Chopin - 4 Ballades (Century's recording: Sviatoslav Richter, Live 1960)

[@classicalmusicreference]

Album available // Chopin: 4 Ballades by Sviatoslav Richter 🎧 Qobuz cutt.ly/0eRQxr6x Tidal cutt.ly/TeRQ2Hym 🎧 Apple Music cutt.ly/CeRQEo4J Deezer cutt.ly/OeRQEOuV 🎧 Amazon Music cutt.ly/feRQUfgS Spotify cutt.ly/veRQUT1w 🎧 KZbin Music cutt.ly/keRQUKbC SoundCloud cutt.ly/oeRQU2mb 🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... Frédéric François Chopin (1810-1849) 4 Ballades *Click to activate the English subtitles for the presentation* (00:00-01:15) 00:00 Ballade No. 1 in G minor, Op. 23 08:49 Ballade No. 2 in F Major, Op. 38 16:12 Ballade No. 3 in A flat Major, Op. 47 23:22 Ballade No. 4 in F minor, Op. 52 Piano: Sviatoslav Richter Live recording in 1960, at Prague New mastering in 2021 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr The Ballade corresponds to no strict instrumental form: a dance song, an elaborate vocal piece, a lyrical legend ?... The Ballade, Op.23 is like a broad and passionate poem in three parts, the emotional core of which is a long 6/4 time moderato framed by a short lento and a presto con fuoco. The next one is dedicated to Schumann and opposes episodes filled with drive and vigour to moments of gentleness and even tenderness: the active and the contemplative, plenitude and feverish agitation. The Ballade in A flat major, Op.47 was the most famous of the four in its time, from its first public performance at Pleyel's in Paris on 21 February 1842. Less vehement and rich in contrasts than the first two, its effect lies in its charm and poetic cohesion. The Ballade in F minor is the most sumptuous. Its neo-Slavonic theme that keeps on returning in a new, richer shape, is first stated with lyrical tenderness in the introductory andante after which it becomes a nocturne. A second theme, in the form of a barcarolle, suddenly animates matters; it is developed in canon before linking up with the first theme, summarized in three great fortissimo chords. Five long muted chords reply to it before a ferocious coda bursting with action, dissonances and digital difficulty. Frédéric François Chopin PLAYLIST (reference recordings): kzbin.info/www/bejne/eWKvY5yhg99liK8

[@raymondtogtman1047]

Music is meant to be heard. Do you know that?

[@cyrusamirmoazami6232]

Cet internaute a écrit quoi pour lui donner autant de like ?!

[@ЛарисаГалицына-п3ж]

Как они могут кашлять??!!невыносимо,,😰

[@이미향-y6s]

ㅣ111ㅣㅣ111ㅣ

[@levongabrielian6430]

One of the greatest pianists of all time.

[@musicanovas6]

"Right now, there are people all over the world who are just like you. They're either lonely, they're missing somebody, they're depressed, they're hurt, they're scarred from the past, they're having personal issues no one knows about, they have secrets you wouldn't believe. They wish, they dream and they hope. And right now, they are sitting here reading these words, and I'm writing this for you so you don't feel alone anymore. Always remember, don't be depressed about the past, don't worry about the future, and just focus on today. If today's not so great don't worry! Tomorrow's a new chance. If you are reading this, be sure to share this around to make others feel better. Have a nice day!"💕🙏💗💕

[@Dylonely_9274]

F*ck life.

[@Ирина-н6у2щ]

Спасибо!

[@gabrielacobian9137]

Richter is one of my all-time favourites, he is always alive in my memory as a SPECIAL pianist

[@AnnaCanPlay]

For me, the greatest pianist❤🙏🏻

[@canman5060]

Extremely profound performance.

[@jean-mariedethier5495]

Chez Richter, toute musique est question de vie et de mort. Ce sens tragique, très librement éprouvé, est d'une puissance phénoménale et transcende toute critique. De ce point de vue, Richter reste unique !

[@renaudpontier]

Il me semble qu'il y en a un autre: C'est Claudio Arrau, plus "arrondi" que Richter et en général un peu plus lent, mais tout aussi intense.

[@jean-mariedethier5495]

@@renaudpontier Vous avez raison sans doute, car rien n'est absolu en beauté. Arrau esprime davantage l'aspect poétique, chez Richter plutôt l'aspect plus "robuste" du sens tragique.

[@ВМаркитпнтова]

Очень точно подмечено. Это ментальность его личности и все, что пришлось ему пережить и передумать.

