When I was on a hospital bed, I couldn't listen any piano works delightfully, I happened to listened to these harpsichord works by bach. It was my salvation. Truly was a cure for the desease and depressure. How relieving the sound is!
@edward_jacobs5 жыл бұрын
I first heard this Gigue on the radio while driving to spend the day with friends at the marina. The emotional power of this piece not only transformed that day, but every time I hear it I am reminded of what a cheerful, joyous experience it is to be alive. Thank God for Bach.
@ILoveTakeThat58 жыл бұрын
The gigue makes me tear up, it's honestly one of my favorite gigues ever :D
@jfrv22443 жыл бұрын
and close your eyes
@bercaferca45542 жыл бұрын
Rubes, it makes me orgasm.
@LAK_770 Жыл бұрын
It really is one of the best he ever wrote. It’s right up there with the Bb partita and the D major cello suite
@carlosmendez67298 жыл бұрын
perhaps the most elegant suite of all and my personal favorite. Thanks!
@infledermaus7 жыл бұрын
I haven't listened to the French Suites for some years. I am particularly fond of this one. Such a lively, happy Gigue! Makes me want to jump up and dance (and sometimes I do). Now that I see you have put them up here on KZbin, I'll have to get a cup of tea and listen to all of them and read along. Bach tells stories with his music. I'm totally in awe of him. I had the opportunity to be in Leipzig over Christmas. Of course, I went to the Bach museum and Thomaskirche and Nikolaikirche. I can't remember where he tested that organ, but the church paid for a huge amount of wine, beer and tobacco (and food, of course) for Herrn Bach's week's visit in addition to salary. Damn! The man enjoyed his alcohol!
@tfpp13 жыл бұрын
This is etched into my childhood. I played this when I was twelve in my first international debut. Such fond memories. And to this day, I still remember how it goes. This is one of those pieces that has never left my fingers.
@robbyburns58226 жыл бұрын
This is an interesting suite to listen to. First, the Gigue was my favorite, then it was the Gavotte, then the Allemande, and now its the Sarabande, (especially at 10:05, just lovely). Weird how listening to this multiple times can change your opinion, Bach certainly does NOT dissapoint.
@zefix31333 жыл бұрын
No the bourree is
@bercaferca45542 жыл бұрын
Id have to say the Courante (Kidding as fuck, the gavotte is where it is)
@winstonmisha5 жыл бұрын
That chromatic line at 17:00 is so crazy! Only Bach could come up with something like that.
@faktablad2 жыл бұрын
Neapolitan baybeeee
@leonhardeuler68112 ай бұрын
@@faktablad I dont see a Neapolitan. The key is e minor, there's an f in the soprano but the rest of the major chord isnt sounded.
@faktablad2 ай бұрын
@@leonhardeuler6811we don't get F, A, and C all at the same time, but we do get F in the soprano and A in the bass simultaneously at one point. Perhaps more importantly, every strong beat in that passage is F, A, or C in both hands. It also precedes the V. At the very least it's Neapolitan-ish!
@izanagi21ify8 жыл бұрын
thank you for this! it's my favorite french suite and i like that you featured the gavotte in the thumbnail.
@nickkonst99407 жыл бұрын
The gavotte is incredible! One of of my favorite things from Bach.
@VinaTropica黄慧娜4 жыл бұрын
I like the gavotte too
@snowcarriagechengcheng-hun34547 жыл бұрын
Thanks for uploading!
@matthewcarr22558 жыл бұрын
Unfortunately, I've been so busy of late, I haven't had a chance to listen to this since I saw your facebook post announcing the completion of this particular suite, gerubach. As usual, you have impeccable taste! This suite's allemande was the first amongst a handful of pieces that really got me into Bach; the whole suite is my favorite out of the French and English suites, albeit I'm guilty of being somewhat sentimental in this opinion! I play the allemande a touch faster and with more ornaments and rubato than Mr. Dreyfus here on the repeats, however! :) Not sure how anachronistic my performance is vis-à-vis informed performance practice, but that's one facet of the beauty of Bach's work, isn't it? Bach resists questionable and tactless interpretation far better than any other composer I'm aware of. Many thanks for everything you do, gerubach!
@fdcc168 жыл бұрын
gerubach your work is very beautiful!!!
@johnphillips59933 жыл бұрын
The gigue is my favorite gigue in all of the Bach suites. My favorite: Prelude - English Suite No. 2 Allemande - French Suite No. 4 Courante - English Suite No. 1 Sarabande - French Suite No. 2 Gigue - French Suite No. 5
@handavid6421 Жыл бұрын
I know not a miracle greater than music
@tomfurgas2844 Жыл бұрын
All the French Suites are beautiful, but this one in G Major surpasses them all. Mellow perfection through and through.
@lordchameleon26504 жыл бұрын
That gigue is like Bach showing off his skills to the nobles.
@autodidactusplaysjrpgs76147 жыл бұрын
Nothing makes you feel more grounded then appreciating this music.
