Рет қаралды 44,162
Muzio Clementi (1752-1832) Gradus Ad Parnassum: Complete Piano Studies / World Premiere
QUATRE PIECES EN FA MAJEUR (MAJ)
00:00 1. Con velocita
01:39 2. Allegrissimo
03:04 3. Vivacissimo
04:19 4. Allegro ma con grazia
DEUX PIECES EN SI BÉMOL
07:25 5. Andante quasi allegretto, con espressione
10:06 6. Allegro moderato
DEUX Pièces EN RÉ MAJ
13:31 7. Vivacissimo
16:09 8. Allegretto moderato e con grazia
SUITE EN LA MAJ
18:03 9. Preludio: Vivace ma non troppo
19:29 10. Canone: Allegro moderato forte e sempre legato
21:43 11. Cantabile: Allegro moderato e cantabile
SUITE EN UT MAJ
25:33 12. Preludio: Allegro
26:54 13. Fuga: Allegro non troppo
30:39 14. Adagio sostenuto
34:08 15. Finale: Allegro non troppo
DEUX PIECES EN UT MAJ
38:57 16. Veloce
40:25 17. Veloce
42:02 18. INTRODUZIONE E FUGATO EN FA MAJ
46:35 19. PRESTO EN LA MINEUR (MIN)
47:52 20. ALLEGRO EN RÉ MAJ
49:16 21. VELOCE EN Ml BÉMOL
50:40 22. ALLEGRO CON SPIRITO EN LA BÉMOL
52:51 23. PRESTO EN UT MAJ
53:51 24. PRESTO EN FA DIESE MIN
SUITE EN SI
56:00 25. Introduzione e fuga: Tempo moderato
1:00:20 26. Canone: Allegro moderato
1:02:27 27. Allegro con fuoco
DEUX PIÈCES EN SI MAJ
1:05:57 28. Allegro
1:07:43 29. Allegro ma non troppo
1:09:59 30. VELOCE EN Ml MIN
TROIS PIÈCES EN DO MAJ
1:12:16 31. Allegro con molto brio
1:14:31 32. Allegro
1:16:45 33. Canone: Moderato
TROIS Pièces EN LA
1:18:34 34. Presto
1:21:38 35. Veloce
1:23:03 36. Presto ma non troppo
SUITE EN FA MAJ
1:26:10 37. Preludio
1:27:50 38. Allegro moderato
1:35:24 39. Scena patetica: Adagio con grand espressione
1:45:42 40. Fuga: Tempo moderato
1:49:20 41. Finale: Allegro vivace
SUITE EN FA MIN
1:55:47 42. Allegro con energia, passione e fuoco
2:01:16 43. Fuga: Moderato
2:04:33 44. Allegro
** COMPLETE PLAYLIST: LOOK THE FIRST PINNED COMMENT **
SUITE EN Ml
3:06:10 71. Allegro legatissimo
3:08:49 72. Vivace
3:09:25 73.Canone: Allegretto
3:11:23 74. Fuga: Moderato
3:13:57 75. Canone: Allegro non troppo
3:16:27 76. Finale: Allegro
SUITE EN SOL
3:17:21 77. Allegrissimo, legato
3:18:09 78. Molto allegro
3:19:31 79. Allegro moderato, Il basso sempre legato
3:20:22 80. Capriccio: Presto
3:25:45 81. Finale: Allegro
SUITE EN RÉ
3:27:16 82. Scherzo: Molto Allegro
3:30:00 83. Moderato
3:30:53 84. Andante
3:36:36 85. Presto vigoroso
3:37:28 86. Allegro non troppo
3:39:12 87. Finale: Allegro molto vivace
SUITE EN SI
3:40:51 88. Andante con moto, ma cantabile
3:42:27 89. Presto
3:43:12 90. Fugato: Allegro non troppo
3:46:09 91. Allegretto
3:47:30 92. Finale: Allegro vivace
3:48:22 93. ALLEGRO EN LA BÉMOL MAJ
3:50:08 94. STRAVAGANZA: ALLEGRO CANTABILE
TROIS PIÈCES EN UT
3:52:07 95. Bizzareria: Vivace
3:53:43 96. Allegro agitato
3:55:27 97. Scherzo: Molto allegro
3:57:00 98. ALLEGRO VIVACE EN FA DIÈSE MIN
3:58:45 99. MOLTO ALLEGRO EN SI MIN
4:00:42 100. VIVACISSIMO EN Ml MAJ
Piano: Danielle Laval
Recorded in 1981, at Switzerland
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FULL COMMENT: SEE FIRST PINNED COMMENT
The Gradus ad Parnassum is not in itself an isolated work, but is a kind of amalgam of the composer's work in the didactical field, in the same way as the Clavierübung by Johann Sebastian Bach. As early as 1801, Clementi had edited as Introduction to the ad in London which was published in a German translation in Vienna the following year under the title "Introduction to the art of playing the piano"; shortly afterwards, moreover, Pleyel published the French translation in Paris, the title stressing the way of "touching" ("toucher") the instrument. From this treatise were extrapolated 50 lessons with fingering in all keys taken from the method or Preludes and Exercises in Major and Minor Keys, A Supplement to his Introduction to the Art of Touching the pianoforte. After this 24 Exercises on Scales in al/ keys was printed in Paris together with a Vollständige Clavierschule, in other words a complete method for learning the piano and 50 "lessons" published in several separate sections.
Danielle Laval. « She has fingers of iron ». This compliment from Arthur Rubinstein, concerning Danielle Laval's technique and astounding sensitivity, would provide to be very important support at the dawn of her career as a pianist. Great pianist, but forgotten today, we hope that this publication will do him justice.
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