Byrd | Kapsberger | Dowland | Couperin | Rameau | Weiss | Tulve | Visee | Anna-Liisa Eller - kannel

  Рет қаралды 13,344

Mid Europe Early Music Festival

Mid Europe Early Music Festival

Күн бұрын

Пікірлер: 37
@katideb1107
@katideb1107 Жыл бұрын
Pure musicianship!
@_spiritual_music_
@_spiritual_music_ Ай бұрын
One of the most beautiful things I have heard in a long time. This woman and this channel are treasures!
@ivantzintzun3873
@ivantzintzun3873 2 жыл бұрын
I had to stop what I was doing when the cascade of arpeggios kicked in at minute 3:54. The environment that creates with the modal changes she goes through is magical. While the arpeggios elevates you to a sacred realm, the basso ostinato grounds you to the earth. And suddenly a melody appears and acts as a bridge between both realities. Absolutely beautiful
@joachim0560
@joachim0560 2 жыл бұрын
Kapsberger, Toccata arpeggiata, this piece is from a different world. Typically performed on a theorbo.
@bigbeddie
@bigbeddie Жыл бұрын
What a poetic, but concrete description of what this musician seems to achieve. Well said!
@moelarrycurly708
@moelarrycurly708 2 жыл бұрын
Supreme artist !
@EvaMaria-mi7up
@EvaMaria-mi7up 2 жыл бұрын
Qué sonoridad tan hermosa, y qué maestría en el instrumento.
@sakuntalabasu1493
@sakuntalabasu1493 2 жыл бұрын
A lovely instrument and an exceptional musician who brings the music to life in an ethereal way. Her performance is a joy to hear. Thank you so much for this post.
@sabinegeisler5792
@sabinegeisler5792 2 жыл бұрын
Wunderschön, beruhigend und anregend zugleich, herzlichen Dank!
@frankvalchar9907
@frankvalchar9907 2 жыл бұрын
I love this, fascinating and love, thank you!
@federicociancio4786
@federicociancio4786 2 жыл бұрын
Es increiblemente hermoso lo que haces con ese instrumento. Muchas gracias por tu música!
@rfdarsie
@rfdarsie 2 жыл бұрын
My goodness. Pure beauty!
@mideuropeearlymusicfestiva3585
@mideuropeearlymusicfestiva3585 2 жыл бұрын
Yes, indeed!
@kaslircribs5804
@kaslircribs5804 2 жыл бұрын
Heavenly Beautiful Music from Baltic States. Thank you for sharing!
@martycinco
@martycinco 2 жыл бұрын
Amazing, congrats! 👏👏
@dbadagna
@dbadagna 2 жыл бұрын
Outstanding--and it seems that she is using a historically informed tuning similar to quarter-comma meantone.
@fmoll2509
@fmoll2509 8 ай бұрын
Чудо какое! Благодарю! ❤
@timajos1
@timajos1 2 жыл бұрын
Piękny muzyka i piękne wnętrze.
@elenamukhina7884
@elenamukhina7884 2 жыл бұрын
Благодарю Вас ❤
@douglowder
@douglowder Ай бұрын
The encore piece is “L’Entretien des Muses” from Rameau’s Suite in D minor/D major, RCT 3, arranged for kannel by this artist ❤️
@woodmasters435
@woodmasters435 2 жыл бұрын
Очень красиво. Спасибо.
@balearesinmobiliaria2846
@balearesinmobiliaria2846 6 ай бұрын
Kui kaunis Anna-Liisa! Olen ka õppinud kannelt Tallinna Laste Muusika koolis 5 aastat. Kahjuks läksid meie teed kandlega lahku. Kuulates teid tuleb igatsus peale. Mäletan oma valusaid sõrmeotsi:)
@dbadagna
@dbadagna 2 жыл бұрын
Mid Europe Early Music Festival, can you please add the composer/title of the encore piece to the video description above? Including the minutes/seconds each piece starts would also be very helpful.
@mideuropeearlymusicfestiva3585
@mideuropeearlymusicfestiva3585 2 жыл бұрын
We are working on it ;)
@jardinssecretsaupiano
@jardinssecretsaupiano Жыл бұрын
Dear Anna Llisa it's absolutely beautiful ... Indeed..what a marvellous touch.. bravo 💐 a lot of space..breethe..and a deep feeling of the piece... formidable...could you please..tell me the name. Thd tittles if your pieces? Of course i can identify Byrd ..thank you..to tell me💐..i could play them too..they are so Beautiful ..thanks a lot for the deepbess of your work💐