@hermanjoseph4018 жыл бұрын
My favorite suite. It also sounds great on the piano--the greatest gigue. Myra Hess used to play this suite,
@federicosaguattisagu52304 жыл бұрын
Un capolavoro 😘
@snowypiano99746 жыл бұрын
I funchin' love the Gavotte
@SuperbLobster6 жыл бұрын
The gigue is wonderful.
@alexanderp36898 жыл бұрын
I love this french suite.
@autodidactusplaysjrpgs76147 жыл бұрын
U jelly?
@alexanderp36897 жыл бұрын
I wouldn't say I am jealous because I compose much grander works such as Messiah and Rinaldo.
@DocEnder7 жыл бұрын
True, but Bach's St.Matthew's Passion is almost better.
@nma6235 жыл бұрын
I love it, Bach.
@barney68884 жыл бұрын
simply devine playing
@user-ru8vy1uz7c6 жыл бұрын
Браво
@holly20933 жыл бұрын
This version is always the best. Thanks Huguette Dreyfus
@virtuousvibes28523 жыл бұрын
the tuning of the harpsichords is a little different (probably because of the temperaments used) but i love the allemande because its soooo crystal clear and very homely!
@natheniel8 жыл бұрын
What are the wonderful fonts that you used in the title?
@HelenaWilliams86968 жыл бұрын
Enjoyable Bach Suite even with its dissonance. Bach is Bach!
@pegrueneis5 жыл бұрын
yes-the great Huguette Dreyfuß
@edwardweaver14672 жыл бұрын
Dancing time!
@holly20934 жыл бұрын
Thanks House M.D. brings me here
@123Joack8 жыл бұрын
you and smalin should collaborate!
@solypsist32808 жыл бұрын
ENORMOUS LIKE
@solypsist32808 жыл бұрын
*sorry for bad english, is that written correctly?* c:
@mantictac8 жыл бұрын
"Enormous like" is not a full sentence, therefore, both "giant thumb" and "enormous like" would work in that place. Your English is good.
@leo_vccr72705 жыл бұрын
0:17 3:40 10:23 15:05
@SeanChay3 жыл бұрын
Because of Steinway & Sons making process video, the background music leads me here.
@Asiek3 жыл бұрын
sarabanda begining sounds like largo from Harpsichord Concerto in F Minor
@EllieMcEla8 жыл бұрын
13:27, really unexpected Bach dissonance, does anybody have an explanation to the harmonic function of the notes?
@jaegonekim8 жыл бұрын
That is an integration of three voices rather than a harmony
@TimondeNood8 жыл бұрын
at that point the music is in the key of D major, and the relationships in that measure are: (strange chord) - V - I - (strange chord) - IV7 ? - V ; last measure: I. The strange chord that appaers twice has the notes: F# - G - A. They present no really basic triad chord that I know of. Most likely it is some sort of suspension. The G note in the second strange chord directly lowers to F#, which is the third of the tonic. In the first strange chord it lowers indirectly via E and then F#. This is just a guess, but it maybe interesting to point out that Bach's use of counterpoint is sometimes very complex and there are some passages which are really hard to fit in to a proper harmonic analysis. Most of the rules that we learn are based on the work of these old masters, and they didn't know the rules like we do (the first book on the study of harmony infact was written at that time by Rameau). They wrote what sounded the best to them and sometimes they had to break some rules due to voice leading in order to avoid parallel fifth's or octaves and stuff like that.
@TimondeNood8 жыл бұрын
?
@TimondeNood8 жыл бұрын
ah I see :)
@carlosmendez67298 жыл бұрын
Those notes are a preambule to the following chord. The dissonance is just a result of each voice going separate ways to resolve in a chord .
I think this suite sounds like a pre-JC Bach suite.
@JJC3332 жыл бұрын
Can you make Beatles songs in the style of Tchaikovsky?
@aeglover2022waschmaschineaeg4 ай бұрын
10:35
@lucaszavaluentie48554 жыл бұрын
0:17
@Pianomundo Жыл бұрын
The ornamentation 🤔
@DivanCello2 жыл бұрын
The Courante sounds like a Goldberg Variation
@t_mm_r2 жыл бұрын
Agree. Its the tonality of g major that helps it to sound like Goldbergs
@peterfreyhan7562Ай бұрын
Why does nobody, but really nobody from more than 20 of these KZbin videos, perform the Gavotte from this 5th French Suite as a true Gavotte? Well known or unknown, they all get it wrong. Is that too strong language from an unknown like myself? But read on, and I'll prove it. Like all Gavottes it starts with a double upbeat, three-four-ONE-two, three-four-ONE-two. But everyone plays it as if the first note was the first beat of the bar, the DOWNbeat. Prokofiev got it right in his 'Classical Symphony' parody: "diddle diddle DUMPy DUMPy DUMPy", now THAT's how a Gavotte should go. Peter Freyhan.