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BWV68 (21 May 1727) quotes the gospel for the day, John 3, 16-21, literally. Verse 16, a verse of which Luther once said that it ought to painted in golden letters on every home’s wall, is turned into a beautiful siciliano. The sopranos sing the chorale melody, but with so many decorations as to be hardly recognisable; the other voices sing imitations. `Bleibet ewig unverloren’ has long sustained notes, and dramatic breaks on `unverloren’. One of Bach’s most delightful soprano arias now follows. One wonders which of the two is most unforgettable: the violoncello piccolo’s tune or the soprano’s. The aria is based on one in BWV208, but transformed into something very special; the ritornello extends the delight for almost as many bars as already went before. A fine bass recitative leads to another parody from the Hunting Cantata, in which the bass expresses his relief that Jesus has done enough (`genung!’) for us. The final chorus is a grand fugue, the sternness of which lives up to the solemn words. The long runs on `gerichtet’ are positive for those who believe but threatening for those who do not. The opening theme returns on the closing words `denn er glaubet nicht an den Namen des eingebor’nen Sohn Gottes’. The seriousness of it all is stressed by the ending which is marked `Piano’.
Composer: Johann Sebastian Bach
Artists: Netherlands Bach Collegium, Pieter Jan Leusink (conductor), Holland Boys Choir, Marjon Strijk (Soprano) & Bas Ramselaar (Basso)
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Tracklist:
Also hat Gott die Welt geliebt, BWV 68:
00:00 I. Coro. Also hat Gott die Welt geliebt (Coro)
05:12 II. Aria. Mein gläubiges Herze (Soprano)
09:00 III. Recitativo. Ich bin mit Petro nicht vermessen (Basso)
09:47 IV. Aria. Du bist geboren mir zugute (Basso)
13:56 V. Coro. Wer an ihn gläubet (Coro)
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