[@maratshailyasov8430]

Огромная благодарность за эту публикацию! Слушать такое исполнение- настоящее счастье!

[@sujayrao2856]

In Indian classical music there is a word called Laya. Loosely, it means the lyrical cadence and a sense of flow created by how the rising and falling of notes are spaced and linked. Exactly as the inflections of human speech indicate emotions that are universally understood. So much emotion. So much feeling. The unhurried, deliberate spacing can only come from great control and musical authority. It is so hard for a popular and much performed piece to be played with originality but without making it weird. Only a very great artist can surprise one like that.

[@wesmusic2072]

Thank you. Richter was at his peak in the 1960s. Such a gem!

[@shin-i-chikozima]

Chopin‘s music he plays is the universal language

[@farahmand4771]

Bravo. Vous avez bien fait de nous restituer cet enregistrement. Vous n'êtes pas les seuls, mais c'est tellement miraculeux qu'il faut aimer et révérer ce recital légendaire. Encore merci

[@pianoplaynight]

How refreshing is this, compared to the sterile, note-perfect, renditions that are en vogue today. This is a whole other level of artistic depth

[@Mike1614YT]

I agree. especially the "note perfect" part. Horowitz is my favorite pianist and many of his performances are not note perfect. for those who crave note perfect there's always the MIDI version, which is unlistenable lol

[@stevekraemer8029]

There's a laser intellect that never compromises viceral focus

[@fh854]

Precision does not reject musicality, I can’t believe people still think that and if you do you don’t know what you’re talking about

[@danibv1291]

I guess that's not the point. Of course precision is needed and important, but to a certain degree. When you achieve a certain precision level, even far from being perfect, the only thing that matters is your interpretation of the piece. A great interpretation will always be better than a perfectly played performance, as long as you don't just play random notes.

[@danibv1291]

I guess that's not the point. Of course precision is needed and important, but to a certain degree. When you achieve a certain precision level, even far from being perfect, the only thing that matters is your interpretation of the piece. A great interpretation will always be better than a perfectly played performance, as long as you don't just play random notes.

[@galinakrivulin6767]

Always captivated by Sviatoslav Richter playing Chopin - 4 Ballades. Thank you

[@wolfgangklofat594]

Ein kostbares Revival, dieses Konzerts aus dem Jahre 1960 im Prager Rudolfinum! Warum sollen uns die "Husterer" stören, wenn wir nochmal dem Spiel dieses Jahrhundertpianisten so lebendig nahe kommen? Den ganzen Balladenzyklus Chopins hat Richter nicht oft gespielt - dieses Genre "musste" aber seiner Spielweise besonders liegen: Das Pianoforte als Ausdruck seiner Poesie in einem beispiellosen Verbund von trefflich gestalteter musikalischer Epik, Dramatik und Lyrik.

[@ЛарисаГалицына-п3ж]

Так они мешают,они мне в уши кашляют🤦,а пианист их слышит?наверно тоже😬

[@fa-la-mi-mi-re]

21 feb 1960-This recital is one(of many) among the best;the Etudes that are played in this recital are excellent!!!

[@margaritafoncueva8338]

Este audio es una joya! . Amado Richter... Como comparte su intensa emocion! Gracias por esta belleza.!

[@foodforthought4546]

Wonderful Richter. Unfortunately the pieces are interrupted by ads, which should have been placed in between pieces, not within them.

[@tylerbuck9347]

EXACTLY

[@CreativeRelaxation]

Simply put, just beautiful!

[@classicalmusicreference]

The Ballade corresponds to no strict instrumental form: a dance song, an elaborate vocal piece, a lyrical legend ?... The Ballade, Op.23 is like a broad and passionate poem in three parts, the emotional core of which is a long 6/4 time moderato framed by a short lento and a presto con fuoco. The next one is dedicated to Schumann and opposes episodes filled with drive and vigour to moments of gentleness and even tenderness: the active and the contemplative, plenitude and feverish agitation. The Ballade in A flat major, Op.47 was the most famous of the four in its time, from its first public performance at Pleyel's in Paris on 21 February 1842. Less vehement and rich in contrasts than the first two, its effect lies in its charm and poetic cohesion. The Ballade in F minor is the most sumptuous. Its neo-Slavonic theme that keeps on returning in a new, richer shape, is first stated with lyrical tenderness in the introductory andante after which it becomes a nocturne. A second theme, in the form of a barcarolle, suddenly animates matters; it is developed in canon before linking up with the first theme, summarized in three great fortissimo chords. Five long muted chords reply to it before a ferocious coda bursting with action, dissonances and digital difficulty. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

