I am at once overwhelmed, enthralled and fighting back tears.
@EcceHumanitatis Жыл бұрын
It really is surpassing, isn't it?
@EcceHumanitatis Жыл бұрын
Thank you for posting this. Utterly fantastic in every way.
@xkay-six18452 жыл бұрын
Bravo to them for being able to play it that fast, my head was spinning for the second half😂
@Infidelio Жыл бұрын
No one plays like this anymore.
@EcceHumanitatis Жыл бұрын
I wish I knew why...
@user-tv3bu9jd3v10 ай бұрын
I think Ralph Gomberg has the most beautiful oboe sound in the world. It was fun to see Joseph DePasquale lead the violas on the outside of the stage. The viola tone color is so important in Ravel's orchestration. Ravel's Daphnis and Chloe show the Boston Symphony at their finest. Nobody can touch this. I wonder where Doriot Anthony Dwyer was. She was my favorite flutist. She was from Streator, Illinois.
@zigzag2510 Жыл бұрын
Veramente fantastico; la miglior resa orchestrale della pallette di colori di Ravel. Anche la sua Pavane è la più bella che abbia ascoltato
@larbaud7 ай бұрын
The best.
@philippesimon56611 ай бұрын
Sublime !
@zinam57955 жыл бұрын
It was "belle epoche" for BSO, especially with French music .... C.Munch was the BEST....!
@gabrielkaz52504 жыл бұрын
Belle Époque* Merci
@zinam5795 Жыл бұрын
I forgot my school French--thanks for your correction!
@kimsteel3666 жыл бұрын
Ack!! That last movement, though.. Super lit and super WOW!! Epic performance!!
@david_satz3 жыл бұрын
The clarinet section here was Gino Cioffi, my teacher the late Felix Viscuglia (long before he was an actual member of the Orchestra), Pasquale Cardillo (Eb) and Rosario Mazzeo (bass). It's a little amusing that the camera operator kept zooming in on the first clarinet whenever there was about to be an Eb clarinet solo; the Eb player was sitting at the whole other end of the section.
@duvidl2 жыл бұрын
It appears that two of the principals of the BSO didn't make this trip: Roger Voisin, trumpet and Doriot Anthony Dwyer, flute.
@EcceHumanitatis Жыл бұрын
@@duvidl Also Joseph Silverstein, the Concertmaster. That's Richard Burgin, the assistant concertmaster, playing the violin solo.
@duvidl Жыл бұрын
@@EcceHumanitatis Richard Burgin is the Concertmaster here seated next to him is Alfred Krips, the Asst. Concertmaster. Silverstein is seated at the third desk next to Rolland Tapley. Silverstein became Concertmaster two years later (1962) when Burgin retired after 42 years as Concertmaster and Leinsdorf became Music Director.
@EcceHumanitatis Жыл бұрын
@@duvidl Thanks for the clarification!
@schwei564 жыл бұрын
A bacchanale like no other, before or since, *avec un soupçon en plus de feu,* than was ever offered in Symphony Hall, Boston.
@MuzBuz4 жыл бұрын
That's his cake.
@Wagnerian1979015 жыл бұрын
Superb performance in superb stereo sound. Thank you!!
@erick-gd7wo5 жыл бұрын
I know maestro Munch from his Debussy and other Ravel, displayed a strong rhythmical character and bit quick tempo. But here, maestro blended a high degree of precision and a very flexible tone colour. This feat is new to me. I love his Bolero for its maddening impression towards the climax. BTW, the bnw pic contrasted so immensely with audio quality which has a wide dynamic range and perfectly natural stereo.
@MuzBuz5 жыл бұрын
The sound track in the original film was replaced. See the technical notes: i.ibb.co/2NbwGRp/tech-instr-BSO1960.jpg
@zinam57952 жыл бұрын
Unbelievable unique Sense of Music 🎶🎶🎶
@itistheflute58732 жыл бұрын
7:41 - 9:18 James Pappoutsakis; what projection, what tone, what sonority... , it is simply some of the best fluteplaying ever. On par with Fernande Dufrene arond the same time in the Orchestre National de France.
@richardvolet397028 күн бұрын
Laurent was still playing on the fantastic 1959 recording. I guess this was in between, before O'Dwyer took over. That 59 recording and this are amazing. Munch was so great...you can see how beautifully clear he was. His Debussy Afternoon of a Faun is also amazing, much faster than usually heard. Maybe he knew then about the score Debussy had marked with his tempi, in preparation for the final edition of huis lifetime. These were the early stereo recordings, usually with just three microphones, achieving a true orchestral sound, so unlike almost all modern multi-miked, highly engineered recordings. The orchestra is amazing, so dynamic, and the recording captured that!!! Is that O'Dwyer sitting next to P., playing second flute?
