#cello

Welcome to my new channel!
Here you will find tutorials for cellists in which I always take a closer look at an important aspect of cello technique.
In this first video I talk about the importance of correct bowing in the upper half of the bow.
Prof. Manuel Fischer-Dieskau
University of Music
Johannes Gutenberg University, Mainz / Germany
Check out also my other videos:
Natural shifting on the cello: • #cello tutorial: easy ...

[@jorgevillavicenciope910]

Great lesson. It is counterintuitive to the normative. Extending the arm , is brilliant Thank you

[@gerardquinn4513]

Amazing video. What a most humble man. No surprise that he is such a great teacher. I have learned a huge amount today. He gives a time frame of how much time we should practice this exercise. Brilliant. I just love his approach.

[@mettevunsjensen4094]

I’m so happy to find your channel😊

[@marknichols1]

Great videos so helpful, definitely helped my middle too tip weighting, Im 3 yrs into cello at 56 with severe brain damage, its been so wonderful and look forward too more helping support. Very kind of you to help others on the learning journey.

[@thecelloprof1512]

Glad it helped!

[@kencarpenter2785]

Absolute wunderbare Videos! Fantastisch! Immer langsam uben! Weil Ich fast 2 Meter gross bin, finde Ich, mit der C Saite, auf dem Frosch zu spielen, mit dem Bogen parallel! Es fuhlt sich ein bisschen unnaturlich mit dem Handgelenk!

[@kamikan22]

one way to understand it easier is on violin that we also "raise the frog" when going to the tip and "raise the tip" when going to the frog to get an efforless transmition of weight and control, is the same but since cello have a different angle we go forward with the frog istead of raising it

[@gasparocelloman9852]

Thoroughly enjoyable and very helpful. Many thanks for posting this. At the risk of sounding greedy, I hope there will be many more videos to come.

[@lakeninevah]

Such a wonderful session!!!! Ganz herzlichen Dank!!!! Wunderschon!!!

[@user-od3is1mw7m]

I am a late beginner. This is very helpfull. Thank you.

[@spinozareader]

Thank you for your generosity in sharing your knowledge and expertise. It has always been my desire to learn to play the cello. I took enough lessons in both classical guitar and violin in order to be able to play some music on both of those instruments . (For economic reasons, I quit lessons after first position was comfortable and familiar.) Ive now bought a cello and am three months into lessons. It's both thrilling and humbling--hacking my way through those Suzuki pieces weekly for my very-talented, principal cellist teacher. I'm determined to continue, in spite of the difficult climb.

[@lilosafran]

Grazie Manuel. Da tempo stavo cercando esattamente a teacher like this! Ich lerne so viel von Dir!

[@andrewsnow1933]

Yes. It’s hard to keep your arms up for so long. Fortunately, in real pieces you spend as much time in the lower half which gives you recovery time. Try to relax the parts of your arm that are not being used on each stroke.

[@NDNdivergent]

I'm finding that when I'm playing studies at the tip My bow shoulder tires, is this normal?

[@LisaSaso]

Vielen Dank für dieses interessante Video. Die Gleitübung findet man auch in der Celloschule von Tortelier. Könnten Sie bitte eine Quelle für die Übung von Sevjek einstellen. Vielen Dank. Ist sie in Opus 3 ?

[@thecelloprof1512]

Die Opuszahl kenne ich leider nicht, aber es ist die Übung Nr.13 im 2. Heft „Etüde in Triolen mit 105 Varianten“. Die neue Bärenreiter-Ausgabe ist z.B. hier erhältlich: www.paganino.de/noten/cellonoten/celloschulen/evc-k-o-schule-der-bogentechnik-fuer-violoncello-op-2-heft-i-und-ii.html Viel Spaß beim Üben!👍

[@bahadrbalc563]

❤