[@エイトマン-g3w]

リヒターは後年、日本にも興味がありました。 初来日は1970年、55歳の時です。 その時かどうかは不明ですが、日本の楽器メーカー、ヤマハのピアノに感心したことが切っ掛けでした。 ヤマハの工場を訪れてもいます。 その時、作業している人達に感謝の言葉を述べ、その場で即興で弾いてくれたそうです。 「この素晴らしいピアノを作った人々の前で演奏できることは光栄であり、私は大変緊張しています」と挨拶したそうです。 また神社にも関心があったそうで、多くの神社を訪れていたようです。 日本語で神社の雰囲気を表すのに使われる「おごそか」という言葉が好きだ　とも語っていたそうです。

[@Tata-Sibiryatschka]

Великий Рихтер! Великий русский пианист. А слушают его записи почему-то больше англоязычные люди. Слушают, восторгаются. А где же русские зрители? Ау! Все упиваются западной же попсой.... Как-то несправедливо, неправильно. Рихтер ездил по СССР очень много. Играл даже в музыкальных школах. Люди старшего поколения помнят эти концерты (я живу в Красноярске). Хочется, чтобы и молодые люди не просто слышали имена, но и любили наших русских гениев и их искусство.

[@sergeidry6482]

Полагаю, Рихтер вне нации. Ну а если о национальности, то он из обрусевших немцев. Или Россия - "родина слонов"?

[@nataliaguseva]

Живу в Москве. Начиная с сознательного возраста не пропускала концертов Рихтера в БЗК. И не видела в зале англоязычных - ну так, несколько иностранцев. А вот на отпевание великого маэстро в православном храме Иоанна-Воина на Якиманке пришли единицы. И сейчас о нём не услышите, как и о Пастернаке с Мандельштамом, которые тоже - вот беда! оказались православными. А «культурная» тусовка этого не прощает даже великим!

[@nataliaguseva]

@@sergeidry6482 Рихтер в детстве крещён в Православие - им и остался

[@sergeidry6482]

@@nataliaguseva Православие тождественно российскости? Немец не может быть православным? Значит, все таки - "родина..."

[@Queeen7q]

@@sergeidry6482 значит, всё-таки. Когда Рихтер как-то пытался подольститься к бывшему нацисту Караяну, сказав "а вы знаете, я тоже немец", Караян холодно ответил: "тогда я китаец". ... Надеюсь, для вас не новость, что Караян - в отличие от Фуртвенглера - состоял в НСДАП? )))

[@ursrieger1053]

Truly a century´s recording !!!!!!

[@williamsu5552]

this is perfection

[@cyrusamirmoazami6232]

Belle interprétation.

[@fluxusprint3655]

Nobody makes sense of the end of fourth ballade like Richter.

[@lucildefrasca]

Qué refrescante, tranquilizante, que son estas melodías, que nos llenan de paz, de sonrisas apenas esbozadas. Chopin el de siempre, el inigualable. Que musica q nos llena de serenidad y optimismo. Gracias por compartir. ❤

[@ГондурасНикорагуасов]

Пик творчества 60е . неслучайно.исполнитель с таким именем и в такой стране мог быть только в это время. браво!и спасибо что поделились.браво!

[@saltburner2]

Wonderful restoration of a real classic. The first Ballade is more a reverie than a ballad.

[@Jtking3000]

Every note sings!

[@docmalthus]

Bel Canto piano!

[@theopaopa1]

maravillosa version, tal vez la mejor que conozco ...

[@shin-i-chikozima]

The greatness of Chopin is off the charts, and far superior splendor Richter is a super Alchemist of Chopin‘s music

[@edgarpacheco7744]

La mejor interpretación de las baladas. Por lejos. ¡ Cuántas toses, Dios mío ! Pero a Richter no le gustaban los estudios de grabación.

[@cedericocosantorini8013]

La mejor ? jaja!

[@Schubertd960]

Interesting- the 4th isn't taken as slowly as in his great 1962 Venice performance... nice interpretation nevertheless

[@ronl7131]

Inimitable SR…..performs his way…always worth a close listen. Energetic cadenza for #4.

[@류순열-h6i]

아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕

[@bloodybonescomic]

Much of Chopin's music is enigmatic to me. It can be immensly uplifting or it can be rather dry and tedious. The difference (in my view) is completely in the interpretation of the score. Two pianists possessing ample technic and one moves the universe and the other one I lose interest in. Richter's early recordings (like this one) are just sublime. Horowitz too, excelled at these.

