Caixa in Bahia Tutorial by Michael de Miranda

[@Francesco6961]

As always, Michael explains so clearly these rhythms, stickings, and accents. It’s such a joy to learn from him!

[@MichaeldeMiranda]

Thank you so much, Frank! I really appreciate it!

[@ballantynedewolf]

Nice work as usual Michael. I think you may have notated the accents differently to your playing in the 2nd and 3rd patterns?

[@MichaeldeMiranda]

Ballantyne de Wolf Thank you. And you are right, I forgot accents in the last two patterns. But I still hope that my explanation is clear. Thank you!

[@ballantynedewolf]

Michael de Miranda Yes it's clear.

[@rbzvncnt]

The last one (Oxossi) is actually nearer to the rhythm for Iansa, which is the basis for the afro pattern, but that is oral tradition for you...

[@MichaeldeMiranda]

Vincent Zuber Thank you for the extra information. It is always good to share good information.

[@divulgaarteproducoes2304]

❤️❤️❤️❤️

[@Castillow-v2u]

Perú con vc

[@divulgaarteproducoes2304]

Viva Bahia! Viva o Rio de Janeiro!

[@dionisonsantos]

Michael, could you make a vídeo teaching How to make the "rulo" on percussion instruments?

[@MichaeldeMiranda]

The rulo? Do you mean the roll?

[@dionisonsantos]

Michael de Miranda it would be the quick succession of blows with both hands filling the value of a note.