@bifeldman
@bifeldman 2 жыл бұрын
Oh wow.
@AlimentodosDeuses
@AlimentodosDeuses 2 жыл бұрын
Celestial
@martyheresniak5203
@martyheresniak5203 10 ай бұрын
Totally random question: can anyone identify the stone or material in her jewelry? The way it catches the light is stunning.
@juliomateus714
@juliomateus714 Жыл бұрын
Several people have politely asked for the title of the Encore. I can find NO answer. So I'll ask again: please, could we know the title and composer of the Encore?
@sakuntalabasu1493
@sakuntalabasu1493 2 жыл бұрын
The encore was really fabulous. Could someone enlighten me as to what work it was?
@mideuropeearlymusicfestiva3585
@mideuropeearlymusicfestiva3585 2 жыл бұрын
Repertoire is below (description ;)
@juliomateus714
@juliomateus714 Жыл бұрын
@@mideuropeearlymusicfestiva3585 Why don't you spell it out? you say: Repertoire is below (description) there's no mention of the Encore in it. I'm beginning to think that you DON'T know it.
@catalinmunteanu78
@catalinmunteanu78 2 жыл бұрын
❤️❤️❤️🙏
@dianehall5063
@dianehall5063 2 жыл бұрын
What is the instrument?
@tomazlm_
@tomazlm_ 2 жыл бұрын
It's a kannel
@dbadagna
@dbadagna 2 жыл бұрын
From the website of Kristi Mühling: ====== The chromatic kannel is a type of kannel developed in the 1950s by the Estonian instrument builder Väino Maala (1914-1987). Due to its unlimited chromatic possibilities, this instrument type is used in several different music styles. The kannel is an ancient Estonian national instrument with a history spanning over two millennia. The archaic kannel was an instrument with 6-7 strings that was carved from a single piece of wood; with time, the number of strings grew and the instrument became larger. In the 19th and 20th centuries, diatonic kannels of various shapes and sizes were played across villages. Gradually, however, the need for a kannel that could also be played in different keys emerged. In the first half of the 20th century, several attempts were made to construct a chromatic kannel, but mostly these remained mere experiments and failed to gain larger popularity among instrument players. In 1952, an instrument builder from Valga County, Väino Maala, crafted the contemporary chromatic kannel. The birth of this instrument type was also facilitated by the initiation of kannel studies in Estonian music schools in the 1950s, which created the need for an efficient kannel type. Eik Toivi (1903-1993), a teacher from the Tallinn Music School, advised Väino Maala in the elaboration process of the chromatic kannel. His new instrument was embraced by kannel players and it was taken into use in Estonian music schools. Today, chromatic kannel is taught in several music schools across Estonia and, since 2002, as a specialty at the Estonian Academy of Music and Theatre in Tallinn. The chromatic kannel has a separate string for each chromatic pitch. This enables the usage of all pitches in all keys without limitations, similar to the piano. The number of strings is mostly 46 (range: c--a3) or 50 (range: G-sharp-a3). The chromatic kannel is a cross-strung instrument. On one side, the set of strings with diatonic pitches is 1.5 cm higher than the pentatonic pitches, and vice versa on the other side of the instrument. In the middle of the instrument the strings are on the same level. This is the area that is typically used to play the instrument.
@ОлегКурінний-р4ю
@ОлегКурінний-р4ю 7 ай бұрын
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