[@charleso8341]

I agree. To interiorize Chopin's music is to recreate the ideas for oneself, and to make authentic one's own experience so that the music serves the moment, in a vital and visceral way. Hard to do when one is not present or in touch with one's own pain. As this is Chopin's art, the ability to shine a light on intense emotional pain, the musician need only be clear about how this moves through him/her, and the music will then come out the way it is supposed to.

[@dejanstevanic5408]

Mmm... thank you.

[@giovanniguglieri5287]

Originalissima interpretazione: lucida e rabbiosa.

[@FabrizioBianchini]

Meraviglioso grandissimo

[@spectator4066]

Nr. 2 - fantastic!

[@titonut1]

Very very wonderful ! Genius. !

[@fulgenjbatista4640]

🕊🌟🕊 ABSOLUTELY BEAUTIFUL 🙏💜🙏 💜🎵💜

[@yuiop987]

Я воспитана на этой музыке. Это лучшее исполнение, которое вообще может быть.

[@AnnaCanPlay]

We miss you Legend💔❤

[@juridadiani1566]

SUPER GENIAL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[@juridadiani1566]

Потрясающее ОТКРОВЕНИЕ !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[@annah.1927]

Merci beaucoup.

[@defacto_8840]

Thank you. ❤

[@vodkat07]

Wonderful placement of an advertisement at 15:55.

[@ЛарисаКутузова-ф4о]

Звучит мистически , Мостом в Царство Альфа и Омега, фортепиано ! Преодолением движений на пути к Совершенству Целого !

[@notaire2]

Wunderschöne und lyrische live Aufführung dieser vier romantischen und fein komponierten Balladen in verschiedenen Tempo mit brillantem doch zugleich anmutigem Klang des technisch perfekten Klaviers und mit künstlerisch kontrollierter Dynamik. Die verbesserte Tonqualität ist auch ziemlich hoch als eine live Aufnahme von mehr als sechzig Jahren vor in Prag. Zweifellos einer der zehn besten Pianisten im 20. Jahrhundert!

[@classicalmusicreference]

""Zweifellos einer der zehn besten Pianisten im 20. Jahrhundert!"" Love it

[@justa335]

What else can you say except "Thank you, Maestro."

[@georgevisvikis1878]

Richter was a legend and the fact that he was largely self-taught, means a lot!

[@ahdyabdelatif]

Are u serious he is largely self taught

[@georgevisvikis1878]

@@ahdyabdelatif Yes! His father,also a pianist, gave him only the basic education in music.

[@MichaelChengSanJose]

Richter didn’t follow the traditional methods of working scales, but he definitely was not self-taught.

[@arnoldok9911]

Neuhaus tanítványa volt, aki úgy emlékszik rá, mint arra a tanitványra akire egész életében várt ( G. G. Neuhaus - A zongorajáték művészete című könyve)

[@eddyhans5365]

@@MichaelChengSanJose He was in the sense that his own "teacher" Neuhaus admitted he did not teach him much!! Richter was not a child prodigy as commonly known to other pianists.BUt Richter remained steady in his view of music unlike the prodigies who interrupted their playing for a while arguing they need this pause to study ....nonsense!

[@opera93]

Thanks, seems quite nice… sound, etc….

[@CarldeFigueiredo-lf2gc]

@opera93: Quite nice?!!! Better if you had remained silent.

[@rigel9015]

I see Richter I press like. Richter is like any other, he is the greatest for me.

[@anamariajannello3565]

Excelente concertista

[@jorgegalindo9798]

Muy hermoso gracias mi hijo es un futuro talento. Saludos chaya Man

[@williamsu5552]

Richter brings order to the chaos of Chopin 😄

[@joaoclaudiorodriguesferrei7030]

In moretions of pianist Gilberto Tinetti in rádio Cultura fm de São Paulo who formations pianist with your program in leve the excellence. Thank you Tinetti ours best friends forever.

[@cristianmicu]

the goat of piano for me, and there's a lot of hurdles to go over for any pianist in order to de-throne him just as a side note to this ''reference recording'': i must make myself ignore the coughs in the audience, ty

[@jgamez5023]

I agree with you - for me he's the greatest!

[@CarmenReyes-em9np]

Que belleza las 4 baladas.

[@grandmacat1994]

lota guts stalling out the opening so i really listen, and oh the quality of the piano!!!!!!

[@yayitadelsur]

Genial interpretaciòn!