@richardvolet397028 күн бұрын
Watching more...definitely not O'Dwyer sitting 2nd flute. Anyone know who?
@user-ur1ke5zc3j3 ай бұрын
夢のなかで戯れてるような感じです。
@straussstrauss82425 жыл бұрын
La beautée impressionnant !
@zinam5795 Жыл бұрын
The Unique energy of any Tempo--that's helped for good Form!
@douglasmurphy91276 жыл бұрын
sublime
@Titanandenceladus6 жыл бұрын
Beautiful and surprisingly slow for Munch.
@erick-gd7wo5 жыл бұрын
Oh yes, when i listened to his Bolero
@detectivehome33182 жыл бұрын
LISTEN TO THE DANSE GÉNÉRALE
@EcceHumanitatis Жыл бұрын
The Danse Générale is hardly slow!
@JohanHerrenberg4 жыл бұрын
Tremendous, even without the chorus.
@EcceHumanitatis Жыл бұрын
I wish they'd included the chorus, but even without it, wow!
@RUETRUFFAUT3 жыл бұрын
sublime Maestro
@EcceHumanitatis Жыл бұрын
Wasn't he incredible!
@loiseaunoir10219 ай бұрын
LA REPRISE DU THEME À 2:41 VIENT D'UN AUTRE MONDE
@worditupify Жыл бұрын
/Hi! Where is this video from? Is there a place to get the hi quality audio?
@ursulaschlapbach311 Жыл бұрын
I think this is good quality
@ursulaschlapbach311 Жыл бұрын
Stupid
@EcceHumanitatis Жыл бұрын
Bernard Zighera and Lucile Lawrence on harps!
@Mr-Prasguerman2 жыл бұрын
12:23 ravel ?!?!?!
@kunsuker4 жыл бұрын
It looks as if the Hellenes had a fierce fight on Danse générale!
@diegoruvalcabapena52402 жыл бұрын
a question why no more videos upload?
@MuzBuz2 жыл бұрын
not have much time for this, sorry about it
@Titanandenceladus6 жыл бұрын
Anyone know who the female 2nd flute is?
@winrx5 жыл бұрын
Chris Lovett Sorry but that young lady doesn't look like DAD......
@MrKlemps4 жыл бұрын
Mr. Kershaw is correct. The other flute player IS Lois Schaefer, who was the BSO's piccolo player at the time. Doriot Anthony Dwyer was hired by Munch and appointed principal in 1950, the first woman appointed to a principal position in an American orchestra. It so shocked the orchestra's audience at that time that some people supposed there was some hanky panky between Munch and his principal flutist, which was not only untrue but tastelessly insulting to both of them. Munch chose her solely because he was bowled over by her playing and soon enough we all were!
@RobertCoulter4 жыл бұрын
@@AudiophiliaChannel She was the greatest orchestral piccolo player of all time.
@pnocella3 жыл бұрын
@@AudiophiliaChannel Correct!
@donaldallen17713 жыл бұрын
@@lovettboston I believe you are incorrect on two counts. That is not Doriot Anthony Dwyer. I met her several times and that is not her. Furthermore, she became principal flute in 1952, eight years before this performance (you said "she later became principal flute", which is incorrect). Apparently she didn't make the trip to Japan and Pappoutsakis was in the principal's chair for this concert.
Where's the chorus?! Munch can beat time as furiously as he wants. Still, the excitement isn't there, the climaxes are never fully realized unless there is a chorus. Period!
@formalynoza59483 жыл бұрын
The keyword is 'Suite No.2' and work it out the rest.
@EcceHumanitatis Жыл бұрын
Cost a pretty penny to fly an entire chorus over to Tokyo in 1960... I miss the chorus too, but Munch is doing a hell of a lot more than beating time. Have you ever watched him rehearse?
@timw24982 жыл бұрын
They played well, in spite of the bad conducting.
@detectivehome33182 жыл бұрын
*wild
@Infidelio Жыл бұрын
That “bad’ conducting is why they play well. Troll.
@EcceHumanitatis Жыл бұрын
Sure, Jan.
@caseywlamb80665 ай бұрын
No way you called Charles Munch a bad conductor---literallly widely regarded as the best conductor of french music ever