But Beautiful - Professionally altered chords

[@井手公-n9n]

So nice lesson.Thank you very much.

[@javonwalker9367]

You’re a great teacher thank your for breakin it down always in a simple way

[@TonyWinston]

I appreciate that!

[@sergeypetrov9109]

Thanks for the detailet explanation and reharmonization. Everythings sounds very organic and beautiful.

[@marcelomadlucmar]

My friend I'm from Amazon Brazil, I don't speak english well, but your class had Help me so much.... Thanks...... GOD BLESS YOU

[@JudyK1]

Great lesson! Thanks, Tony!

[@johnmcnichol8330]

Pearls of wisdom!

[@eduardosposito8052]

Definitivly you are a very good musician, teacher and PERSON! Thank again!!!!!!

[@stevenlusardi1999]

Lessons always appreciated !(even at age 75) !!!

[@johnmcnichol8330]

Great song, great rendition…thanks!

[@rushana1956]

Genius.

[@Chipshotz]

I'm always learning from you Tony. Thank you!

[@johnpagan9315]

Thanks for posting the reharmonization rules and the lead sheet. I downloaded both and will keep the rules handy to apply when practicing.

[@kwenzasibeko8050]

Absolutely amazing. Can you please do more videos breaking down reharm rules like this one

[@ILikeILikeiLikeILike]

Another great tutorial! Such a great jazz teacher. Keep coming back to your lessons. Appreciated.

[@manuelperezguzman8230]

Wow buenísimo maestro

[@okiepita50t-town28]

Your live performance was great.

[@TonyWinston]

Thanks!

[@JulianDiaz-Tpt]

Fantastic video and playing. Thank you for all your work and contributions.

[@TonyWinston]

Thank you too!

[@erdemtonguc3501]

Thank you Tony for great contents! It's very helpful!

[@JamesWood207]

Most of this, especially the better bits, directly lifted from Bill Evans' treatment of the tune, eg the B- F7 E- Bb7, is a staple method of his.

[@aaronfrohnmayer8493]

Very accessible teaching. Love this tune.

[@nezkeys79]

I love it when you sing to these as well. Maybe you could do a video about singing and playing at the same time

[@socks1012]

Thats a great idea! I would for sure be watching that.

[@kailangbein8819]

Very inspiring! Coming from guitar, I love to listen to the ideas of trumpets, sax and piano. Thank you, greetings from west germany.

[@jessrichardmoransee5468]

beautiful tri-tone substitutions thanks for your jazz piano lesson tutorails

[@JamesWood207]

It comes directly from the Bill Evans version

[@gliEccetera]

cheers from Italy Tony!!!!!

[@leehayton]

I love this song Tony (especially Tony Bennett’s version with Lady Gaga) and your arrangement. I think I’ve cracked it - thanks for the tips - it’s beautiful.

[@gaugeonesteam]

I agree, the Tony Bennet/Lady Gage recording is amazing. especially the key change going into the instrumental but I reckon TWs version is very cool too.

[@leehayton]

@@gaugeonesteam TW's is super cool 😎

[@gaugeonesteam]

@@leehayton He's a good teacher too. he de-mystifies things. I like that.

[@TonyWinston]

Thanks for listening

[@HS-fk6hb]

Great video mr Winston :)

[@frankauditor3132]

Thanks to KZbin algorithm for letting me know about this awesome channel... Subscribed.

[@juancaleya6506]

from spain...thank you!!! ;)

[@johnaue821]

Great to read (and hear) your reharmonisation of this great tune. Thank you! ! Here is one more: in the fourth bar of B try Cm7/F7/.

[@TonyWinston]

Cool, thanks!

[@alanzelicoff3421]

Mr. Winston: May I ask that you do a lesson on the FANTASTIC improv in your trio performance? What great stuff. Hope I am not being a bother. And thank you for making our improvisation learning a complete joy.

[@smichener1]

Love this one. Please do more reharmonization!

[@brendaboykin3281]

Thanx, Maestro 🌹🌹🌹

[@pYtHaGhOr]

this video was incredible, I would love to see his arrangement for the song danny boy, grazie maestro!

[@TonyWinston]

I'll see what I can do...

[@mikemclenison8200]

That was great! would like to see what you would do with Jobim's "Wave" and/or "One Note Samba."

[@manuelrenz7281]

kzbin.info/www/bejne/qHKUXmiJq7KAY8k Wave was winstonized already absolutely stunning tutorial

[@richardfriedlander8281]

Tony, I'm a bit confused. You are using a tritone sub after the b-7 (F7) but you are playing the b minor without changing it to b dominant 7. Same with the Bb7 following the E-7. I thought you said that you shouldn't use a tritone sub after a minor chord. I know you said you change it in your head but why not just play the b-7 as a B7 and then F7? Same with the e-7 to Bb7. Thank you so much for all the help. It has been invaluable.

[@TonyWinston]

You could play B7. The melody note is D though and that gives you a #9 chord and if you want to keep it 'pretty' Bm7 is better. I don't think I said not to use a tritone sub after a minor chord. What I meant was the tritone is not technically a sub of a minor chord. the tritone sub only applies to dominant 7th chords

[@jazzgtrs1243]

What edition of the New Real Book are you using? My copy of the lead sheet doesn't look like yours.

[@gaugeonesteam]

Paul McCartney used to like C to G minor as the first change. "Hey Bulldog" and "Queenie Eye" but I think there are more. Yes, as others have said.. You're singing is very cool. better with age even.

[@TonyWinston]

really? thanks!

[@gaugeonesteam]

@@TonyWinston Do check out the "Dudley Moore Trio" recordings. There's "piano playing gold" there.

[@bjackblack]

😎✨✨ nice

[@bryanmoore813]

Tony, is your reharm technology sheet available that was partly shown in the video?

[@TonyWinston]

thanks, i should have put that in the description. Here ya go: bit.ly/3tsUeIZ

[@melesekibret8215]

💕

[@nezkeys79]

1:41 Am11 XD

[@urzathehappy72]

Great vid but hard to follow for me. You need a program that shows each note your playing on screen. Most youtube pianists have them

[@TonyWinston]

Noted!

[@turkishdisco]

Hi Tony, two questions: you change the Bmin7 to B7 so you can play the F7 after that. You can change any II-7 to a V7 of the same root which is rule H, but the Bmin7 is not the II-7 right? The piece is in G major if I’m not mistaken? Why are you allowed to change the Bmin7 to B7? Second question: in the rule overview you say “V7 of II: G7 - Cm”. In what scenario is Cm the II? In D major right?