[@simerhy]

Pure energy

[@jorgegalindo9798]

Hermoso

[@ВМаркитпнтова]

Какая стройность и какая сила духа !

[@driesanalog4187]

Great performance - but the audience noise is terrible....

[@classicalmusicreference]

That's true but the music wins

[@foodforthought4546]

I enjoy the audience noise - it makes it feel live. Especially excessive coughing.

[@antoniopapini9260]

sin palabras todo sentido auditivo

[@beatlessteve1010]

On KZbin there is a nationally televised broadcast at Carnegie Hall of a concert from 1968 by Vladimir Horowitz and he opens with this Ballad..no. 1 in Gm, and I sincerely feel that it sounds like this performance by Richter. I have been a long time listener and amateur player and I can tell differences between great artists performing this piece..the nuances and dynamics..pedal usage..tempo, the little sparkling rubatos and, color... wow this sounded exactly like the 68 Horowitz version.

[@franciscoespinozagamboa6490]

Horowitz y Richter son dos de los mas grandes pianistas de la historia

[@chantalbeckmann8022]

Don't forget Samson François......

[@tylerbuck9347]

So are you saying that this might have just been the recording of the 1968 one?

[@menciareborido2579]

why is chopin's second ballade being slept on that hard

[@neilpenesis9203]

Michelangeli commented that Richter was the first pianist.... And no wonder... He approached live performances as life and death struggle living on the edge... A Titanic artist.

[@charlesenman2382]

Surely as great a combination of musician and pianist as we've ever seen. His playing seems, at its best, so inevitable. The tone is among the deepest of all pianists'. I don't find his Chopin as idiomatic as some others' ... (though Richter would laugh at the idea that one should respect idiom) ... but it still has extraordinary sincerity and power. So much power. Again, that inevitability.

[@joseluizfrancis-cresciment6747]

Nossa .. Interpretação de tirar o fôlego ! A balada número 1 de Chopin é uma espécie de "Autorretrato" do mestre nascido na Polônia, mas de estilo francês

[@joseluizfrancis-cresciment6747]

Breathtaking interpretation...differentiated. Ballad number 1 is a kind of "Self-portrait" by Chopin, born in Poland, but with French musicality!

[@classicalmusicreference]

:)

[@franzitaduz]

So glad I could hear him live towards the end of his career. This type is only found in Trafinov and Kissin today…

[@jeremyd1021]

Trifinov and Kissin are not, in my humble opinion, even remotely of the calibre of Richter, and I doubt they would claim to be, let alone the very overrated Sokolov. The greats of the early 20C Russian school were pretty much in a class of their own. Zoltan Kocsis could be compared to Richter or Michelangeli, but I can't really think of anyone else in the last 50 years.or so

[@alombredeslava2468]

@@jeremyd1021 Tout à fait exact. Richter (Slava) était unique et dans les années 60 purement génial. Seul le “jeune” Michelangeli pouvait atteindre ce niveau de profondeur et d’intensité. Ce qui ne signifie pas que l’on ne puisse pas rencontrer ailleurs des interprétations bouleversantes et quelquefois miraculeuses, mais comparer Trifonov et Kissin à ce géant ne peut que faire sourire.

[@judyhopkin5106]

May I respectfully include young Russian pianist Alexander Malofeev. He is coming up fast!

[@kazukoalbessard729]

a l ombre de slava け

[@mariadini2314]

Cómo toca! Este tipo si que entiende al compositor...y quiere al público. Con decirte que no mató a los que tosen......

[@bertrandmeyer4615]

In the text: it's Grange de Meslay (not "du")

[@Iamsegesest]

❤❤❤

[@joaoclaudiorodriguesferrei7030]

As orquestra de casamento destas bandas devem saber destas mensagens pois todas estas músicas estam no You tube.

[@100bestbooksofalltime]

brutal!

[@joaoclaudiorodriguesferrei7030]

Todos esses pianista estam no meu face book

[@joaoclaudiorodriguesferrei7030]

No facebook tem o contato destas lojas eu e vende esses livros.

[@Panzerino02]

Richter's father Theofil Richter, a German national, was executed because he was unwilling to evacuate to the East. Thus, according to the red scumbags, "he was a collaborator, waiting for the German's arrival". The Richter's mother, with other man, evacuate with the German Army, feared of repercussions. After, they lived in Germany. The Richer's mother died c1961-62 in Germany. After illness and brief hospital stay, which was fully covered by Richter's money. Richter didn't know where exactly his mother was... until mid 50ies. Later they often meet, but Richter think of her like "for me, she is not the same person I knew".

