became a very popular expressive thing to displace the melody and the left hand when trying to evoke a singing or independent quality in a phrase. Imo, sometimes it works well, but it can be overused as well. It’s really a preference thing at the end of the day
@ClassicalMusic-ds9yt21 күн бұрын
09:40
@Damian_Theodoridis Жыл бұрын
Oh, I thought you would do Hungarian Rhapsody No.6 yet. Cziffra's is my favorite version
@PianoJFAudioSheet Жыл бұрын
dude.. calm down. I already told you not to worry, it will be done. Please stop asking under every single video
@Damian_Theodoridis Жыл бұрын
@@PianoJFAudioSheet just making sure you haven't forgotten
@emielgeerts Жыл бұрын
@@Damian_Theodoridis instead of enjoying this beautiful music? Get your priorities straight buddy
@Damian_Theodoridis Жыл бұрын
@@emielgeertshr6 is better
@thelittlegamer6209 Жыл бұрын
@@Damian_Theodoridis I highly doubt.
@calebhu6383 Жыл бұрын
1:58, 4:43, 8:26, 9:21
@CatkhosruShapurrjiFurabji Жыл бұрын
The voicing was *chef's kiss*
@tarikeld11 Жыл бұрын
Wonderful performance, but terrible sound editing... piano sections are almost silent and forte sections way too loud. Can't listen to this without constantly changing the volume...
@mishibird6 ай бұрын
That’s just the inadequacy of your audio equipment or your unwillingness to hear the fortissimo passages at actual concert hall levels. A recording should faithfully reproduce the performance with its entire dynamic spectrum. If you don’t want to listen to it that way that’s on you.
@alaskafan2110 ай бұрын
Notes left out, paused not written, no uniform rhythmic continuations in places, and so much liberty taken that I find a disservice to Mr. Brahms.
@PianoJFAudioSheet10 ай бұрын
Maybe a MIDI performance is more to your likings
@alaskafan2110 ай бұрын
@@PianoJFAudioSheet or maybe I just prefer someone who knows how to play an actual piano and follows what is written in accordance with the stylistic parameters. Btw, I have played some of these and haven't learned the rest but studied with an expert in all things Brahms.
@PianoJFAudioSheet10 ай бұрын
@@alaskafan21 Maybe listen to some pianists born in the 19th century. Much closer to Brahms' time and much more freedom and individualism in their playing. This fetishistic score adherence and lack of personality is a modern thing and has nothing to do with romantic piano practice. Moreover I don't think that Volodos takes that many liberties at all.
@alaskafan2110 ай бұрын
@@PianoJFAudioSheet having studied with a Brahms' expert I don't NEED to listen to other pianist. We can agree to disagree as many musicians do. Your eagerness to prove you are correct says more about you than it does about how I perceived the piece. Let's be civil and leave it there.
@PianoJFAudioSheet10 ай бұрын
@@alaskafan21 I never claimed to be correct, I only suggested to consider taking into account the piano playing practice of the 19th century. You, on the other hand, seem to claim that you know exactly how Brahms is supposed to be played.
@omovitruviano7 ай бұрын
It's pretty funny how after only two bars the composer has no fantasy left. Any Hummel or Ries, or even Czerny, wrote more meaningful pieces than Brahms but fake people won't admit it.
@shuweifeng39592 ай бұрын
I hate advertises !!!🥲
@user-ue9nv2oj1d6 ай бұрын
Под музыку второго интермеццо вспомнилось произведение Владимира Набокова "Лолита"