Carnaval Parade Festival San Francisco Carnival 2024 pt2

Carnaval Parade Festival Carnival 2024
Carnaval San Francisco, established 1979, is an annual street parade and festival in San Francisco, California, United States, held on the last weekend in May (Memorial Day Weekend).
Parade and festival
Carnaval San Francisco, is a free two-day annual family festival in San Francisco's Mission District over Memorial Day weekend, held on Harrison Street between 16th and 24th Streets, Guests can experience global cuisine, international music, dance, arts & crafts, and other fun activities and entertainment on every street corner for the entire family to enjoy. Carnaval San Francisco is the largest multi-cultural celebration on the West Coast.
History
One of the many dancing scenes at the Carnaval San Francisco
Carnaval San Francisco was founded by a group of artists organized by percussionist Marcus Gordon, dancer Adela Chu, and costume designer Pam Minor in 1979, who came together in Precita Park. The second Carnaval San Francisco was held in the Mission District's Dolores Park.
This Year theme Con todos los Colores de Amor (Inclusivity, family and community) with all the colors of love, we begin our next movement.
Since 2003, the Carnaval Grand Parade has run through the Mission District of San Francisco. The event is produced by Mission Neighborhood Centers as a fundraiser for youth, children, family and senior programs. The Cultural Arts Committee (CAC) of MNC together with the Carnaval Advisory Committee oversee the administration of the parade and festival, which contract with long-time Mission District activist Roberto Hernandez to run the event. For the 2009 Carnaval the production of the parade and festival was turned over to event production company Rita Barela & Associates, while the CAC produced the other official events including the King and Queen Competition.
The Carnival of Brazil (Portuguese: Carnaval do Brasil, IPA: [kaʁnaˈvaw]) is an annual Brazilian festival held the Friday afternoon before Ash Wednesday at noon, which marks the beginning of Lent, the forty-day period before Easter. During Lent, Roman Catholics and some other Christians traditionally abstained from the consumption of meat and poultry, hence the term "carnival", from carnelevare, "to remove (literally, "raise") meat."
Rhythm, participation, and costumes vary from one region of Brazil to another. In the southeastern cities of Rio de Janeiro, São Paulo, and Vitória, huge organized parades are led by samba schools. Those official parades are meant to be watched by the public, while minor parades (blocos) allowing public participation can be found in other cities, like Belo Horizonte, also in the southeastern region. The northeastern cities of Recife, Olinda, Salvador, and Porto Seguro have organized groups parading through streets, and public interacts directly with them. It is a six-day party where crowds follow the trios elétricos through the city streets, dancing and singing. Also in northeast, Olinda carnival features unique characteristics, heavily influenced by local folklore and cultural manifestations, such as Frevo and Maracatu.
The typical genres of music of Brazilian carnival are, in the Southeast Region in general, mostly cities of Rio de Janeiro and São Paulo: the samba-enredo, the samba de bloco, the samba de embalo and the marchinha; and in the Northeast Region including Pernambuco (mostly cities of Olinda and Recife): frevo and maracatu, and Bahia (mostly the city of Salvador): samba-reggae, pagode (also a type of Samba) and the main genre axé music. These rhythms were mainly developed by Afro-brazlians and Pardos, incorporating and adapting many cultural influences, from the percussion beats of Africa to the military fanfares of Europe and iberian music in the use of instruments like pandeiro and cavaquinho.
Carnival is the most popular holiday in Brazil and has become an event of huge proportions. .
Brazilian carnival in essence is a synthesis of European, indigenous, and Afro-Brazilian cultural influences, each group has played an important role in the development of the structure and aesthetic of the Brazilian carnival of today. For instance, the main rhythms used in carnival celebrations were developed by Afro-Brazilians and make use of European instruments like the cavaquinho and pandeiro to create melodies and arrangements, also the fantasies and costumes in the Brazilian carnival borrow concepts from the clothing of the natives, like the use of feathers and the tendency to use lighter pieces of clothing. Historically its origins can be traced to the Portuguese Age of Discoveries when their caravels passed regularly through Madeira, a territory which already celebrated emphatically its carnival season, and where they were loaded with goods but also people and their ludic and cultural expressions