[@neilpenesis9203]

Heinrich Neuhaus also did not feel the need to evacuate Moscow...

[@joaoclaudiorodriguesferrei7030]

O livro curso de piano de Mário Mascarenhas volume 1,2 e Adult All in one curse of piano ensinam a tocar isto para ler isto no piano. Nas lojas que eu falei vende esses livros.

[@joaoclaudiorodriguesferrei7030]

Os pianista Fausto Ito e Wolfgang Nassif dos Santos devem saber e tocar isto também

[@spectator4066]

Nr. 1 - better than Horowitz …

[@foodforthought4546]

It's not right to say that anyone is "better than Horowitz." Not possible. Different, yes - but not better.

[@artivism4068]

those coughs absolutely kill it LOL never fails to ruin legendary performances.smh

[@TJFNYC212]

Could he play the coda of the F minor ballade any faster and bang harder? I glad you all think this is a reference recording... pas moi

[@joaoclaudiorodriguesferrei7030]

E a coleção dos livros o melhor da musica clássica dos irmãos vitale volume 1,2,3 , 4 para piano nas lojas que eu falei vende esses livros. Na lupa do site da freenote tem.

[@sahanarzruni584]

Unquestionably, there are gorgeous sections; but there are also portions that are bombastic and way too fast to make sense.

[@foodforthought4546]

You are correct.

[@christophbader3713]

Let them be chaos, brute force. Like the coda of the fourth.

[@joaoclaudiorodriguesferrei7030]

Tudo com piano digital com fone de ouvido e cabo de ligar na caixa amplificada ou só o piano digital simples serve.

[@joaoclaudiorodriguesferrei7030]

One more sucess of Orquestra jazz sinfônica is to play in piano all as obras of Chopin in piano

[@TheosophyinRussia]

!

[@cabinstay1]

7:20 chill 😖

[@joaoclaudiorodriguesferrei7030]

The Sesi Aercarvalho of 2006 know this is it. Um city of São Paulo.

[@markhughes7927]

I bought six! Chestnut!

[@새끼북극곰]

? Why aren't krystian zimerman's albums in your channel?

[@erikasono565]

リヒテルの音楽の創り方は、シューベルトがシューベルトではなく聴こえるように、ショパンもショパンではなくしてしまうようだ。 何を弾いてもリヒテル色に染め上げてしまうといのは、別の意味で凄いけれど。 リヒテルがただ一度だけ、ショパン国際ピアノコンクールの審査員を務めた際、自分が気に入らない演奏には悉く０点を付けたいうエピソードを想い出してしまった。 逆に、リヒテルに気に入ってもらえた演奏とは、どんな演奏だったのだろうと、ふと考えてしまう。 - リヒテルが弾くと、音楽の構造が溶けてなくなってしまうように感じる。 そこには純粋にリヒテルの感情だけがあって、憂いを含んで甘く、そして突如として激しく燃え上がる。 ショパン自身がそういう弾き方をしたとはとても思えないけれど、そういうことを抜きにしてリヒテルの心に映し出される情景、感情の渦に身を任せるのであれば、これはこれで、まるで夢のように美しい。 - ただ、羽生選手が《ショパンのバラード第一番》を演じるのに、リヒテルでもアルゲリッチでもなく、或いはポリーニでもなく、ツィンマーマンが一番いいとして選んだ理由は、分かるような気がする。 リヒテルやアルゲリッチのような感情の赴くままにテンポを不規則に変化させるような演奏では、とてもフィギュアスケートの緻密な技術は競えない。 ポリーニとツィンマーマンを羽生選手が聴き比べたかどうかは定かではないが、もしかしたら、ポリーニのように極度に緻密な演奏では、聴いている者の心まで凍り付いたようなそのピアノ技巧の繊細な網の目に絡め取られてしまって、滑ろうとする足元が止まりそうになるのかもしれない。

[@やましたまこた]

リヒテルで感動をおぼえたことは１度もない 何を考え弾いてるのかもわからない 平均律のあの録音でＯＫしたのなら 感性自体がどんましてる気もする

[@しかしか-j1w]

@@やましたまこた リヒテルの平均律僕は大好きなんですけどね。よければどの辺が良くないのか教えていただけませんか

[@betelgeuseromanee-conti162]

​@@やましたまこたリヒテルの平均律は好きだよ

[@nhinangiandoan]

This was live????

[@mr_yoshidasan]

habia un Tísico ahi que arruinó la grabacion con su maldita tos.